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Rosalie Ham: author and extra

Rosalie Ham is an Australian author most famous for her debut novel The Dressmaker, a black satire about love, payback, and 1950s haute couture, which was made into a major motion picture starring Kate Winslet, Judy Davis, Liam Hemsworth, and Hugo Weaving in 2015.

Recently I was fortunate enough to meet Rosalie at an event where she explained how the movie was made, her part in it, and the challenges of shifting a story from prose to film. Rosalie was so inspiring that, grabbing my courage in both hands and telling myself that being scared every now and then is good for me, I introduced myself and asked if she would consider appearing on the Last Word of the Week blog. And here she is! 

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Thank you for joining me today, Rosalie. Can you tell us something about yourself that you think anyone who reads your book/s really ought to know?

Rosalie: I tend towards the ironic, and so some readers don’t ‘get’ that sort of tone or my black humour, but I get that not every book is for every reader.

That’s a great way to think about it, very wise. What is your favourite scene from your own writing? Why?

I have favourite scenes in all four novels, so I’ll pick a couple. In The Dressmaker it’s at the end when Sergeant Farrat is sitting on top of The Hill. Everything around him is razed, the landscape burned flat to the ground, smouldering and smoking, cinders floating. The District Inspector of Police arrives and asks, ‘What happened?’

The sergeant replies, ‘There’s been a fire.’

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At the beginning of Summer at Mount Hope Phoeba, Lilith and Maude are sitting on the narrow bench of the family sulky which is stranded in the middle of a roadside dam. The three 19thcentury ladies are wearing their Sunday best, sheltering from the sun under their vast, ostrich plumed hats. Their skirts are bunched on their laps exposing the lacy trim on their bloomers, their boots are up on the dash, slimy green water swirls just below their bottoms and the tail of the horse supposedly conveying them to Church floats before them. In the quiet of the country lane, they hear a carriage approach. It is the grand Britzka containing the wealthy neighbours from the vast property to the west. Maude speculates, ‘They may not notice us.’

Oooh, yes, these are perfect. From what I have read, I understand that your characters are not completely imaginary, but based on real people. Has anyone recognised themselves in your books?

I suspect most writers create characters using elements of real people. Because characters, basically, carry a theme, creating a plausible vehicle is my main focus. The added personality traits are instilled to make them more memorable and hopefully readers might then find empathy with a character and his or her purpose. Some readers out there might just recognise why a character says and does certain things.

I know that you appeared in the film version of The Dressmaker as an extra. Are you a character in any of your books? Why/why not?

No, I’m not a character in any of my books. Generally, in order to create an effective character for a particular role that character needs to do what you want them to do. Their intention is their narrative drive, if you like, so their intention has to be quite separate to what I might say and do. It’s essential to strive to present a balanced argument, so you need to think about alternate arguments and create characters to present them so they all need to be other than the writer’s personal point of view. The story becomes about the argument rather than how I feel about the point I’m prosecuting. 

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That makes sense. Take yourself back ten years – what would that Rosalie like to tell you?

Trust your ability. Believe in yourself more, go for it, your stories will reach further than you imagine.

Amazing, yes. What’s next for you in the world of writing?

 More writing. I’ve got a few more events to attend this year to promote my last novel, The Year of the Farmer, then there’s a rough first draft of my fifth book that I’m dying to get stuck into. As I see it, there are at least two more novels I could write. And I have a dream that one day I’ll adapt one of my novels to a stage play. And I need to do all of this while teaching part time.

 

Year-of-the-Farmer-677x1024What’s the single most important quality in a writer, in your opinion?

Talent. Some books are written through sheer determination and they’re good. Readers will get much from them, but some writers are different, their stories boil straight from the heart, they burn and shimmer, they’re well-structured and moving, revelatory, unique, life-changing, and above all, memorable. That sort of writing can’t be taught, it comes from the way writers look at the world and convey it to others.

And finally:Who would you be if you were a fictional character – one of yours, or someone else’s?

I’d be Phoeba Crupp from my second novel, Summer at Mount Hope. I’d grow my own grapes and produce fine wine, raise beautiful sheep with superior wool, cultivate exceptional grain crops and work hard with nature. Because I value friendship above romance, I’d carry sad matters of the heart in my back pocket like a spare hanky. When my father betrays me, I’ll turn that to my advantage and make my life a testament to female strength and the fighting rural spirit.

