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Remarkable Women with Carrie Hayes*: free love and votes for women

Carrie Hayes’ debut novel Naked Truth tells the story of real life sisters, Tennessee Claflin and Victoria Woodhull, American suffragettes and advocates of Free Love, who came to New York in 1868 and challenged the status quo.

*Author photo by Pamela Forbes
Tennessee Claflin, stockbroker

Stock broker Tennessee Claflin with investors, from The Days’ Doings, February 26, 1870.

Unusually and rather shockingly for women of the time, they opened a Wall Street stock brokerage and published a newspaper. In 1870, Victoria made history when she became the first woman to run for President of the United States.

Victoria Woodhull attempts to vote

Suffragettes Victoria Woodhull and Tennessee Claflin attempt to vote, from Harper’s Weekly, November, 25th 1871

Welcome, Carrie, and thanks for speaking with me. Can you tell us why writing is important to you?

Carrie: Writing is important to me because words and language are the most basic and spontaneous way for us (ie people) to convey our thoughts, feelings, dreams and everything else that goes along with being a human being. I love, love, love all forms of art- music, dance, theatre, and the visual arts, but writing is something almost everyone can do- at least to one degree or another. So that pushes its significance to the top of the list.

What’s your take on creative writing courses?

I think creative writing courses are incredibly valuable. They help tease out whatever natural flair you might have as a writer, at the same time as (hopefully) drilling in a little bit of discipline when approaching one’s work.

What would you like to tell aspiring authors?

My words of advice to any aspiring author would be to read as much as you can, particularly those writers you admire and would like to emulate. The books that you read are like free lessons and can only help you grow as a writer.

Can you give us some insight into your writing routine?

My go-to routine for writing involves as much procrastination as possible! But sitting at my desk is very heaven. It’s in a smallish room at the top of the landing at the house where I live. There’s a wall of books on one side and a small bed across from that where my dog snoozes while I work. The desk was a gift from a friend and had been her mother’s. It’s an elegant burled oak lady’s desk with a patina full of good vibes. It’s centered on the window and looks out onto the street. I can peer around my computer screen and watch the comings and goings outside. I don’t allow myself to quit for the day until some writing happens….Writer’s block is not really a thing for me, because a very brilliant writing teacher I had said, “Plumbers don’t get plumber’s block, you just have to work through it. Just get to work!” She also pointed out that 300 words a day come out to a novel a year, so there isn’t any excuse. My favorite writing food and drink is preferably something that isn’t sticky. I’m a pretty messy person, but a gooey keyboard is the worst. I tend toward salty savoury things whilst working, but then again it’s a rare sweet that I’d turn away from too..

Procrastination staved off by snacks sounds like a good plan! What kind of responses to your writing have you had?

“I didn’t want it to end….” was the best response I’ve had to my novel. However, reviews are tricky. Because whoever is reviewing the book might really, sincerely not have enjoyed it at all! And that puts the reviewer in an awkward position, I think… so one shouldn’t take these things too much to heart, but getting a negative review never feels good. Alas, it’s part of the deal of putting one’s work out there! An agent who wrote me a really nice rejection letter said my novel made him think of Annie Proulx‘s writing…. But I haven’t read much of her work, and the agent also rejected me, so I don’t know what to think about that. I guess I realised that I am a writer when it just became the default setting of how I spend my quality alone time. I wrote something in medium about that: this is a friend link so anyone can click on it and see it  in medium. https://medium.com/@carriehayz/for-dad-in-time-for-fathers-day-2f3368f78455?source=friends_link&sk=f730af86b5cafa8217227457ce1f1425.

It ‘s about my dad, who was involved in the New Journalism movement of the 1960’s. He would constantly say that I would be a writer. Of course, if one’s parent says something, it almost becomes a challenge not to do the opposite thing….  It wasn’t until he’d been dead 30 years that the writing thing really took hold and I just stopped fighting it.

That’s very interesting, if a little sad, but your dad was right. If writing is your go-to quality activity, then it’s definitely your way of life. Do you like reading too?

My favorite genre is historical fiction, which not coincidentally, is my genre. I love doing the research. It’s everything to me. In fact, I wish I were better at it. And to be honest, my favorite reader would be someone who just likes to read what I like to read! Something challenging but not too difficult! Something with lots of nuanced, even feminine perspective that doesn’t necessarily end the way that I want but something that leaves me feeling a little bit breathless and amazed by the narrative journey I’ve taken whilst reading the story, you know?

Naked Truth, or Equality, the Forbidden Fruit by Carrie Hayes

Naked Truth, or Equality, the Forbidden Fruit by Carrie Hayes

Your writing style is quite different to a lot of historical fiction. How have readers responded?

So far, my book has yet to gain much traction. It may be because it isn’t very straightforward. Also, some readers have really disliked the way I used news clippings and letters from the period to frame the action. Then there are those who find the jump cut style of the narrative rather jarring. I am a huge Baz Luhrmann fan, and the way he incorporates the jump cut in Romeo and Juliet left a very powerful impression upon me in terms of storytelling and structure, even now, years later. So, the way I wrote the book was an attempt to emulate that sort of perspective. I think that were I to write it again, I would stick with my guns, too. I just like a jarring, staccato style narrative. I do. So, if I could write a  note to a reader, I think it would say,

Dear Reader, 
THANK YOU for reading this! If you don’t know who Victoria and Tennessee were, now you will. They were real women who did incredible things, but were largely lost to history. 
I wrote this book with the hope of inspiring you, if only just a teeny tiny bit to take chances and to do incredible things. 
Also, Reader, please rest assured that at the end of the day, it doesn’t matter if your efforts go unheralded, 
incredible things are still worth doing. What matters is that you did them. 
With every best wish, Carrie

Thank you so much for chatting with me today, Carrie. Your Naked Truth book is on my TBR list for this year, and I’m very much looking forward to it.

Carrie’s LINKS

Website: www.carriehayes.net

The Book: Naked Truth or Equality: the Forbidden Fruit

On Amazon: Naked Truth or Equality: the Forbidden Fruit

Instagram: https://www.instagram.com/carriehayes1964/

Facebook: https://www.facebook.com/carriehayespage/

Blog: https://medium.com/@carriehayz

 

‘First, I make tea’: the craft of writing with Yoon Ha Lee

Yoon Ha Lee is a Korean-American writer of science fiction and science fantasy. YHL has a B.A. in math (maths to those of us in Australia) from Cornell University and an M.A. in math (yes, maths) education from Stanford University. Yoon loves to explore mathematics for story ideas. His fiction has appeared in several revered sci-fi & fantasy (SFF) publications such as F&SFTor.com, and Clarkesworld Magazine, and his stories have been chosen several times for  “The Year’s Best…” anthologies.

Earlier this year I was fortunate enough to review Yoon’s fabulous book, Hexarchate Stories, an instalment in his much-loved Machineries of Empire series. I introduced my review with this sentence:

Prepare to be amazed and captivated by this collection of science fiction delights…

Imagine my pleasure when Yoon agreed to be interviewed for the Last Word of the Week!

