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The Silence: cover reveal

Cover Reveal!

Today I’m jumping up and down with excitement as the cover of Susan Allott’s debut novel The Silence is revealed. The Silence will be released in April next year.

I’ve been lucky enough to have Susan answer a few questions, too, about her writing process and the story behind her novel, a suspenseful mystery about a missing woman, marriage, emigration, children, and especially secrets. The Silence has been compared to both Jane Harper’s The Dry and Lisa Wingate’s Before We Were Yours.

I can’t wait to read it.

Welcome, Susan! At last, your cover is here, and it looks wonderful. Covers are so important. Can you tell us something about the process for you? Who gets to design and choose the cover – do you have input? And what about the title – was that your choice?

Susan: My covers were done by the in-house team at Harper Collins, one designer based in the US and one in the UK. The US cover came through first and I thought it was beautiful but I did ask for some changes. I had a very specific image in my mind of what the houses on Bay Street look like, and it bothered me that the houses on the cover weren’t exactly as I’d described them in the book. The designers went away and made the changes I’d asked for and when it came back the houses were accurate, but the cover was no longer beautiful! It was a good lesson. I realised the cover needs to evoke the book rather than depict it in a literal way, and it needs to be attractive to potential readers.

When the UK cover came through I loved it immediately. It’s so intriguing and inviting: exactly the kind of book I would pick up in a bookshop.

The title was my choice but it took me ages to come up with it! My book is about a woman whose disappearance goes unnoticed for thirty years, but it’s also about Australia’s ‘forced removal’ policy which continued for decades, and most white Australians were somehow unaware of it. We were trying to find a title which brought those two elements together, but nothing was quite right.

In the end I went back through working titles I’d used before I found a publisher. One of these was ‘The Great Silence’, a quote from W.E.H. Stanner’s famous lecture which describes a ‘cult of forgetfulness’ around the history of Australia’s Aboriginal and Torres Strait Islander people. I played around with it a bit – ‘The Long Silence’? ‘The Huge Silence’? – but of course the more powerful title was the simplest one. I sent an email to my editor and agent: ‘How about The Silence?’ And they both replied ‘I love that.’

It was such a relief, that we’d found the right title, but also that we’d held out for one that really worked instead of compromising. It’s so right for the book, I can’t believe we didn’t think of it sooner.

Silence_CoverReveal_1200x1200

Do you have a favourite task in writing, such as scribbling ideas, fleshing out scenes, inventing characters, visiting locations, editing? If so, why?

I get the most pleasure out of editing. I do a lot of deleting, rewording, deleting again, over and over until it finally works. My happy place is sitting at the kitchen table with a cup of tea, reworking what I wrote yesterday and making it shine. I have to force myself to push on and write new material. I think it’s because the first draft is often so flat and clichéd that it dents my confidence. I need to get over that. I do know that even the best writers’ first drafts are appalling.

I’m going to ask you to play favourites: who is your most beloved character in your own writing, and why?

I think I’d have to say Mandy, the character whose disappearance is central to The Silence. She’s a 1960s Australian housewife who doesn’t fit the mould. Her husband wants nothing more than a brood of children and she is secretly taking the Pill.

Over 50% of the novel is set in the 1960s, before Mandy disappeared, so we get to know her well. I wanted her absence to be felt in the chapters set thirty years later. Hopefully she comes across as complex and relatable, as flawed as we all are. She’s been in my head a long time.

Can you tell us something about yourself that you think readers should know?

The Silence began as a story about my experience of living and working in Sydney in the late nineties. More specifically, my experience of failing to love Australia, while everyone around me seemed so happy and at home. The book I tried to write was about a young British woman called Louisa who, like me, left Australia to return to the UK. Then she got home and wondered what was wrong with her. That experience of overwhelming homesickness was my starting point. But the story didn’t come to life until I started exploring the world Louisa had left behind: her husband Joe and their neighbours, Steve and Mandy. I wrote against my own experience, describing Australia through the eyes of people who loved it and called it home.

I fought the idea of setting the book entirely in Australia for a long time. Funnily enough, I met an Australian man in London a few years later, and went on to marry him! He encouraged me to keep writing. We visited Australia a few times over the years and gradually I accepted that my story was there. In part the novel is about the experience of migration, and how liberating it can be to make a new home on your own terms, even though that didn’t happen for me.

Are there any particular writers or books that inspired you on your own creative path?

The biggest influences for me while writing The Silence were Kate Grenville’s The Secret River, Christos Tsiolkas’ The Slap, and Rabbit Proof Fence by Doris Pilkington Garimara – the book and the film. Tim Winton too of course, I’ve read everything of his including his memoirs. Oh and Evie Wyld is incredible. The trouble is, these wonderful writers can be slightly intimidating and I spent a few years thinking my writing wouldn’t be good enough until I sounded like them. I think I took a long time to accept that my own voice was ok. I read a lot of non-fiction too while I was researching. The stolen generation storyline was inspired initially by a passage in a book called Australia: a biography of a nation by Phillip Knightley. There’s a section in that book about an Australian policeman who used to come home from work, sit at the back of the house and cry. I knew I wanted to tell his story.