She sounds divine. Great choice.

Thank you so much for sharing with me today, Rosalie. I was indeed a pleasure and an inspiration to meet you.

 

Rosalie’s Links:

Website: https://rosalieham.com/

Twitter: @RosalieEHam

Facebook: https://www.facebook.com/RosalieHam/

If you’d like to book Rosalie to talk at your school, library or book club (or fundraiser, lunch, valedictory…) please get in touch with Booked Out Speakers, Melbourne on (03) 9824 0177. I can highly recommend her as a speaker!

Rosalie is represented by Jenny Darling and Associates (03) 9696 7750

Stephanie Bretherton has the Last Word

Bone Lines, Stephanie Bretherton’s debut novel, considers what it is to be human by engaging us in the lives of two women, separated by millenia. Stephanie is a wonderful communicator who has a fascinating backstory of her own – Born in Hong Kong to a pair of Liverpudlians, she is now based in London, but manages her sanity by escaping to any kind of coast, particularly far west Cornwall.

LWOTW: Welcome, Stephanie, it’s lovely to meet you. Thanks for sharing this Q&A about writers and writing. Tell us about when you first realised that you are a writer.

Stephanie: Probably the first time I got an A for a school composition! Those kind of dopamine hits can become as addictive as sugar. Just as well, really, as I have struggled with ‘numbers’ all my life. Words, on the other hand, have been my friends. It’s amazing what you can do with them, from creating and escaping into your own imaginary worlds, to coming back out into the ‘real’ world and communicating ideas, forming friendships, entertaining people, making them feel good.

If I had lived in the times of the prehistoric character in my book, Bone Lines, I would have been a rubbish hunter but would probably have made myself useful as the storyteller of the tribe.

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That’s a great thought. You are obviously good at imagining yourself into the texture of your stories. Do you rely more on dreams, imagination, and planning?

I use all three. A dream might inspire, or help solve a problem, but that’s more passive. Active imagination is the key driver. Planning tends to come retrospectively, if that makes sense. I reverse engineer the planning once I have a character, a world, a theme, an idea that has been allowed to run free and take its own shape.

I love that notion! Reverse engineering planning – brilliant strategy for the imaginative writer! What’s the highlight of your writing career so far?

I have always worked with words, communication or ‘storytelling’ in one form or another, and there have been quite a few thrills and spills along the way, from reading the weather report on Hong Kong television to building my successful ‘boutique’ communications agency. But creative writing fiction in particular has always been my first love and publishing a book was a lifelong goal. So undoubtedly bringing my debut novel Bone Lines out into the world last September, as exciting and terrifying as that journey has been, has to be the highpoint so far

I’m glad you mention the terror. It’s something writers don’t always expect, but it’s certainly there, hiding among the joys and delights. What are you most looking forward to at the moment?

Three weeks unbroken chill at my bolthole in Cornwall in the summer, to rest, write, walk and play. I am very blessed to have found a corner of the world that fills my soul. I’ve had a rather nomadic life since childhood (though I have always been drawn to a coast) and I while recent generations of my family are not from Cornwall (we are misplaced Scousers) and I’d never spent much time there before, I had the strangest sense of ‘coming home’ when I visited friends near Land’s End three years ago.

I had a small inheritance after my widowed mother had died, and I found a tiny place near the sea that weekend, put in an offer on the train back to London and knew it would gradually become ‘my soul’s landscape.’ I still have to spend a lot of time in London for work, but whenever I can get back to Cornwall, it’s just magic. The perfect place to write. (And I really need to crack on with book two.)

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That sounds divine – but yes, we need Book Two. (I’ll put aside thoughts of Poldark for the moment…very distracting…) If you could say one thing to aspiring writers, what would it be?

If it’s what you want to do so badly that you are prepared to make sacrifices of your time, ego, cash flow, personal life, and sometimes what feels like your sanity, then just keep writing – whether you are ever published or not.

If you have something that has to be said, a story that has to told, a head full of characters demanding to written about, if you feel most ‘yourself’ (and at peace with yourself) when you are writing, then write, write, write. But there are no guarantees. Anything can happen and you can get lucky, but it’s a hard profession in which to make either headway or money. On the other hand it’s also a wonderful profession to be a part of. You can also self-publish – but do that as well as you can too. All readers deserve your best, most professional work.