Welcome, Yoon, and thank you for speaking with me today. You’ve been widely published and have quite a name in SFF circles. What words of advice would you give an aspiring author?

YOON: There is a lot of writing advice out there.  Realize that every writer is different, and that advice that works for one person may not work for another.  There’s often no harm in trying something to see if it works for you, but if the advice doesn’t work, there’s likely nothing wrong with you.  It’s intended for a different kind of writer, that’s all.  Take what works and discard what doesn’t.

That’s very reassuring. Do you have a go-to routine for writing?

First I make tea.  Then I sit down to write, except my tortoiseshell cat, Cloud, jumps up and blocks the keyboard.  I pet her until she decides that she’s had enough worship and wanders off.  Only then do I get started.  Really, worshipping a cat is one of the most pleasant ways to brainstorm anyway.  She interrupts me at intervals for more petting, which is a great way for me to take typing breaks!

I think I need another blog series called ‘authors and their feline muses’! How much research is involved in your writing?

It depends on the story!  In a sense I’m constantly researching, because I keep an eye out for ideas and interesting facts as I read or browse the internet or listen to conversations.  Some stories are mostly invention, so they don’t require me to research anything specific.  On the other hand, my forthcoming novel Phoenix Extravagant is set in a fantasy version of Korea during the Japanese occupation, and its protagonist is a painter, so I spent six months reading everything I could get my hands on about Korean archaeology and art history.  Spoiler: it’s hard to find much on those topics in English; I am indebted to my mom for helping me find books!

Ah, a secret research assistant. Excellent! How do you deal with plot holes – if you ever have any!

First, I go to my husband and whine at him, usually with the words, “Joe, my novel is brokedy.”  Then I make him take me to a cafe, where I explain why my story isn’t working (and probably the other patrons are giving us weird looks because we’re talking about nanomachines or undead generals or whatever).  He brainstorms with me and comes up with a solution.  I ask him to type it up and email it to me.  I read the email.  Then I ignore his suggestions and do something completely different.  Strange as this method sounds, it works!

I must try it! I can’t get my husband to read my books until they arrive in paperback form. How you get feedback about your story before it’s published?

I have a trusted group of friends whom I ask to beta read for me.  There’s usually a few people willing to volunteer at any given point in time.  Some of them are writers, some of them aren’t.  Every beta reader has different strengths and weaknesses, so I try to get a few different viewpoints.  For example, my husband is a physicist, so he’s great at finding logic holes.  Character arcs, not so much.

The Candlevine Gardener & Other Stories by Yoon Ha Lee

The Candlevine Gardener & Other Stories by Yoon Ha Lee

Good plan. What’s your writing goal for the next twelve months?

Right now I’m working on a science fantasy short story for the Silk & Steel anthology.  I’m a novice fencer attending the Red Stick School of Fencing in Baton Rouge, so there will be dueling!  My duelist character is going to be much more competent than I am–what else is wish-fulfillment for?

I’m currently under contract for a sequel to my kids’ Korean mythology space opera, Dragon Pearl, so I’m excited to be working on that after the short story’s done.  I love space opera so it’s going to be fun returning to that genre.  That’s due in October.  And after that, who knows?

Ninefox Gambit by Yoon Ha Lee

Ninefox Gambit by Yoon Ha Lee (Machineries of Empire #1)

That’s quite a program! And you’re the third SFF author I’ve met who also fences… What’s your favourite genre to read?

I have two right now–nonfiction and tabletop roleplaying games (RPGs).  The world is full of weird and fascinating facts; my shelves have books on linguistics, military history, music theory, and other delights.  As for the RPGs, I’m a gamer with an interest in game design, so I love looking both at older settings like TSR’s Planescape (a Dungeons & Dragons campaign setting) as well as indie RPGs like Monsterhearts 2 or Tiny Frontiers.

Are you planning to write any graphic novels?

I’d love to give it a go; I’ve experimented with one- and three-panel gag strips in the past.  My current project, sort of in the nature of a warm-up, is a 22-page comic adaptation of my short story “The Battle of Candle Arc,” originally published in Clarkesworld Magazine (http://clarkesworldmagazine.com/lee_10_12/).  I have a script, thumbnails, and color test, so the next step will be to do the pencils.  Trying to make a story work in a visual format is extremely interesting.  I’m personally looking forward to drawing exploding starships because, please, don’t we all?

What would be a dream come true for you?

This is a very long shot, but I would be thrilled if someone made an animated TV adaptation of Ninefox Gambit or even all of Machineries of Empire.  I suspect that doing it as live-action would be cost-prohibitive because of all the “magical” special effects and space battles, but maybe animation would ameliorate that?  It’s nice to dream, anyway!

A wonderful dream – I’d love to see that! Thank you so much for the chat. You’re an inspiration.

Phoenix Extravagant by Yoon Ha Lee

Phoenix Extravagant by Yoon Ha Lee

 

LINKS

website: http://yoonhalee.com

Twitter: @deuceofgears

Instagram: @deuceofgears

BOOK LINKS

Phoenix Extravagant (preorder):

https://www.amazon.com/Phoenix-Extravagant-Yoon-Ha-Lee/dp/1781087946/

Dragon Pearl

https://www.amazon.com/Dragon-Pearl-Yoon-Ha-Lee/dp/136801335X/

Ninefox Gambit

https://www.amazon.com/Ninefox-Gambit-Machineries-Empire-Yoon/dp/1781084491/

Trevor Wood introduces The Man on the Street

Although Trevor Wood has lived in Newcastle for twenty-five years and considers himself an adopted Geordie, he still can’t speak the language. A successful playwright who has also worked as a journalist and spin-doctor for the City Council, Trevor served in the Royal Navy for sixteen years joining, presciently,  as a Writer. Trevor has an MA in Creative Writing (Crime Fiction) from the University of East Anglia.

Trevor’s widely-praised first novel, The Man on the Street, is set in Newcastle, and will delight readers of mystery thrillers – if you like Val McDermid and Ian Rankin, Trevor’s Jimmy Mullen series could be your next addiction.

Let’s discover a bit more about the writer behind Jimmy.

LWOTW: Welcome, Trevor, and thanks for talking to me on last Word of the Week. What was the first book you read for yourself?

TREVOR: Like most people my age I blame Enid Blyton for everything. The Secret Seven, Famous Five and the ‘Adventure’ series were undoubtedly my gateway drugs to a lifelong love of crime fiction. It’s no coincidence that my debut crime novel The Man on the Street features a dog. He’s a direct descendant of Timmy.

Author Trevor Wood

Author Trevor Wood

Once I’d put on my big boy pants it was difficult to know where to go next for something to read – YA fiction was barely a thing back in the day. The solution came to me on a terribly dull barge holiday on the Norfolk Broads with my cousin and his family. These days I’d love that kind of holiday – a glorified pub crawl on a boat being my kind of thing – but for a 14-year-old boy it was stupefyingly boring. The solution was galloping through the shelf full of books on the barge – all written by Agatha Christie. From that moment on it was crime all the way and it’s all due to Enid and Agatha (and maybe Scooby Doo).