What would you say is the most difficult barrier to overcome in writing a novel and having it published? Do you have advice about that, or a good story of how you got there?

I think the hardest thing is to keep going, especially when you’re aware of how hard it is to get published. For me, the challenge of writing alongside the demands of work and family life sometimes felt insurmountable. My advice would be not to fixate too much on publication as a goal, especially not in the early drafts. Write primarily for yourself and try to write the kind of book you love to read. If you love your book and enjoy writing it, that will come through on the page.

I’d also caution against giving up the day job too soon. Time is not always your friend. I never had enough time to write for the first few years, when my kids were little and I was working. I wrote whenever I could find a spare hour in the day. (Sometimes it was only twenty minutes.) It gave me an urgency when I did sit down to write that may not have been there otherwise. Writing was always the thing I did when I should have been doing something else. My me-time.

That said, I think it was a gift from the Universe when I was made redundant at the end of 2018. I had an agent by that stage and she was keen to submit my manuscript before the London Book Fair in March this year. The months I spent writing full time in the run-up to submission were completely immersive and I’m not sure I’d have managed it if I’d still been employed. I might have found the time somehow but I wouldn’t have had the headspace.

And the book did sell in the run-up to the Fair! I don’t like talking about luck, when really it’s sheer stamina that gets the book written in the end, but I do feel very lucky that I had that period of time to finish the book just when I needed it.

What was the most difficult scene to write in the novel – you don’t have to give away spoilers!

There’s a scene about a third of the way through where Isla, my protagonist, starts to question her long-held loyalty to her father, who is suspected of murder. I needed to show her range of emotion while also managing the plot and the logistics of the scene. The hard part always is trying to be subtle, but not so subtle that the reader loses the thread of where the character is coming from. I’m pleased with that scene now but it took forever and I drank an awful lot of coffee.

What are you most looking forward to in your writing?

I’m looking forward to getting stuck into the new book, which is set in London this time. I want to get the sense of momentum again, where the hours go by and I barely notice. Other than that, I’m not sure if this is strictly ‘writing’ but I want to hold the published copy of The Silence in my hand and flick through the pages. I can’t think of anything more exciting.

That will be a wonderful day indeed. Congratulations, Susan, and I’m looking forward to holing a copy too – and reading it!

The Silence by Susan Allott will be released on April 30th 2020.

Susan’s links:

Website: www.susanallott.com

Facebook: https://www.facebook.com/sallottauthor/

Twitter: @SusanAllott

Instagram: @susanallottauthor

Teddy bears, wolves, and cow pats

My spirit animal is probably cute and cuddly rather than strong and noble. What do you think? I can dream … I’m pretty sure heart and soul would be part of it though…

Today I’m sharing this wonderful interview with Meeting the Author. What fabulous questions! Thanks to Camilla Downs, gracious host of Meeting the Authors website, author, poet, nature photographer, and all around good egg.

For great insights and intros to new books, you can follow Meeting the Authors at http://meetingtheauthors.com/

Here’s my interview. As Camilla says, watch out for the cow pats!

http://meetingtheauthors.com/2019/10/22/meet-the-author-the-stars-in-the-night-by-clare-rhoden/

Latest news: #WeLoveOurAuthors

Every day throughout October, awesome Odyssey Books is celebrating one of its authors with a feast of shares including FREE SAMPLES!

Now is the time to discover your new favourite.  Look under Odyssey News every day in October to meet yet another fab author. Remember, this is where books are an adventure!

My feature day was Saturday October 12th. If you want to learn some of my secrets and get some freebies of my writing, here’s the link:

https://www.odysseybooks.com.au/2019/10/12/clarerhoden-weloveourauthors/

#WeLoveOurAuthors

Really, who in their right mind doesn’t love books?

And books are created by AUTHORS!

#WeLoveOurAuthors

*Do you have favourites? See my classic list below – do we overlap at all? Did I forget something wonderful???

#WeLoveOurAuthors

But there’s always time to meet new authors and new fave books. I’m delighted to alert you to a fab share-fest from (my wonderful publisher) Odyssey Books. Throughout October, they’ll be featuring one author a day from their amazing list. I just love their ‘mission statement’: Odyssey Books : where books are an adventure.

#WeLoveOurAuthors

And yes, my turn will come.  So be prepared … I almost feel I should give you tips on how to tone me down for a while … Lots of tweets, posts, and links will be shared 🙂

#WeLoveOurAuthors

*(some of) Clare’s favourite authors of all time:

Mary Renault. Georgette Heyer. JRR Tolkien. Ursula Le Guin. JK Rowling. Mary Stewart. TH White. Robin Hobb. Mercedes Lackey. Katharine Kerr.