Do the work, learn the craft, take advice from those whose track record speaks for itself. Work with a good editor. If you can, pick a genre. I haven’t really yet, so am no example, but it will help when it comes to selling to the industry and then marketing – and know that marketing is a huge part of being an author too, so start to learn those skills as well. Nothing will just come to you though. Take rejection on the chin. You are unique, but you are not ‘special’ (yet) – writing is graft, but worth every minute, at least it has been to me.

Wonderful advice, thank you! And finally: Who would you be if you were a fictional character?

Atticus Finch, and Scout. The father in The Road, and his kid. Cathy and Heathcliffe. Pip, Abel Magwitch, and Estella. Or Joe and Biddy. Luke, Han and Leia. And Chewie. My Dr Eloise and all her lost lovers, and John, the priest. My ‘Sarah’ and all her ‘children.’ Aren’t we all the characters we have ever loved, learned from, or imagined?

LWOTW: Indeed we are! Writers and readers are the most changeable, and perecptive, of humand. Thank you so much for speaking with me, Stephanie, it has been pure joy.

Stephanie’s important links:

Stephanie’s Website is at http://stephaniebretherton.com/

Bone Lines is available online at all the usual places such as Book Depository

 

 

 

Save the date! March 20th

The Stars in the Night launch event is confirmed: Wednesday March 20th 2019 at Readings Carlton, 6.30pm. All welcome!

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I see the light!

I think I’ve done it!

After a couple of days of fiddling and frowning, I *think* that my newletter sign up function is working…Apologies if you tried and had no success previously. (Please feel very welcome to try again!)

Now I’ll rock on with preparing my very first newsletter for January 31st!

10 questions to ask before publishing with a small press

via 10 questions to ask before publishing with a small press

Last Word of the Week: Steven Neil

Today I am very happy to be interviewing Steven Neil, an English author who writes historical fiction with a twist of intrigue and mystery.

LWOTW: Welcome, Steven! Tell us, when did you write your first story?

I wrote my first story when I was seventeen. I thought I would study English Literature at university and become an author. In fact I studied Economics instead and didn’t write another story for thirty-five years. When I retired I studied English Literature at the Open University and my writing began again.

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LWOTW: We’re very glad that you got back to it! What do you think of dreams, imagination, and planning?

Dreams and imagination are the creative spark for any writer but it is planning and the ability to implement a plan that takes a writer through to publication. I always thought I could only write short stories, but if you can write one 2000 word short story, you can probably write ten 2000 word short stories. Once you understand that, it is only a question of having the persistence to write, say, thirty-five linked 2000 word short stories and you have written a novel! That is the way I did it.

LWOTW: That’s an interesting way to go about it. Thanks for that. What’s the highlight of your writing career so far?

Writing and publishing my first historical fiction novel The Merest Loss in December 2017. In doing so, I achieved something I never thought I could do. It took three years of research, during which time I completed a Masters in Creative Writing.

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The Merest Loss is a story of love and political intrigue, set against the backdrop of the English hunting shires and the streets of Victorian London and post-revolutionary Paris.

LWOTW: It sounds wonderful. Another one for the TBR pile. What are you most busy with at the moment?

In some ways writing a novel is the easy part! It doesn’t feel like it at the time but once you embark on the process of trying to market your book, you realise how difficult it is to achieve recognition in a very crowded marketplace. However good your novel is, and however many 5* reviews you garner, you need to work at it to make sales. I’m currently busy creating my social media profile, developing my network of independent booksellers and building a programme of speaking engagements. Books don’t sell themselves on their own when you are a first-time author!

LWOTW: With luck your background in Economics will help! If you could say one thing to aspiring writers, what would it be?

Never give up. If there is a book in you, it has to come out.

And the Last Word of The Week: What’s your favourite colour?

Brown.

Here is Steven’s independent author network profile, containing twitter and facebook links and buy links:

http://www.independentauthornetwork.com/steven-neil.html

THE MEREST LOSS #HistoricalFiction #Romance

A story of love and political intrigue, set against the backdrop of the English hunting shires and the streets of Victorian London and post-revolutionary Paris.