Enid and Agatha provide a perfect pedigree, but I see you also have an MA in Creative Writing. Do you think that creative writing courses are valuable?

I have nothing but praise for the creative writing courses I’ve done and am certain that without them I wouldn’t now be a published author. I tried a couple of short, local courses in Newcastle first. From the first I ended up joining a small group of writers who meet up every three weeks to offer each other constructive criticism on our latest work in progress. It’s been an invaluable part of my process. My second course provided me with a great friend who also happened to be a retired senior cop, who is now not only a drinking partner but a sounding board for some of my more fanciful ideas regarding the police.

It was the third, however, that provided the major impetus to my writing career, such as it is. I was one of the guinea pigs on UEA’s inaugural Crime Writing MA, a two-year, part-time course with an end point of producing an 80,000 word crime novel. With visiting writers including Lee Child, Ian Rankin, Mark Billingham and Denise Mina, and ten other thoroughly-committed budding crime writers offering regular feedback on every 10,000 words produced, it was a total joy from start to finish. Not only did it make me a far better writer, it opened so many doors, with visits from agents, editors and several experts in their fields from pathologists to crime scene boffins, the whole thing was an inspiration. Out of the eleven students, five now have publishing deals and three more have agents with books in the pipeline.

If your ambition is to be a published crime writer then I urge you to SIGN UP NOW (I’m not on commission but maybe I should be?)

Yes, you should be! That sounds like a fabulous course.  Personal question now: are there any secrets hidden in your writing?

It’s not a secret really but a small in-joke for my own amusement that no-one has ever mentioned so this is basically a WORLD-WIDE EXCLUSIVE.  The main character in The Man on the Street, Jimmy, is a homeless veteran who is suffering from PTSD. He is particularly haunted by fire as a result of his experiences in the Falklands War. I have a cop in my book too, who may or may not be on Jimmy’s side, no plot spoilers here. The cop’s name is DS Burns. I did say it was a small in-joke.

But a world-wide exclusive small in-joke! LOL! Now, how do you feel about reviews?

Undoubtedly the best response I’ve had to The Man on the Street was from the ultra-talented writer Dominic Nolan, who I’m certain will soon be catapulted on to the A-list with his brilliant new book After Dark. All praise is, of course, deeply gratifying but when it comes from a master of his, and your own, craft it’s doubly so. I’ll leave this here:

Trevor has assembled a fine array of characters—each playing their part in the main narrative whilst remaining the heart of their own stories, and never once are they condescended to. The plotting is so deft—weaving the larger tapestry of social inequality and the wretchedly skewed priorities of collapsing instruments of state services with the more intimate darkness of personal crimes. It is the kind of thriller our times need and deserve.

Dominic Wood on The Man on the Street

cover

Of course, there will always be those who don’t like your work. I really don’t mind less-than glowing reviews as long as they are constructive and often find myself agreeing with some of the criticism. If you’re going to be a writer you really have to learn to take criticism because believe me you’re going to get it. It starts from the moment you begin submitting to agents and then, if you survive that ordeal, editors come next – and it never really stops. It’s a brutal rite of passage and you need to be resilient to get through it. That doesn’t mean you have to agree with everything that’s said about your work, far from it. But it does mean you have to be able to examine your work carefully and critically. I have a rule that if two people say the same thing then I need to have a good look at it but sometimes you have to go with your gut and stay strong if you’re convinced you’re right.  There will always be people who hate your work. Note it and move on quickly. I’ve co-written around a dozen plays and my favourite bad review was “the writers set the bar really low yet still manage to limbo dance under it.”  Which you have to admit is a funny line even when you’re the victim of it.

Oh dear, yes, that made me laugh out loud! Do you imagine specific actors playing your characters – which is possibly inevitable for a playwright?

I was very lucky with the audio version of The Man on the Street. As I’ve mentioned above, I’ve co-written several plays (and consequently worked with a lot of great actors.) My publishers sent me a link to listen to when they thought they’d found the right actor to take the job on and I didn’t even need to open it. It was the outstanding David Nellist, who had starred in one of my co-written plays Alf Ramsey Knew My Grandfather but is perhaps better known for playing Mike Stamford, the character who introduces John Watson to Sherlock Holmes in the re-boot of the TV series. As always, Dave has done a fantastic job with the book, bringing a real authenticity to the characters.

That’s wonderful. And is there more Jimmy Mullen to come?

Yes there is! A second book is well underway, and there might be bigger things in store for Jimmy.

That’s so exciting! Thanks for sharing with me today, Trevor, and all the best to you and Jimmy.

You can find Trevor on Facebook at

https://www.facebook.com/Trevor-Wood-Author-104885950924368/

and he tweets too: @TrevorWoodWrite

*******

The Man on the Street

When Jimmy, a homeless veteran grappling with PTSD, witnesses a murder, no-one believes him.

Even he hopes it’s another hallucination.

Then a newspaper headline catches his eye: GIRL IN MISSING DAD PLEA.

It’s time for Jimmy to stop hiding from the world. But telling the girl, Carrie, what he saw puts him at risk from enemies, both old and new

Jimmy has one big advantage though; when you’ve got nothing, you’ve got nothing to lose.

Bringing history to life with Caroline Warfield

Discovering Diamonds (independent reviews of historical fiction) first led me to award winning author Caroline Warfield, because her book Christmas Hope seemed a perfect match for my own The Stars in the Night. (Put them together for a perfect present!) Caroline excels at family-centred romance set in the Regency and Victorian eras.

Caroline has been many things: traveller, librarian, poet, raiser of children, bird watcher, Internet and Web services manager, conference speaker, indexer, tech writer, genealogist—even a nun.

She reckons she is on at least her third act, happily working in an office surrounded by windows where she lets her characters lead her to adventures in England and the far-flung corners of the British Empire. She nudges them to explore the riskiest territory of all, the human heart.

Welcome, Caroline, and thank you for speaking with me on Last Word of the Week. Can you tell us about the first book you read for yourself—or bought for yourself?

Caroline: All writers are avid readers—we have to be. I don’t remember not reading so this question is hard. A more vivid memory isn’t so much the first book I bought for myself but the moment I liberated myself from the children’s section of the public library. The door to that building was in the center, and for years I turned to the right to the children’s section when I came in. One day at twelve I turned left instead of right.  No one stopped me—it was a heady and powerful feeling. The book I took out that day was Jane Eyre.

How wonderfully liberating. What words of advice would you give an aspiring author?

The best advice I ever got was simple. If you want to be a writer, you have to write. Just sit down and do it. What is more to the point, keep doing it every day. Don’t diddle, talk, or dream about it. Do it.

Carol Roddy

Do it. Of course! Is writers block a thing for you?

