Hey everyone! I’m re-blogging this fab post about From the Waste Land by one of the amazing contributors. I’m sure you’ll agree that reading just a little of this will sharpen your appetite for the entire anthology.
TS Eliot’s The Waste Land, a masterpiece of modernism, reaches back into legend and forward into dystopia. First published in October 1922, the poem resonates with the grief of the Great War.
You know, ‘the war to end all wars’…
A hundred years later, we can easily empathise with that mood. But we also know that, despite our fears, humanity continues its struggle to find the goodness and the light.
I’m thrilled to announce that later this year PS Publishing UK will release our anthology From the Waste Land: stories inspired by TS Eliot (edited by Clare Rhoden), marking the centenary of publication!
Meet the stories
With a mix of ghost stories, sci-fi, fantasy and apocalyptic tales, these original stories conjure wastelands from the 1500s to many centuries ahead.
You’ll also find hope for humanity and a belief in our shared future.
Delightful, shocking, unique, extraordinary… you’re sure to find something amazing in these gems of speculative fiction.
From the Waste Land: contents
Death by Water, by Grace Chan
A Winter Respite, by Clare Rhoden
She Who Walks Behind You, by Leanbh Pearson
The Watcher of Greenwich, by Laura E. Goodin
Exhausted Wells, by Tee Linden
Rats Alley, by Jeff Clulow
Fragments of Ruin, by B.P. Marshall
Dead Men, by Cat Sparks
A Dusty Handful, by Aveline Perez de Vera
Lidless Eyes That See, by Geneve Flynn
A Witch’s Bargain, by Rebecca Dale
And Fiddled Whisper Music on Those Strings, by Eugen Bacon
Mountain of Death, by Austin P. Sheehan
Fawdaze, by Rebecca Fraser
Over the Mountains, by Tim Law
A Shadow in This Red Rock, by Louise Zedda Sampson
Dry Bones, by Robert Hood
April, by Francesca Bussey
The Violet Hour, by Nikky Lee
Keep an eye out for more news as this exciting project nears completion.
Tim Major says: Since I started out writing a decade ago, I’ve treated the submission (and rejection!) process for short stories as an important part of the gig. I still find myself scouring submissions calls almost daily, even though I respond to fewer of them each year (mainly because I’m writing fewer short stories and more novels). I […]
Once upon a time, there was a Big, Bad Wolf … he blew down the houses of swine, stole from little girls visiting their grandmothers … but maybe the wolf wasn’t so big or bad … Twisted fairy tales centred around this majestic creature written by 45 indie authors from all over the globe
A year of potential, of reckoning, of change and reassessment. A year of the Tiger, a strong character who banishes evil and demonstrates courage. It’s a year to keep going.
For me, 2022 is a year for new writing projects, and the completion of earlier ones. Let me show you my planned journey.
New writing projects
From the WasteLand
An anthology of literary speculative fiction inspired by TS Eliot’s seminal poem The Waste Land, first published in October 1922.
If you are unfamiliar with the poem, suffice it to say that it’s as long as a novella, and its subject matter is the fragmentation of society during and after World War One (WWI). All in beautiful, strange, evocative words. I’ll be writing a lot more about this project soon. It’s going to be wonderful and amazing.
In this novel, I’m focussing on the Australian home front during WWI.
If you’re familiar with Stars, you’ll know that it’s the story of two brothers, Harry and Eddie, who fight at Gallipoli and in France. This new book will fill in all the gaps about what was happening back in Semaphore. More about this story as it progresses. I hope to have the whole manuscript completed this year to submit for publishing in 2023 or 2024.
Don’t worry, How to Survive Your Magical Family is definitely coming this year, from the wonderful Odyssey Books. There have been just too many interruptions to the publishing industry, and too much pressure on staff due to the pandemic.
I’m now hoping for a February release. And I’ll most definitely keep you updated!
In 2021, I kept busy with some substantial shorter fiction for themed anthologies, as well as the odd little tale for drabble collections (a drabble is a tale told in EXACTLY 100 words, no more, no less).
New Tales of Old Volume 2
New fantasy tales based on old myths, fairy stories and legends.
This fantastic (pun intended) anthology is coming from Black Ink Fiction in March. My story features the Cwn Annwn, ghostly hounds of the Welsh hunt.
Stories about a fantasy ancient kingdom inspired by Greek myths and legends
In this wholly realised world, gods and demons vie for supremacy, with humans at risk. Twelve inter-linked stories unfold the tale of the semi-divine women who must face the demons. My story is ‘Ione and the Sea Demon’. This is also coming from Black Ink Fiction in 2022.
Fantasy tales of a malevolent magic mirror
An ancient curse, a lingering threat: these stories tell of the evil effects of the broken mirror’s curse. The stories are all based on legends and all feature the fateful Fae mirror. My story ‘Lady Marian’s Gambit’ plays with the Robin Hood legend. This is coming in 2022 from the groundbreaking Australian independent Black Hare Press.
This wintry horror collection features my drabble about the Sugar Plum Fairy. The book is available now from Black Ink Fiction. Here’s a link: Winter Shocks
Of the 80 or so books I read every year, some stand out. As I’ve mentioned previously (see my post on book choices), I’m pretty good at judging what books will suit my readerly needs. I should be, after reading so many!
If your reading preferences are anything like mine, you might like to check out this selection from my 5-star reads this year.
