Today I’m so pleased to introduce you to Chris McMaster, who has wonderful news for all of us speculative fiction folk: writers, readers, book lovers that we are.
Here is news of a brand spanking new publishing house, that is not only seeking submissions, but also looking for staff to be involved with a new and more equitable business model.
Now you just HAVE to read on, don’t you?
Welcome to my blog! What project are you talking about today, Chris?
I’m launching a new publishing company—and a new type of publishing.
Southern Skies Publications is a traditional small press indie publisher, established to bring Australian and New Zealand speculative fiction to print, and to work with other writers to bring their novels to life. I wanted to specialise in speculative fiction from down under: especially science fiction in all its many forms (Hard, Soft, Opera, Military, Dystopia, Apocalyptic, Alternate History, Time Travel), fantasy (Dark, Epic, Heroic, High, Low), and more.
I want Southern Skies to be able to help authors get their books to market. Self-publishing can be daunting. Traditional publishers can be closed doors. Southern Skies can offer the label, as well as the freedom to play a significant role in the production and marketing of the product.
We’re now team building, looking for folks who want to apply as well as develop their skills through participating in this exciting opportunity.
Can you tell us more about why you’ve started up?
I was excited to be offered a contract for my first novel, American Dreamer. It plays with time travel, alternate realities, interference by ‘gods’, and fighting back. I am still waiting, after one year, to be assigned an editor. In the meantime, I’ve written the third book in that series (now with beta readers), wrote a science fiction book (I’m almost done with first draft!) AND learned a lot about the publishing business.
I studied the model of my American publisher and saw where it could be improved. I think I’ve done that with Southern Skies, and am seriously contemplating asking to have that first contract torn up. I think we can do a better job.
Oh, that’s quite a story! Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline. What can you say about your process?
I love analogies, and have applied this one to Southern Skies: The whaling venture. It took me a very long time to finally read Moby Dick. I tried every few years, and eventually succeeded. As well as being a cracker of a yarn, it has an intriguing business model. Everybody on board a whaling ship has a percentage of profits. On those ships, it was whale oil. With a book, it is royalties.
Think back in time to when we didn’t know any better and whale oil was a valued and lucrative commodity. Ships were sent out to hunt whales, and it was only when they returned with the oil that any profit was turned. Somebody fronted the money for the ship (in most cases with Southern Skies that is me, but not always). They got a share of the profit. The captain of the ship got a share—our writers. And everybody who worked on the venture got a percentage. The harpooners, the deckhands, the first mate.
The marketeers are our harpooners, and they always get a fair share. Where writers also market, and develop their platform, their share increases. Editors are indispensable, and they get a fair percentage. Cover design is vital, which is why our graphic artist gets a percentage. Of course, all this is negotiable. We can be more flexible than a Nantucket whaler when it comes to individual arrangements.
I like the analogy of the ship, as each book will have its own crew, ensuring the success of that venture. I have heard the, “I’m way too busy for that!” reaction, but we’re only as busy as we choose to be. We’re in charge of that. You might want to play a part in one book, or two, or even three. You can be as busy as you want to be.
Oh, maybe another analogy: think microbrewery. There are the huge brands, that mostly taste the same. Try to talk to the folks there and see how far you get. Then there are local brews produced by people who care. You go to the counter and order your pint, and you talk to the brewmeister about it. You can meet the team. You could probably even join the team. The beer is special because of that, as well as the individual flavour it offers, and the pride the team put into their product.
Southern Skies is like that.
It’s great to hear how passionate you are about this venture, Chris. Where can we find out more?
You can learn more about Southern Skiesat: www.southernskiespublications.com. Just click on the contact tab to get in touch—we’d love to hear from you.
My author site is: www.christophermcmaster.com. Take a look and join my mailing list—stay up to date with my books!
Thank you so much for having Something to Say today, Chris!
Good luck to Southern Skies!