Yes, although it is usually less dramatic than a complete block. I will cruise along writing 1-2000 words a day on a book, hit a speed bump and come to a screeching halt. Some of it is that I can’t envision the next steps of the plot, but I’m learning that the underlying issue is usually that I’ve failed to get well enough acquainted with the characters—their personality, life, wounds, scars, underlying goals…that sort of thing.  Once I know them well, and I’ve put them in a situation, the writing flows. When I hit a wall, it is time to go back to character charts and backstory for a while.

Character charts – why didn’t I think of that?! What’s the best response you’ve ever had to your writing?

My favourite praise is “I was up all night finishing your book.” SIGH

 

That is high praise indeed. Lovely! Your focus is on historical novels – how much research is involved in your writing?

Heaps—especially when I allow some impulse to set characters down in a setting and historical situation about which I know little. The worst was the time I sent a character to India and realized I knew nothing about the East India Company, the country itself or its culture. Research, research, research.

With a fabulous reason to do more of our favourite thing – reading! Do you get feedback about your story, before it’s published?

Always. I drop little excerpts of my WIP to reader groups on Facebook as I write, and I always get it to beta readers before I do one final self-edit before sending it to the publisher.

That sounds like a good feedback system. What’s your writing goal for the next twelve months?

I’m doing something a little different this year. I have two projects in process at once. Because readers like series, and they don’t like long waits between books, I’m holding on to finished manuscripts. But I’m writing two series at once. The first is a new set of books in my British Empire series using sons and daughters of characters in my earlier books. We’re up to about 1840 in that saga. Book one is finished in rough draft. That one, The Price of Glory, takes place primarily in Egypt and Nubia.  The other series is more of a traditional Regency world, it covers two interrelated families around a coaching inn in a village in the English Midlands. The hero of book one in that series is half-brother to both families, the innkeeper’s and the earl’s, who has been called home reluctantly in 1817 after leaving for good (he thought) fifteen years before.  My goal for 2020 is to have the two books in the Empire series and one in the other finished, with two other stories well under way

That’s a big year you have in front of you, but it sounds fascinating. What’s your favourite genre to read?

I read historical books. Mysteries, romance, straight up fiction, non-fiction, biographies—if its historical it will find its way on to my to-be-read pile.

I bet we have a few overlapping favourite authors. Where do you get inspiration or ideas from?

Often, ideas come to me from travel.  I once sat in a café in Rome and asked myself whether I could set a Regency novel in Rome. Turns out I could and Dangerous Secrets has become one of my favourites. I also rely on reading, on my own previous books, and, of course, bits of historical trivia.

Do you plan your books, or do you listen to your muse?

I rely entirely on the girls in the basement. I fill them with settings, history, and characters and they give me back stories. If I do my preliminary work regarding characters and setting, and we agree on some key turning points, the girls and I, it works. Over-planning puts them to sleep.

What a delightful process! Is it easy for you to meet other writers?

Not always but it is vital. Since I moved to the urban wilds of eastern Pennsylvania I no longer belong to a local chapter. Luckily, I have made some excellent friends online. We brainstorm, read each other’s work, and encourage one another. Every year we produce a collection of new stories with interrelated story elements. One year it was a house party overrun with kittens (Holly and Hopeful Hearts). One year it was a Valentine’s Day ball (Valentines from Bath). This year, timed for Valentine’s Day, it is Fire & Frost in which all five stories converge at the 1814 frost fair on the frozen Thames.

How marvellous! I must say, Caroline, I love your work. Thank you so much for sharing today.

You can see Caroline’s wonderful works one her bookshelf at https://www.carolinewarfield.com/bookshelf/

You can find more about the stories in Fire & Frost and links to various retailers here: https://bluestockingbelles.net/belles-joint-projects/fire-frost/

You can find all Caroline’s books here: https://www.carolinewarfield.com/bookshelf/

You can follow progress, find excerpts, and learn about her characters here: https://www.facebook.com/groups/WarfieldFellowTravelers/

 

Caroline’s other links:

Website

Amazon Page

Good Reads

Facebook

Twitter

Newsletter

BookBub

YouTube

 

 

The Middle Child Reads

2020 has begun with a great deal of destruction, loss and anxiety for us in Australia. I will write more  about this, but I also need to take it on board – it’s part of me now.

I wish it need not have happened in my time,

And I can still do bits and pieces – like this list of twenty positive actions.

This week, I’m looking over my shoulder, gathering strength for the times ahead.

Last year, 2019, was pivotal for me in many ways:

I could say that 2019 is the year that convinced me that I am writer. So that was quite affirming, as well as a huge relief! Looks like I can sort of do this thing I’ve always longed to do.

Middle Child Reads

Some of you know that I ‘suffer’ from Middle Child Syndrome. I’m not the eldest, or the youngest; I’m not the prettiest, or the most artistic; I’m not the most talented sportsperson, or the most charming bloke. Each one of those titles belongs to one of my six siblings. Three older, three younger. (Search Middle Child Memes – they’re hilarious!)

Your classic middle child, so they say, craves the attention that is lavished on their older and younger sibs. Mid kids are said to be overachievers as they try desperately to be noticed. I could call 2019 the year of overachievement.

But I won’t. I’d rather say that my defining characteristic is that  I’m the reader – reading is my superpower – and now I feel I can confidently say

I’m the writer!

Oooh, that felt good.

Thank you so much for your support and interest in 2019. Next week I’d better get my head properly around 2020.

Kate Murdoch in the Grove, where status is survival

The very talented Kate Murdoch exhibited widely as a painter both in Australia and internationally before turning her hand to writing. Her short-form fiction has been published in various literary journals in Australia, UK, US and Canada.

Her debut novel, Stone Circle, a historical fantasy novel set in Renaissance Italy, was released by Fireship Press in December 2017. Stone Circle was a First in Category winner in the Chaucer Awards 2018 for pre-1750’s historical fiction. You can see my review of Stone Circle here.

Kate’s second novel, The Orange Groveabout the passions and intrigues of court mistresses in 18th century France, was published by Regal House Publishing in October 2019. I absolutely love the cover! Isn’t it gorgeous?

9781947548220-Frontcover kern

Kate was awarded a Katherine Susannah Pritchard Fellowship at the KSP Writers’ Centre in 2019 to develop her third novel, The Glasshouse.

Welcome, Kate, and thanks for speaking with me today. Can you tell us something about yourself that you think anyone who reads your book/s really ought to know?

Kate: I’m an artist turned writer so I write visually. I’m also fascinated by human motivation, the complex relationship between peoples’ past and present circumstances/traumas, and their actions.

An artist! That explains a great deal. What is your favourite scene from your own writing? Why?

Hard to say but I wrote a black mass scene in The Orange Grove and that was fun both in terms of imagery and in creating a menacing atmosphere.

It must be! If I told one of your characters (you get to choose which one) that they were imaginary, how would they respond?