Available in paperback and ebook in the UK, US, Canada and Australia.

https://www.amazon.co.uk/Merest-Loss-Steven-Neil-ebook/dp/B077D9SHB5

https://www.amazon.com/Merest-Loss-Steven-Neil-ebook/dp/B077D9SHB5

https://www.amazon.ca/Merest-Loss-Steven-Neil-ebook/dp/B077D9SHB5

https://www.amazon.com.au/Merest-Loss-Steven-Neil-ebook/dp/B077D9SHB5

Last Word of the Week: Felicity Banks

This week we are being totally charmed by the gorgeous Felicity Banks, the Australian author who channels the Antipodean Queen (how cool is that?) among other things. Felicity is also published by the impressive Odyssey Books.

Last Word of the Week: Welcome, Felicity. Can you tell us when  you wrote your first story?

Felicity: I can remember attempting my first novel when I was seven or so, during an idle afternoon at my grandparents’ house. It was about a family of cats, and the big drama was that Pamela (the mother) had gained weight. What unimaginable horror!

Then the amazing twist was that she wasn’t overweight after all. She was having kittens. There is no greater possible end to a story than brand new kittens.

LWOTW: A happy outcome indeed. What do you think of dreams, imagination, and planning?

It seems I was born to plan out my stories before I write them, given that I was outlining novels at age seven. Sometimes I write out pages and pages of character notes, maps, and so on. Most of the time I have about an A4 handwritten page of notes when I start writing a novel and if I’m having trouble with a scene I might write out another page of notes just for that scene. Sometimes things change dramatically partway through the story, and I’m fine with that. Once I had a weird dream and then woke up and started writing a novel that afternoon.

Imagining things is easy; real life is hard.

LWOTW: We’re with you there. What’s the highlight of your writing career so far?

It took me a long, long time to get published—fifteen years after finishing my first novel. At around the same time as my first novel was published, I discovered the world of interactive fiction (like “Choose Your Own Adventure” novels, but usually digital), and nowadays my writing is actually in demand. That is absolutely amazing, and I love it.

I really enjoy going to conferences and fairs, especially meeting people who’ve read my books and come back for more.

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LWOTW: That must be very affirming. What are you most busy with at the moment?

Trying to actually do the writing I’m meant to be doing! Which is precisely why I’m here, doing other things.

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LWOTW: Well, we’re glad you took the time out to talk with us. If you could say one thing to aspiring writers, what would it be?

Don’t! The average full-time writer in Australia earns only $12,000 per year.

But if you’re the type of person who thrives on being told not to do something, then the long years of rejection will be perfect for you. Or you can just write for fun (and if you get paid, great). That’s what I do.

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And the Last Word of The Week: What’s your favourite colour?

Green.

Thanks for speaking with us!

You can find out more about Felicity’s steampunk fantasy books here.

Felicity’s interactive writing can be found under the name Felicity Banks at the site here – but beware, it’s addictive!

Felicity’s latest book is a middle grade novel called The Monster Apprentice and features monsters AND pirates. You can find Felicity’s various pirate tales (some for children, some not) here.

Cover me, I’m going in…

Into bookshops, of course.

Scandinavian bookstores to be exact, some of which are worth the investment of several hours. Although all these shops have sections where English books are stacked and shelved in their dozens, I found myself drawn to the local language books. Here I confirmed that, for better or worse for us authors, potential readers DO judge a book by its cover.

The conventions of genre in imagery help us to distinguish crime from fantasy from romance from historical fiction from military memoirs from poetry, and so on. Classics with new, interesting covers (like those in the header image) live on the strength of their titles and authors. Newer fiction must usually play by the rules, although that doesn’t necessarily mean playing in the same well-worn rut.

For example, I like this new fantasy cover for the prolific (and wonderful) Brandon Sanderson‘s The Final Empire (first published 2006). This cover clearly references the genre but presents a more up to date, fresh, arty take on it. You could think that its first imprint was at least ten years later.

IMG_3288In a watercoloured, simplified way, all the genre markers appear. Fantasy city: check. Mysterious being: check. Spooky question to set up the fantasy premise: check. Weird misty atmosphere: check. Potential to adapt for the later books in the series: check. And is there a suspicion of snow on those towers … Jon Snow? GOT readers say: ‘my kind of book’, as do Harry Potter and LOTR folk. Probably, as do fantasy readers in general.