(some of) Clare’s rising favourites:

CSE Cooney. Laura E Goodin. Kathryn Gossow. Neil Gaiman. Kim Wilkins. Elizabeth Bryer. Melissa Ferguson. Charlie Jane Anders.

Confession: I meet new favourites all the time!

Eugen Bacon has Something to Say

Eugen M. Bacon describes herself as a computer graduate mentally re-engineered into creative writing. Eugen’s entrancing, highly-regarded work is widely published in literary and speculative journals, magazines & anthologies worldwide. She is also a professional editor … check her out at Writerly Editing Services

Welcome, Eugen! Wonderful to have you on Something to Say! What project are you talking about today?

Eugen: My literary speculative novel Claiming T-Mo  is out with Meerkat Press in August 2019. It is a lush interplanetary tale where an immortal Sayneth priest flouts the conventions of a matriarchal society by naming his child. This initiates chaos, unleashing a Jekyll-and-Hyde child—T-Mo/Odysseus. The story unfolds through the eyes of three distinctive women: his mother, his wife, his daughter, and the unbearable choices they must make.

Is there one aspect of Claiming T-Mo that you relate to most – a favourite character, scene, effect? Can you tell us more about that?

Myra—pronounced My (as in ‘my name is…) Rah(as in ‘ra-ra-rasputin’)—is one of my favourite characters.  She is half human, half alien, impulsive, and doesn’t really ‘belong’. But I also really like the complexity of T-Mo/Odysseus, his double persona that fools all but his mother, Silhouette. She is the omniscient narrator who haunts across the novel.

They all sound marvellous! What do you think drives you to pursue your creativity?

Dominique Hecq, a wonderful friend and mentor (she was my doctorate supervisor), articulates it best. She says that she writes to answer incipient questions troubling her mind, or to relieve some form of anxiety where cause may not yet be symbolised. She states, ‘I write because I must do so, exhilarating, detestable or painful though this might be.’

Like Hecq, I write to … find.

Very well explained! Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline. What can you say about your process?

My approach to the compositional space is with excitement, with a sense of urgency, with a knowing that writing is an active speaking. Writing is a search, a journey, a coming through. Text shapes my silence. It shouts my chaos. I often start with a skeleton, a general idea, and then the writing shapes itself.

Finally, what five words would you use to describe yourself as a writer?

Experimental. Inventful. Bold. Otherness. Poetic.

And entirely engaging! Thank you so much for having Something to Say, Eugen, and more power to your pen. Um, keyboard. Whatever 🙂

 You can follow Eugen on Twitter @EugenBacon

A special invitation from Eugen:

Please join me at my Melbourne Book Launch  on 1 August! It is a combined book launch, also celebrating Writing Speculative Fiction, published by Macmillan in 2019.

 

Michael Pryor and the Graveyard Shift

Michael Pryor is a Melbourne author who writes in many veins: from literary fiction to genre sci-fi to slapstick humour, depending on his mood, and very successfully too. Over fifty of Michael’s short stories have been published in Australia and overseas, and he has  been shortlisted nine times for the Aurealis Award for Speculative Fiction. His short stories have twice been featured in Gardner Dozois’ ‘Highly Recommended’ lists in The Year’s Best Science Fiction and The Year’s Best Fantasy. Eight of his books have been awarded CBCA (Children’s Book Council of Australia) Notable Books status, and he’s been longlisted for a Golden Inky (YA book award) and shortlisted for the WAYRBA Award (Western Australia’s Young Readers Book Award).

He has also twice won the Best and Fairest Award at West Brunswick Amateur Football Club (Australian Rules), so I know he’s a fully rounded person!

Hi, Michael, great to talk with you. What project are you talking about today?

‘Graveyard Shift in Ghost Town’, my scary/funny YA sequel to ‘Gap Year in Ghost Town’. Details on my website (http://www.michaelpryor.com.au/novels/graveyard-shift-in-ghost-town/) and there’s a book trailer on YouTube: https://youtu.be/DFFENgtydDI

Graveyard shift cover small

Oh, that’s so cool!  Is there one aspect of The Graveyard Shift that you relate to most – a favourite character, scene, effect? Can you tell us more about that?

The book is set in Melbourne, my home town, and it’s a bit of a love song to a city I love. After years of writing stories set in imaginary locations, it was fun to write in a setting that I knew well. Instead of trying to work out how far it was from Imaginary Castle A to Imaginary Desert B, I could just use my local knowledge.

What do you think drives you to pursue your creativity?

I’m driven by the fact that anything else I could be doing would be a whole lot less fun and wouldn’t suit me nearly as well. Besides, I want to be part of the ranks of storytellers that stretch back to the dawn of language, because storyteller is such a human activity, part of who we are.