Duchesse Charlotte: What a heinous thing to say. I am most certainly real, and if you don’t believe me I’ll throw a vase at your head and set one of my Bichons on you!

Brilliant! Well done, Duchesse! Can you think of any books and/or writers who inspired you on your path to be an author? Can you tell us about that?

Kate Grenville has been an inspiration for the way in which she can, with few words, create vivid imagery and layered emotional nuance.

Gabriel Garcia Marquez has also been an influence and inspiration for my writing. His lyrical style, detailed description and romantic themes made an impact as did his ability to move me.

A couple of iconic writers there; great inspiration. Now take yourself back ten years – what would you like to tell yourself?

Relax a little. You can direct things more than you realise. Appreciate all the positives and more of them will arrive.

profile 2 large

Relax. Of course. What’s next for you in the world of writing?

I’m on the second draft of my third novel, The Glasshouse, about a girl orphaned in the Messina earthquake of 1908 and adopted by a wealthy Palermo family. I’ve also started work on a dual-timeline novel set in World War Two Croatia and 1960’s Melbourne, told from the perspective of three generations of women.

I’m doing a number of events for The Orange Grove and am looking forward to talking with readers.

And The Orange Grove is garnering some very enthusiastic reviews. Congratulations! I have it on my summer reading list. Now finally: Who would you be if you were a fictional character – one of yours, or someone else’s?

I’d quite enjoy being Romain de Villiers, the tarot reader in The Orange Grove. Aside from his money problems, he does what he likes, has numerous love interests and moves between the château at Blois and Versailles, mixing with lots of interesting people across the classes.

He sounds very interesting indeed. Thanks so much Kate for speaking with me today. Meet you in the Grove!

 

The Orange Grove:

When status is survival, every choice has its consequence.

Blois, 1705. The chateau of Duc Hugo d’Amboise simmers with rivalry and intrigue.

Henriette d’Augustin, one of five mistresses of the duc, lives at the chateau with her daughter. When the duc’s wife, Duchesse Charlotte, maliciously undermines a new mistress, Letitia, Henriette is forced to choose between position and morality. She fights to maintain her status whilst targeted by the duchesse who will do anything to harm her enemies.

The arrival of charismatic tarot reader, Romain de Villiers, further escalates tensions as rivals in domestic politics and love strive for supremacy.

In a society where status is a matter of life and death, Henriette must stay true to herself, her daughter, and her heart, all the while hiding a painful secret of her own.

 

Kate’s Links:

Website:  https://katemurdochauthor.com/

Blog: https://kabiba.wordpress.com/

Facebook: https://www.facebook.com/katemurdochauthor/

Twitter: https://twitter.com/KateMurdoch3

Pinterest: https://www.pinterest.com.au/katemurdoch73/

Instagram:  https://www.instagram.com/katemurdoch2/

Goodreads: https://www.goodreads.com/book/show/47583097-the-orange-grove

And The Orange Grove buy links:       

Regal House Publishing: https://regalhousepublishing.com/product/the-orange-grove/

Booktopia: https://www.booktopia.com.au/the-orange-grove-kate-murdoch/book/9781947548220.html

Angus & Robertson: http://bit.ly/2LmLy2U

Readings: https://www.readings.com.au/products/30372648/the-orange-grove

Boomerang Books: https://www.boomerangbooks.com.au/the-orange-grove/kate-murdoch/book_9781947548220.htm

Amazon: mybook.to/TheOrangeGrove

Book Depository: https://www.bookdepository.com/Orange-Grove-Kate-Murdoch/9781947548220

Kobo: https://www.kobo.com/nz/en/ebook/the-orange-grove-5

Barnes and Noble: https://www.barnesandnoble.com/w/the-orange-grove-kate-murdoch/1132202645?ean=9781947548220

Waterstones: https://www.waterstones.com/book/the-orange-grove/kate-murdoch//9781947548220

Foyles: https://www.foyles.co.uk/witem/fiction-poetry/the-orange-grove,kate-murdoch-9781947548220

Blackwells: https://blackwells.co.uk/bookshop/product/The-Orange-Grove-by-Kate-Murdoch-author/9781947548220

 

 

 

 

 

Cindy Davies, with Middle Eastern mystery

Cindy Davies is the author of The Afghan Wife, published by Odyssey Books in 2017 and its sequel The Revolutionary’s Cousin, released on September 12CindyDaviesth 2019.

 

Welcome, Cindy, it’s lovely to have you. Can you tell us something about yourself that you think anyone who reads your book/s really ought to know?

Cindy: I’ve had a lifelong interest in the countries of the Middle East, particularly Turkey and Iran. I lived in Turkey several years ago and have returned regularly ever since.  While there I learned to speak Turkish.  The idea for my first novel came from talking to the migrants and refugees who came from Iran after the Islamic Revolution in 1979. I also think that a novel about Iran’s recent history is relevant at the moment.

I taught English language for most of my life and the main character in the novel is an amalgamation of the many students I met. It took me five years to research and write The Afghan Wife.  I’ve been in demand this year to give talks about Iran because it is such a topical subject.

However, as a writer I cut my teeth on writing travel articles and had several published in airline magazines for Singapore Airlines, Air New Zealand and one was translated into Arabic for Emirates. I also wrote short articles for the Sydney Morning Herald, Good Weekend magazine. So by the time I came to write the novel, I’d had plenty of practise as a wordsmith.

That sounds rather exotic and completely fabulous. You lived in Turkey and speak Turkish: that’s amazing.

Esfahan, Iran. Photo by Cindy Davies.

Esfahan, Iran. Photo by Cindy Davies.

What is your favourite scene from your own writing? Why?

Am I allowed to have two?  (haha of course!)

The first is when Karim and Zahra meet for the first time before the Iranian Revolution.  She’s a teenager from a small town in Afghanistan and he’s a sophisticated Iranian in his twenties. This is pre-revolutionary Iran and the Shah is still on the throne.  Zahra makes some terrible social gaffes—thinking that a house in Martha’s Vineyard in the USA is actually in a vineyard.  When he says ‘your tiny hand is frozen’ she doesn’t get the reference. Her social innocence endears her to him immediately.

The other scene is when Karim is trying to get back to his house after taking part in a raid on the American embassy. It’s midnight and pitch black. Four young hooligans, armed with sub-machine guns, are in a jeep which comes tearing down the deserted lane Karim is running along. He’s terrified that if they spot him they’ll open fire.

Ooh, very exciting! I’ve noticed that your characters  seem very real. How do you make them believable?

I know everything about them—I write a biography of them in point form even down to what their favourite colour is. The author has to know how a character will think and feel in any given situation.  Very occasionally, though, a character will surprise me.

One of my reviewers obviously found Karim so real that she wrote that if she ever met him any time, any place, he would be her man. I didn’t have the heart to say that he really only existed in the novel and even then he wasn’t perfect.

Can you think of any books and/or writers who inspired you on your path to be an author? Can you tell us about that? 

