Climate fiction (cli-fi) and eco-fiction are having a moment. Quite a long moment. Our concerns about the natural world, our impact on it and its impact on us, are thrown into stark relief by extreme weather, immense wild fires, and the global pandemic.
Only recently Jan Mazzoni discovered that – surprise, surprise – there IS a genre where her writing fits perfectly. It’s eco-fiction. Writing fiction that combines her passion for the natural world with a gripping tale for many years, Jan’s delighted to find a place where the stories she so loves to tell are completely at home.
Not that eco-fiction is new. In many ways, eco-fiction is much like any other genre – historical, thrillers, even romances – because every story needs the protagonist to go through some kind of hellish situation before reaching the (hopefully) happy ending.
As Jan says, eco-fiction just tends to have all this happen in prettier locations.
A yearning for wilderness encouraged Jan to move to a little house hidden in a large, rambling garden on the edge of Exmoor, a windy, bleak but beautiful part of the UK. Here, with husband George and four Romanian rescue dogs, she leads the simple life she’s always craved. She calls herself a recluse-in-training. As an only child she long ago grew up living inside the stories in her own head, and is quite happy there. She can control that world. And when the ideas that come seem like they’re worth putting down on paper, she retreats to the shed at the top of the garden and taps away at the PC. Sadly the dogs don’t usually go with her. It’s too cold up there.
Welcome, Jan, I’m so pleased to speak with you about The Snow Fox Diaries, and about your writing in general. Can you tell me when you decided that you ARE a writer?
JAN: I can’t remember when I haven’t wanted to write. As a toddler I cuddled books instead of toys. I made up stories – usually about animals, I started my animal rights campaigning early! – and made everyone borrow them. Then I became a real librarian. But that didn’t involve writing of course so I went on to become an advertising copywriter which I loved. It was a real learning experience. But I’m easily bored. So next I tried my hand at cookbooks (vegetarian), dabbled in journalism, wrote magazine fiction, a book of short stories. And finally two novels – one of which was The Snow Fox Diaries, which I’ve revised and am relaunching right now.
Is writers’ block a thing for you?
No. I’m lucky, that’s something I’ve never experienced. I love sitting down at my desk – feel a buzz of excitement as I switch on my laptop, I mean a real buzz, like I’ve just flicked a swich inside my head too. Probably goes back to the days when I was a copywriter. If you got writers’ block you got fired.
That’s a bit extreme! You and I first met through a discussion about covers. Could you tell me your thoughts about book covers.
Again, this may go back to my advertising days. For me the cover is like the box that a product goes into. Would you want to buy it if the box was plain brown cardboard? Or if it didn’t at least hint at what’s inside? Same with a book – I can’t imagine having to choose books if they had blank covers. I couldn’t do it. It’s my one problem with using a kindle.
It follows I’ve been very much involved with the covers of all my books. The Snow Fox Diaries originally had a stunning cover that was, in fact, a blue fox as we couldn’t get a picture of an albino (yes, they really are that rare). I wanted to change the balance with this revision, emphasising the moors on which the story is set as a character, while the the fox becomes more mysterious, elusive. We found a moody, misty shot that captures this unique environment perfectly. And then – a miracle – I found a photo of a real albino fox. Tucked on one side, she’s tiny, so you can’t see that she has pink eyes. But I assure she has.
I actually love both covers. I completely agree that the cover is the first thing that grabs me when choosing a book to read. What’s your favourite genre to read in?
I don’t have a favourite. I like to try new things – something that’s had a good review or has an intriguing title. I’ll read a book just because I love the cover! I do have phases though. Right now I’m into translations. What better way to travel without leaving home? Just visited Poland (Olga Tokarczuk) . Next I’m off to Japan (Takashi Hiraide).
Reading is one way to travel these days! Now, you say that The Snow Fox Diaries is eco-fiction. What is your definition of eco-fiction?
Eco-fiction (also called eco-lit) has been around forever but it’s only just becoming popular. Put simply, it’s fiction that has a strong environmental theme woven through it. It can be any kind of story – horror, love, family saga, YA. My niche is examining the link between humans and animals, the effect one can have on the other, both good and bad. But – as you’ll know from your own growing following – dystopian fiction is all the rage right now, which isn’t surprising with the way the world is being trashed. I love reading it but couldn’t write it. I’d find it too frightening.
I think dystopia and eco-lit both have a lot to say in the twenty-first century, and both link strongly to fact. How much research is involved in your writing?
I was probably researching for The Snow Fox Diaries before I even thought of the book! I helped at a small wildlife hospital, which meant taking in casualties and then nursing them in my own home. It’s one of those experiences that sounds more fun than it is. Baby birds have a terrible tendency to be doing OK, and then to just out of the blue drop down dead. Squirrels bite. They’re through to the bone instantly – and it hurts! Hedgehogs were a favourite, such weird little snuffly creatures. Even so, I recall one summer evening out on the patio with a sickly hedgehog on my lap, picking off maggots one by one, and wondering what on earth I was doing.
I’ve never actually worked with foxes though I’ve spent a lot of time around them. But when I heard the true story that inspired me to write this novel, I already had a lot of background info about caring for wildlife. And I live on Exmoor, so where else would I set it?
I think you’re a perfect match for the story! If I wanted to interview one of your characters, who would you suggest?
It would have to be Kevin. In the book he hangs around the edge of the story, keeps himself to himself, at least until he’s reluctantly drawn into the action. Even then he doesn’t say much, and never lets on what he’s thinking or feeling. Could be very little of course. Or he could one of those complex characters who are full of surprises. I’d love you to interview him because then you could tell me what makes him tick.
Ah! A character keeping secrets from his creator. I love it. What’s your writing goal over the next twelve months?
I like to keep a number of projects going at once. I’m working on three right now. A book of short stories (yes, that link between people and animals again). A novel combining fact with fiction, based on the life of (English etcher) Eileen Soper who was a brilliant wildlife writer and illustrator, a recluse, eccentric of course. She deserves some recognition. And I’ve been approached about making The Snow Fox Diaries into a radio play/podcast, which could work brilliantly. Capturing the moors in sound would be a wonderful challenge. I’ve already found the perfect music for the opening scene. It’s by Sting, called Cold Song, (from Purcell’s opera King Arthur) and it really makes you tingle. Now all I have to do is get Sting’s permission.
Maybe another version! Sounds a perfect choice, though – very English and snowy. Thanks for chatting today, Jan, and good luck with all those projects.
You can read my review of The Snow Fox Diaries here.
All Jan’s books: https://janmazzoniwriter.com/books/
THE SNOW FOX DIARIES: A novel by Jan Mazzoni
Revised and with Author Notes August 2020
Available from Amazon
When passion becomes obsession, anything can happen…
Chic, intelligent, highly motivated and unexpectedly unemployed. AND soon to be forty. Not a situation Katie Tremain finds easy to cope with, especially as it gives her time to notice that she and husband Ben seem to get on better together when they’re apart. So when the opportunity to escape the city and work on a dilapidated house on Exmoor comes her way, how can she refuse?
Then, one misty morning, she comes across something so bizarre that she can’t believe her eyes. A fox with fur so white it sparkles, like snow. A very rare albino vixen.
From that moment Katie’s days – and her life – change completely. And as the fate of her faltering marriage becomes entwined with that of the fox, Katie must decide just what she’s prepared to risk to save this beautiful but vulnerable creature.
Her sanity? Her marriage? Even her life?