And here’s a novel clearly set in or around the time of the First World War. Clearly. It also features the poppy on the spine, so you know the genre even when it’s facing the wall.

follettIt’s Ken Follett’s Fall of Giants in Norwegian. Even if we hadn’t noticed the guns and the sepia-tinted photo, that poppy gives it away. Are those soldier-photos and poppies clichéd? I guess yes, but they also act as immediate identifiers for readers who are eager to read something similar to books they have already enjoyed.

Now what about family sagas and romance? Evidently (from my observations), a reader wants to see a woman on the cover, most often with her back to us, contemplating her situation. Her attitude and costume communicate the historical period covered in the novel:

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Many crime stories also feature women, usually with their backs turned to us, walking into danger. Women? Of course, I should say ‘girls’ for that genre 🙂

My own WWI novel will be published later this year, and I am agonising over what might make a good cover – to poppy, or not to poppy? – being the main question. Do I need a rising sun to mark it as Australian? And a woman in historical costume to signify that it is a family-based romance as well as a war story? My brains are on the rack.

If you have any brilliant ideas for what I could suggest to my publisher, please leave me a comment below!

PS All photos taken by me.

 

Coming soon: the Last Word of the Week

Good news, readers and writers!

From the first Friday in July, we are starting a new project called the Last Word of the Week (LWOTW). Every Friday, a different writer will join me for a Q&A about the craft and business of writing.

I’m very much looking forward to getting started with all these clever, generous folk.

 

Image Credit: The Garden of Chenenceau, by Clare Rhoden

 

Five questions, a writing exercise, and a picture

Today’s wonderful image is from WallUp Wallpaper Images

Today I had the pleasure of speaking to some creative writing students at Victoria University, in the western suburns of my hometown Melbourne.

Being trapped in the spotlight in a room full of other writers felt a bit daunting, so instead of just reading from my book and then expecting discussion, I structured my given hour around reading, writing, questioning and visualising fiction.

In this post, I’ll look at the questions I prepared and the answers we discussed. These are the five questions I am most often asked since The Pale was published:

  1. Where do you get your ideas?
  2. What made you want to write about this?
  3. How did you go from a short story to an 80,000 word novel?
  4. How did you find a publisher?
  5. How do you sell books?

My ideas come from the real world and from dreams. (I find my dream stories have had better success in finding publication – but that topic is for another post!) In the case of The Pale, in 2014 I had a dream that I was locked inside a wire compound and that there was a crying baby on the ground outside the gate. Nobody would let me go out to pick up the baby, and eventually it was left to my old German Shepherd dog, 15-y-o Dinny, who arrived suddenly at the baby’s side and rescued it.

The morning after the dream, I wrote the first draft of Man/Machine/Dog, which was published in Overland 215, Winter 2014.

What made me want to write about this dream was the refugee crisis, in particular Australia’s response, which I continue to find deeply distressing. (More information at the Refugee Council of Australia.)

From short story to novel took me almost a year and I did this mostly by writing backstory for all the characters. I created a writing exercise around this for the students which I will outline in a later post.

Finding a publisher was a pitted path. After the story was published, a start-up sci-fi publisher asked about the novel (which I had not written!). The first draft, which I sent to them, was seriously under-done and rightly rejected. Many revisions later, after learning more about the industry by attending workshops at Writers Victoria, I searched for a publisher willing to accept unsolicited submissions electronically (who wants to pay postage on a novel-sized project?). I sent a much re-worked version to Odyssey Books and was thrilled to be accepted for publication. I have some tips for organising and surviving your submissions – but that too is for a later post.

Selling books is quite hard. There is so much excellent competition out there, and marketing is not a core skill for me. It took me quite some time to grow a writerly skin which allowed me to submit my writing (poor shivering creature!) to publishers, and I am aiming now to grow a marketing persona. There are a number of associated activities that authors can undertake to help sell their books, and I will outline some of these in a later post. I can’t do everything, but I can always do something to help my book get into the hands of readers.

Speaking of which (shameless plug alert), if you’re in the market for a gripping read in dystopian sci-fi, you can buy The Pale here, or at the usual places, like Booktopia or Amazon.