Leo Tolstoy the 19th century author was a master at writing love scenes.  Think of the scene between Anna and Count Veronsky at a deserted railway station: she’s already attracted to him, but she’s married.  She steps off a train at a deserted station, the steam from the train clears… and he’s standing there!

Although by modern standards seem wordy, the nineteenth century novelists like the Brontë sisters understood the human condition. People want to read good stories. 

I love Kate Atkinson, Ian McEwan, Sebastian Faulks, Margaret Atwood, Joan London (WA writer). Australians Liane Moriarty and Jane Harper are excellent story-tellers.

I read a lot, always with a critical eye as I ask myself how the author is keeping me interested.

Take yourself back ten years what would you like to tell yourself?

Don’t procrastinate—get started on that book!

Great advice. Whats next for you in the world of writing?

I have at least four synopses already written but no novel planned out as yet.  I have a ‘snippets’ folder for ideas. I’m currently collecting malapropisms. Recently someone said to me ‘I believe you collect small vinegrets about people.’  She meant vignettes of course—I added that to the file, I’ve got a character in my who makes these kinds of mistakes all the time.

That’s an interesting project! (Mrs Malaprop returns *I’d better be careful*)

And finally: Who would you be if you were a fictional character one of yours, or someone else’s?

I identify with Zahra, my character in The Afghan Wife. She had no choice but to escape from Afghanistan with her husband, cousin and young son. As a migrant to Australia myself, I arrived with three young children and had to make a new life here.  Zahra’s situation was worse because she had a violent husband and a manipulative cousin. Zahra was strong for the sake of her child and eventually she made the best of what life had thrown at her. 

TheAfghanWife

 A great choice. What’s been your best achievement since the publication of your novel?

I was placed third in the Kathryn Hayes competition,’When Sparks Fly’ operated by the New York chapter of Romance Writers of America.   I was thrilled, especially as my novel is not strictly a romance but is in the Women’s Fiction category.  I’ve also been the keynote speaker at one of the biggest book groups in Sydney, as well as at the NSW Society of Women Writers.

Congratulations! Here’s wishing for more success, and more books arising from your ideas. Thanks for speaking with me today, Cindy.

 

Cindy’s links:

Website: cindydavies.com.au

Facebook: Cindy Davies Author at https://www.facebook.com/cindydavies.author.18

Nicola Pryce sails to Cornwall in 1773

Nicola Pryce writes romances featuring Cornwall, adventure, drama, handsome heroes,  and foregrounding remarkable women – an irresistible combination. If you’re a bit keen on Winston Graham’s Ross Poldark, or Jane Austen’s Captain Wentworth, or any well-written historical fiction, then you need to meet Nicola asap. Not in 1773. Now!

*Plus read on for a bonus scene!*

Welcome, Nicola. It’s great to meet you. Can you tell us something about yourself that you think anyone who reads your book/s really ought to know?

Nicola: If I have to reveal secrets, then it’s that I sail, certainly, but not across vast oceans. I’m more of a harbour hopper, sailing in and out of the towns and secret coves in Cornwall that I describe in my books. My characters inhabit my world, only 226 years before me. I follow their footsteps – every mile they walk, I walk; I have been to every harbour they anchor in, every river they row up, and every inn they dine in. Every mad dash they make across Bodmin Moor, I’m racing behind them. The houses they live in are all there, the streets they walk, the moonlit rose gardens and clifftops where they meet. And I wake to the same hammering in the shipyard, the same bleating of the sheep, the same crowing of the cockerel.

That’s great to know! What is your favourite scene from your own writing? Why?

My favourite scene is in The Captain’s Girl. My aristocratic heroine, Celia Cavendish, finds herself on a fast cutter in the charge of the rather secretive Captain Arnaud Lefèvre. It is two in the morning, the wind is gentle, the stars bright above them. Captain Lefèvre serves freshly caught seabass, grilled on a bed of herbs; they drink Chablis, watch a shooting star, and all the while the south coast of Cornwall is drawing closer. As she breathes the salt air, relishing the wind in her hair, Celia feels free for the first time in her life. At daybreak, she must return to rigid protocol and social niceties, but more importantly, she must explain her sudden absence.

Oooh, how intriguing! If I told one of your characters (you get to choose which one) that they were imaginary, how would they respond?

Badly!  I could see it hadn’t gone well when I saw Madame Merrick staring down at me from the first floor of her dressmaking establishment above Pengelly’s Shipyard. The sun was glinting on her lorgnettes and knew that as soon as I opened the door, her hawk-like eyes would pin me into submission.

And I was right. Her silk petticoats rustled as she swung to face me. Elowyn and Mrs Pengelly took refuge in the storeroom, but I knew I must stand my ground.

‘A figment of your imagination? Her French accent is always more noticeable when she’s cross. ‘I think not!’

I had to be brave. Most would turn and run, but I had to explain.

‘You’re a character in my stories, Madame Merrick. You don’t exist off the pages of my books.’

A rise in her perfectly arched eyebrows, a slight ruffle in the feathers of her headdress, and then a smile – and it’s always worrying when Madam Merrick smiles.

‘Well, perhaps it is not such  a bad thing. Maybe it is better they think you have fabricated my existence. Yes, let them think that – let them believe, I do not exist. It might well work in my favour. Will you take a glass of punch with me?’

I had to say I would, but only a small glass as I know only too well what goes into Madam Merrick’s punch.

Oh, that’s marvellous, Nicki, thank you so much! An extra scene. Yippee!

4

Can you think of any books and/or writers who inspired you on your path to be an author? Can you tell us about that? 

I was a dreamy child, a boarder from the age of eight in a school with limited television and a large library and I spent rather more time reading than I should  – even finishing Gone with The Wind by Margaret Mitchell in orchestra practice with tears rolling down my cheeks!

I read everything I could, from Agatha Christie detective novels to John Wyndham’s science fiction, but mainly I read historical fiction. I loved Jean Plaidy, Anya Seton, Elizabeth Goudge, Georgette Heyer, Huge Walpole, R F Delderfield, as well as all the Angelique books which we had to cover in brown paper! I did English A level and I enjoyed discovering the Classics.

At 42, I completed an Open University degree and found myself drawn to the eighteenth century and that has certainly influenced the books I write. My favourite author is Jane Austen, but it was Daphne du Maurier and Winston Graham who introduced me to Cornwall through their books.

The Rebecca and Poldark effect, eh? Perfect. Take yourself back ten years – what would you like to tell yourself?

I left school at 18 telling everyone I was going to write a historical novel, but my nursing career and my three children took up all of my time.

Ten years ago, at 52, I decided my children needed to know the real me. They knew me as their mother, and a nurse, but they didn’t know the stories that were always in my mind. I had never written anything down, but I decided to return to the child I was, to the incurable romantic who had read her way through school. So I began writing my first novel – Pengelly’s DaughterIt took me three years. I had never written anything before, but it was picked up by an agent, and then Corvus Books wanted a second book, and a third and a fourth.