So true! Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline. What can you say about your process?

I liken it to using stepping stones to cross a swiftly flowing river. The stepping stones are well thought out ahead of time and are in place, nice and solid. Between, though, it’s fluid and changeable, able to take you anywhere.

Pryor1cropped lo res

That’s perfect. A plan with flexibility, I like that. Finally, what five words would you use to describe yourself as a writer?

Methodical, organised, persevering, playful, open.

Thanks for taking with us today, Michael, and all the best with your Graveyard Shift!

Michael’s Links:

Website: http://www.michaelpryor.com.au

Twitter: @michaeljpryor

 

On my wish list: Writing Speculative Fiction

A book I covet has just been published.

Author Eugen Bacon is here to tell me all about it.

Welcome to Something to Say, Eugen! Can you tell me about your book, published this month by MacMillan?

Eugen: Writing Speculative Fiction: Creative and Critical Approaches is an accessible read about vibrant storytelling of speculative fiction that crosses genre.

It’s a cross-disciplinary book that scrutinises the characteristics of science fiction, fantasy and horror, and considers the potential of literary speculative fiction.

Eugen Bacon 2

Eugen Bacon Author

That sounds wonderful. As a genre-hopper myself, I’m fascinated by insights into all of these. Is there one aspect of this book that you relate to most?

I really love this book because it is a reader’s paradise. It has vignettes and excerpts and samplers from renowned artists and novice students. It has writing exercises at the end of each chapter. It offers provocative and useful insights on speculative fiction, moving—as one reviewer professed—‘between ideas and stories, between analysis and narrative’. It is a book that celebrates amazing authors like Ray Bradbury and Octavia Butler, and supreme theorists like Roland Barthes and Simone de Beauvoir in embracing the pleasure of the text, and writing about the ‘other’.

I’m sold! I want my copy asap (but you have to sign it for me). What do you think drives you to pursue your creativity?

Dominique Hecq, a wonderful friend and mentor (she was my doctorate supervisor), articulates it best. She says that she writes to answer incipient questions troubling her mind, or to relieve some form of anxiety where cause may not yet be symbolised. She states, ‘I write because I must do so, exhilarating, detestable or painful though this might be.’

Like Hecq, I write to… find.

Writing Speculative Fiction

You write with very fluid genre borders yourself, of course.

How do you do it? Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline.

What can you say about your process?

My approach to the compositional space is with excitement, with a sense of urgency, with a knowing that writing is an active speaking. Writing is a search, a journey, a coming through. Text shapes my silence. It shouts my chaos. I often start with a skeleton, a general idea, and then the writing shapes itself.

Finally, what five words would you use to describe yourself as a writer?

Experimental. Inventful. Bold. Otherness. Poetic.

Eugen, thank you so much for having Something to Say!

Here’s an invitation for us all! Put it in your diary.

Please join Eugen at her Melbourne Book Launch on 1 August at Readings in Hawthorn! Eugen will launch her new spec fiction, Claiming T-Mo (more about that soon) and also celebrate the release of Writing Speculative Fiction.

I will be there :-), having my copies signed. Can hardly wait.

Twitter: @EugenBacon

The Stars blog tour continues

This week it’s all about the fabulous blog tour … The Stars in the Night is visiting the real world of readers and bloggers.

Many great links will be added here so you can see what happens when you go on tour. This time, what goes on tour comes home very happily!

Jo at Jaffa Reads Too: https://jaffareadstoo.blogspot.com/2019/04/blog-tour-and-giveaway-stars-in-night.html

Dragon Rose Books Galore Reviews: https://dbgreviews.blogspot.com/2019/04/blog-tour-stars-in-night-by-clare.html

Literary Flits: http://litflits.blogspot.com/2019/04/the-stars-in-night-by-clare-rhoden.html

Julie at Northern Reader: https://northernreader.wordpress.com/2019/04/21/the-stars-in-the-night-by-clare-rhoden-the-reality-of-loss-and-survival-in-war-and-peace/

Stacy is Reading: https://stacyisreading.blogspot.com/2019/04/book-review-stars-in-night-by-clare.html

Cheryl M-M’s Book Blog: https://cherylmmbookblog.blogspot.com/2019/04/blogtour-stars-in-night-by-clare-rhoden.html

My thanks to Harry’s travel agent, the lovely Rachel at Rachel’s Random Resources.

Save the date! March 20th

The Stars in the Night launch event is confirmed: Wednesday March 20th 2019 at Readings Carlton, 6.30pm. All welcome!

starsbookshop

Hello Stars!

The Stars in the Night is here. It’s been a long journey with Harry Fletcher and his WWI adventures.

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http://odysseybooks.com.au/titles/the-stars-in-the-night-new/