The first of a new series by Juliet Marillier, whose evocative writing immerses the reader in ancient Ireland. Myth, romance, adventure and tragedy combine in this wonderful story.
Watch out for in 2022
As a reviewer, I’m privileged to read quite a few books prior to their release, in the form of ARCs (advanced reader copies). I love being considered an advanced reader LOL! Here’s one I adored for its teeming, lush fantasy world.
An enthralling read, The Good Childtells the story of two women whose lives are linked – and damaged – by the one man.
Unfolding through a series of flashbacks interspersed with current happenings of the 1990s, the story introduces us first to Lucille and Quin. They’ve both lost everything. The two women meet on a country train headed to Melbourne. They’re on their way to attend a trial. Although they don’t know it for a while, they both have their lives invested in the man in the dock.
Lucille, like many of our mothers or grandmothers, was born between the wars. She lived through the hungry 1930s and blossomed in the 1940s. She suffered some awful tragedies, the sort that rip the heart out of women. Then WWII stamped all over her life.
Maybe her grandmother’s warning was right:
“Marry the wrong man and your life will be nothing but misery.”
When at last Lucille raises Tom, a golden boy, everything seems better. Perhaps life will be kind after all. Maybe the mistakes and heartaches will disappear into the mists of time.
A well-loved child, Tom leaps on the ‘greed is good’ train of the 1980s, spreading his charm and his captivating energy with a generous hand.
How could anything go wrong with his ambitious financial scheming? Well, what about shady dealings? Or the mates’ rates he shares glibly? And what about his greedy, grabby habits?
Ah well, if you lived through the 80s you’ll know what can go wrong.
Quin was one of Tom’s star workers, writing up loans, sealing deals, helping as he schmoozed up customers.
She knows that some of what she did enabled Tom’s rapacious dealings, but she wasn’t prepared for the double cross that sacrificed her to the wolves when the going got tough.
Quin would love to right her own wrongs and see Tom pay for his crimes. Her budding relationship with Lucille promises to heal some of the wounds of the past.
Finally, the compassionate insight of women bypasses the slick and deadly traps of masculine over-confidence.
This story is very generous in detail
The Good Child recreates its diverse time periods with such a keen attention to everyday life that readers are immediately immersed in the settings.
It’s almost possible to smell the kitchen of the 1940s, touch the dresses of the 1950s, hear the hubbub of the 1960s six-o’clock swill, and taste the extravagance of the 1980s.
Author S.C. Karakaltsas has a thorough understanding of the periods covered in this wide-ranging novel, as well as a keen eye and a happy gift with dialogue. Perhaps most remarkable is her ability to bring out the green shoots of hope in a story that charts so many tragedies.
It’s easy to get lost in the world of The Good Child, riding the emotional lows and brief highs as the story inevitably unfolds to its very satisfying end. If you love Australian historical fiction with a feminist slant, this one is for you.
I’m very proud of these books and still very much in love with them.
But how did this love affair with talking animal stories begin?
Today I’m letting you into the ten hidden stages behind the Chronicles.
Stage 1: An Idea
Ideas comes from everywhere. I can’t stop them.
This one began with a dream in 2014. We were shut inside a gated compound while outside, crying babies were dying from exposure. We couldn’t get out, but my dog Dinny (an ancient and beloved German Shepherd) snuck out and carried the two babies into safety.
From small kernels of inspiration, a big story grew.
Dogs had to feature!
Stage 2: A Short Story
The story of the babies left to die Outside was too good to lose, especially during the height of the worldwide refugee crisis. The wise and compassionate canini Mashtuk and Zelie, the heartless humachines, and fully-human Hector appeared in my head. I wrote them into a story and submitted it to progressive journal Overland. My first ever short story acceptance!
If you’ve read The Pale, you might like to see where it started.
Stage 3: A Novel
After the story was published, an indie publisher contacted me because my Overland bio said that I was writing a novel about these characters.
I hadn’t started, but I immediately began. Ideas came too fast and the novel grew too long, but I submitted it within six months.
Stage 4: A Rejection
Sadly, The Pale Version 01 didn’t make the grade. The novel was BLOATED with too many characters and dozens of subplots, and falling over itself with over-complex world building.
While the feedback was positive, the novel needed severe editing.
Stage 5: An Acceptance
More time passed. I took a good hard look at my manuscript and pruned a few thousand words. Some of the off-cuts were old favourites: names for every (and I mean every) minor character, a newly invented calendar based on the many seasons recognised in indigenous cultures, and a subplot involving flashbacks to the time before the Great Cataclysm…
Then I sent the new manuscript to my dear, dear beta readers. Their ultra-valuable feedback (thank you – you know who you are!) resulted in more tidying…and THEN
Oh, my. Having a novel published was a lifelong dream come true.
I fell onto a steep learning curve. Working with fiction editors challenged me, but I could see that every discussion, every point, made my work better. A wonderful cover artist sent me concepts, and I jumped with delight on the one with the city and the canini – of course, it’s Mashtuk!
I’ve talked about launching here, and I can still remember the wonderful feeling. The Pale sold some copies. Readers contacted me and asked about the characters and what happened next? The characters gambolled around in my head.
And the publisher said: is there a sequel?
Next week, I’ll explain how I got from a single dream to a three-novel series … and perhaps a set of short stories in genesis.