What would I say to my myself ten years ago? I’d say, ‘Sit down, take a deep breath because you’re NEVER going to believe this …!’

Indeed, what a fabulous story. Good for you! What’s next for you in the world of writing?

I’m currently writing the fifth book in my series. Each book is written through the eyes of a different heroine. You get to know the new heroine in the previous books and so Book 5 follows The Cornish Lady. It’s now 1799 and Amelia Carew is facing a terrible dilemma.

boat photo 2

You can follow the order on my website http://nicolapryce.co.uk/  but all my stories can be read as stand-alone books. I put photos to illustrate the history behind my stories on my website, so there’s background information as well.

Uh-oh, that’s a few more for my TBR pile – but thank you so much, these sound wonderful. And finally: Who would you be if you were a fictional character – one of yours, or someone else’s?

This is such a difficult question because, let’s face it, the trouble with books is that you get to fall in love with so many heroines as well as heroes. I would, of course, love to be Elizabeth Bennet, but – and I might regret this – I think I’m going to go for the daring-do, the energy and romance, and the sheer glamour of Marguerite St Just.

I’d like to be beautiful, graceful, witty, highly intelligent and I’d get to go to fabulous balls and wear stunning silk gowns. I’d have the whole of London falling at my feet, and I’d speak fluent French. I’d also have the very good fortune of discovering that the man I loved, and who had disappointed me so very terribly, is none other than the divine Scarlet Pimpernel.

I’d be just as cross with Sir Percy, just as hurt and disappointed; just as petrified of Citizen Chauvelin, and just as desperate to save my brother. But I’d be her, so I’d have her courage – her extraordinary bravery as she sets off across the channel to save her husband.  Yes, can I be her, please? The Scarlet Pimpernel by Baroness Orczy.

Thank you so much Clare for inviting me to share your Last Word of the Week. I’ve had a lovely time answering your questions.

Thank you Nicola, you’ve been a great guest and I’d love to talk again – how about when Cornish Saga 5 appears?! In the meantime, of course Baroness Orczy would love to host you in her novel :-).

Nicola’s Links

Website     http://nicolapryce.co.uk/

Facebook  https://www.facebook.com/nicolaprycebooks/

Twitter      https://twitter.com/npryce_author

Instagram https://www.instagram.com/nicola_pryce_author/

Amazon      https://www.amazon.co.uk/Cornish-Lady-Saga/dp/1786493853

Kobo             https://www.kobo.com/at/en/ebook/pengelly-s-daughter

Barnes and Noble    https://www.barnesandnoble.com/w/the-cornish- dressmaker-nicola-pryce/1126737521

Gill Thompson and her joined-up writing

Today I’m speaking with Gill Thompson. Gill has spent most of her career lecturing in English at sixth form level, but her hankering to write fiction has never gone away. She enrolled in and completed a Masters in Creative Writing at the University of Chichester, and says it was the best thing she ever did.

Gill understands both ends of the writing process: the planning and editing required to produce a text, and the reading and analysis it takes to appreciate it. She says she is now finally fully joined up! The writers among you will find her website full of wonderful writing tips, and the readers will be very interested in her wonderful historical novel The Oceans Between Us about the post-WWII child migrant process. So relevant in today’s context of the movement of people seeking refuge and safety, and with a foot firmly in both the UK’s and Australian social history.

The Oceans Between Us cover image
The Oceans Between Us by Gill Thompson

Welcome to Last Word of the Week, Gill! It’s lovely to have you. Can you tell us something about yourself that you think anyone who reads your book/s really ought to know?

That’s a difficult one! My book is about a child migrant from Britain to Australia just after World War Two. I don’t have any personal connections with that story (I’m old, but not that old!) – and in fact I agonised for quite some time about whether it was my place to tell it – but the support I received from ex migrants, and from The Child Migrants Trust, the charity that reunites parents and children, gave me the encouragement to go ahead. The fact that many people have written in their reviews of the book that they are grateful to have found out about this event makes me feel I’ve done the right thing.

My only common ground with the novel is that it is about a mother separated from her son. A few years ago, our son set off on what we now call his ‘gap decade’ (!) as he found a way to combine work and travelling. He is now settled in Bucharest where he met the girl of his dreams and they are getting married next month. I am happy for him, but I know how my character Molly feels at being separated from her child. It’s really hard! I certainly think I wrote those scenes from the heart.

Separation, especially for an unknown time, is really hard! What is your favourite scene from your own writing? Why?

I submitted three chapters from the novel as my dissertation for the Creative Writing M.A I undertook in order to help me write the best book possible. I remember describing a scene from that section that I was particularly proud of to my husband. Instead of giving me the approval I desired, he pointed out that I had missed an essential part of the plot. We argued about it for ages. I went away and sulked, then reluctantly conceded he had a point and finally, begrudgingly, I  rewrote it. To this day, that scene, which features my protagonist Molly acknowledging that her son Jack must have died in the bomb blast that destroyed their home, is one of my favourites. It was clearly right to put it in. I’m not going to tell my husband that though!

Oooh, a marital secret, how exciting :-). If I told one of your characters (you get to choose which one) that they were imaginary, how would they respond?

What an interesting question! (Don’t people always say that when they don’t know the answer?!) I think it would have to be an indigenous Australian girl called Rosie. Whilst I was researching the story of the child migrants, many of whom were falsely told they were orphans in order to lure them to Australia, I came across an eerily parallel account of the ‘Stolen Generation.’ These were Aboriginal children, taken from their parents as part of the White Australia policy. In my story, Jack and Rosie meet and bond through their common experience of loss. Having seen Timberlake Wertenbaker’s play Our Country’s Good, (based on the Thomas Keneally novel of the same name) and read Bruce Chatwin’s The Songlines, I’d become fascinated by the rich spiritual life of indigenous Australians, particularly their belief in the power and role of dreams. I’ve tried to convey this through my characterisation of Rosie who sometimes has supernatural insights. Of all my characters I think she would have understood the slender line between reality and fantasy and wouldn’t feel threatened by being told she was fictitious.

That’s a really great answer – and it actually makes Rosie more real to me! But more about you: can you think of any books and/or writers who inspired you on your path to be an author? Can you tell us about that?

I love the novels of the late Helen Dunmore. She had such skill at writing compelling human stories against the backdrop of historical events. I wouldn’t place myself in the same league as her but she is definitely a big influence. I read quite a lot of Tim Winton’s books when I was researching my story as I think he conveys the landscape and atmosphere of Western Australia so well. My central character, Molly, loses her memory so I read a few stories about memory loss such as ‘Pieces of Light’ by Charles Fernyhough and ‘Briefing for a Descent into Hell’ by Doris Lessing. I also love Maggie O’Farrell’s dexterity with words and the way she gets inside people’s minds so convincingly. Finally, Anne Tyler has an amazing ability to convey huge life issues within seemingly inconsequential events. I can only dream about writing as well as any of these authors, but they have certainly given me something to aspire to.

Ah, we have a lot of reading tastes in common! Lovely. Now, take yourself back ten years – what would you like to tell yourself?

Ten years ago my parents had both recently died and my husband was in the middle of a decade of ill health which he was seemingly unable to recover from and which doctors were baffled by. I was trying to care for him whilst supporting our family with my job as a teacher. I’d wanted to write since I was very young but life always got in the way. My father had written text books on Photography but always had a secret ambition to write a novel. I think he passed that on to me! Although he died in 2001, I was able to enrol on my Creative Writing M.A with some of the money he left me. It was hard at times, with Paul so ill, but I managed to scrape through it, and my novel ‘The Oceans Between Us’ started to evolve.

Eventually Paul recovered and I had the space to give the manuscript more of my attention. It took me nine years before it was published but I am so glad I stuck at it. I often wish I could travel back to 2009, when life felt so bleak, and tell my former self that my dream of writing a novel really would come true, and that life really would get better. I wish my father had known how my writing aspirations would end up.

That’s a great story, and I have some similar experiences and feelings. What’s next for you in the world of writing?

I have now written a second novel, ‘The Child on Platform One,’ about a mother and daughter separated by war, which comes out next March. It’s gone through two rounds of edits so I just have the proof reading to do and then it’s finished. To be honest, I don’t have a single idea for book three at the moment. I think the creative well has run dry! I am going to give myself the summer off. We have our son’s wedding to prepare for and my daughter and her husband are having an extension built so I have a feeling they will be bringing our two adorable granddaughters to stay with us on and off through July and August so I will have plenty to keep me busy. I am hoping inspiration will strike by the autumn though so that I can get writing again. I think I would miss it if I didn’t.

Oh, yes, I do hope there’s more to come! And finally: Who would you be if you were a fictional character – one of yours, or someone else’s?

I am currently obsessed by Eva, the protagonist of my second novel. She is a musical prodigy living in Prague during the late 1930’s. Later, when she is taken into a concentration camp, she uses her musical talents to mount a defence against the Nazis. I don’t have a musical bone in my body but I am fascinated by the power of creativity to triumph over adversity.

What a great creation, and a good choice. Thank you so much Gill for sharing with me today on Last Word of the Week.

Gill’s important links:

Website: http://www.wordkindling.co.uk

Twitter: @wordkindling

Amanda J Evans takes the Last Word of the Week

Amanda  J Evans is an award-winning writer of paranormal and fantasy novels as well as children’s stories. Growing up with heroes like Luke Skywalker and Indiana Jones, her stories centre on good versus evil. An early tragedy in her life has also made its way onto the page and Amanda brings the emotions of grief to life in her stories too. Amanda lives in Oldcastle, Co. Meath, Ireland with her husband and two children. Amanda is also the author of Surviving Suicide: A Memoir from Those Death Left Behind, published in 2012.

LWOTW: So lovely to meet you, Amanda. Can you tell me when you wrote your first story?

Amanda: I wrote my first real story when I was eight. It was called The Little Elf Fairy. It was about a young elf fairy child going off in search of his mother. I remember that it filled a copybook and I drew little pictures to go with it. My parents had it typed up and I even sent it to Penguin books. My first rejection too. :-0

Oh that is starting young in the realities of writing! What do you think of dreams, imagination, and planning?

I’m a big believer in dreams and the messages they can give us. In relation to writing dreams, I believe you have to have them. You have to have something to strive towards, something to excite you and keep you motivated. Whether it’s seeing your book in big name shops like Easons, or hitting the bestsellers list. You have to have a dream.

Imagination is essential for writing. I love imagining what my characters look like, how they’ll overcome the obstacles they are facing, etc. I also love imagining success and people reading and enjoying my books.

I’ll be very honest and say I don’t plan my books at all. I am what is referred to as a pantser. I pick up my pen and just write. The story unfolds as I’m writing it and I love it. I love the surprises, the twists, and the way that characters take over. I get to experience the story as a reader would even though I’m the author. I have tried planning in the past, but it never works. My characters always seem to do their own thing and I’ve learned that they know best.Nightmare Realities

That’s fabulous. What a wonderful way to write. What’s the highlight of your writing career so far?

There have been a few, but I think the best one was probably the most terrifying. It was after I’d finished writing Finding Forever and had sent it to beta readers. I was a nervous wreck. I was imagining all sorts, mostly negative. I kept thinking readers were going to say my story was rubbish, and who did I think I was being a writer. When the first messages started to arrive, I was afraid to open them. They could literally shatter all my hopes and dreams. I remember having a drink or two the evening I decided to read them. To calm myself down and give me the courage. The very first message I read left me with a big smile on my face. The reader loved the story. The rest of the feedback followed the same way. They loved the story and wanted more. I had readers telling me it could be a series and everyone loved one particular character. It was the boost I needed to move forward and publish my book.

Finding Forever

Finding Forever won the Best Thriller category in the Summer Indie Book Awards 2017. Save Her Soul, my next book, won Silver in Best Paranormal book in the Virtual Fantasy Con Awards in 2017.

One of the highlights for 2018 was being invited to take part in two anthologies with bestselling authors and being asked to write an editorial quote for Anna Undreaming.

Congratulations, what a fabulous list! What are you most busy with at the moment?

At the moment, I’m busy promoting my latest release, Hear Me Cry. It’s a short novella that retells the Irish myth of the banshee. It’s a fantasy romance and is receiving great feedback so far. Next month I have a new angel and magic themed book releasing in an anthology. It’s called The Cursed Angels.

Save her Soul

If you could say one thing to aspiring writers, what would it be?

Don’t give up. If writing is something that you love to do, do it. Not for the money and fame, but because it brings you joy. It’s so easy to get caught up in all the talk about making loads of money if you self-publish and this should never be your focus. Write because you love it. Read a lot, and improve your skills as you go along. Don’t put yourself under too much pressure and always remember why you started writing in the first place. Don’t ever let it become a chore.

And the Last Word of The Week: What’s your favourite colour?

This would have to be either blue or pink, in all shades.

Thank you so much Amanda for speaking with me today. You have made my TBR pile even bigger. Thank you!

You can read more about Amanda at

http://www.amandajevans.com

Find Amanda on:

Facebook: http://www.facebook.com/amandajevanswriter 

Twitterhttp://www.twitter.com/amandajevans 

Google+: https://plus.google.com/u/0/117144241706669072531/

LinkedIn: http://ie.linkedin.com/in/amandajevans/

Instagram: https://www.instagram.com/ajevanswriter/ 
Books By Amanda J Evans

 

Save Her Soul – A Paranormal/Urban Fantasy Romance

Amazon: http://myBook.to/SaveHerSoul

Finding Forever – A Romantic Suspense Novella

Amazon: http://myBook.to/Finding-Forever

Surviving Suicide – A Memoir From Those Death Left Behind

Amazon: https://myBook.to/survivingsuicide

Nightmare Realities – Spooky Short Stories for Ages 9-16

Amazon: https://myBook.to/nightmare-realities