Tim Major says: Since I started out writing a decade ago, I’ve treated the submission (and rejection!) process for short stories as an important part of the gig. I still find myself scouring submissions calls almost daily, even though I respond to fewer of them each year (mainly because I’m writing fewer short stories and more novels). I […]
Once upon a time, there was a Big, Bad Wolf … he blew down the houses of swine, stole from little girls visiting their grandmothers … but maybe the wolf wasn’t so big or bad … Twisted fairy tales centred around this majestic creature written by 45 indie authors from all over the globe
A year of potential, of reckoning, of change and reassessment. A year of the Tiger, a strong character who banishes evil and demonstrates courage. It’s a year to keep going.
For me, 2022 is a year for new writing projects, and the completion of earlier ones. Let me show you my planned journey.
New writing projects
From the WasteLand
An anthology of literary speculative fiction inspired by TS Eliot’s seminal poem The Waste Land, first published in October 1922.
If you are unfamiliar with the poem, suffice it to say that it’s as long as a novella, and its subject matter is the fragmentation of society during and after World War One (WWI). All in beautiful, strange, evocative words. I’ll be writing a lot more about this project soon. It’s going to be wonderful and amazing.
In this novel, I’m focussing on the Australian home front during WWI.
If you’re familiar with Stars, you’ll know that it’s the story of two brothers, Harry and Eddie, who fight at Gallipoli and in France. This new book will fill in all the gaps about what was happening back in Semaphore. More about this story as it progresses. I hope to have the whole manuscript completed this year to submit for publishing in 2023 or 2024.
Don’t worry, How to Survive Your Magical Family is definitely coming this year, from the wonderful Odyssey Books. There have been just too many interruptions to the publishing industry, and too much pressure on staff due to the pandemic.
I’m now hoping for a February release. And I’ll most definitely keep you updated!
In 2021, I kept busy with some substantial shorter fiction for themed anthologies, as well as the odd little tale for drabble collections (a drabble is a tale told in EXACTLY 100 words, no more, no less).
New Tales of Old Volume 2
New fantasy tales based on old myths, fairy stories and legends.
This fantastic (pun intended) anthology is coming from Black Ink Fiction in March. My story features the Cwn Annwn, ghostly hounds of the Welsh hunt.
Stories about a fantasy ancient kingdom inspired by Greek myths and legends
In this wholly realised world, gods and demons vie for supremacy, with humans at risk. Twelve inter-linked stories unfold the tale of the semi-divine women who must face the demons. My story is ‘Ione and the Sea Demon’. This is also coming from Black Ink Fiction in 2022.
Fantasy tales of a malevolent magic mirror
An ancient curse, a lingering threat: these stories tell of the evil effects of the broken mirror’s curse. The stories are all based on legends and all feature the fateful Fae mirror. My story ‘Lady Marian’s Gambit’ plays with the Robin Hood legend. This is coming in 2022 from the groundbreaking Australian independent Black Hare Press.
This wintry horror collection features my drabble about the Sugar Plum Fairy. The book is available now from Black Ink Fiction. Here’s a link: Winter Shocks
Of the 80 or so books I read every year, some stand out. As I’ve mentioned previously (see my post on book choices), I’m pretty good at judging what books will suit my readerly needs. I should be, after reading so many!
If your reading preferences are anything like mine, you might like to check out this selection from my 5-star reads this year.
The first of a new series by Juliet Marillier, whose evocative writing immerses the reader in ancient Ireland. Myth, romance, adventure and tragedy combine in this wonderful story.
Watch out for in 2022
As a reviewer, I’m privileged to read quite a few books prior to their release, in the form of ARCs (advanced reader copies). I love being considered an advanced reader LOL! Here’s one I adored for its teeming, lush fantasy world.
An enthralling read, The Good Childtells the story of two women whose lives are linked – and damaged – by the one man.
Unfolding through a series of flashbacks interspersed with current happenings of the 1990s, the story introduces us first to Lucille and Quin. They’ve both lost everything. The two women meet on a country train headed to Melbourne. They’re on their way to attend a trial. Although they don’t know it for a while, they both have their lives invested in the man in the dock.
Lucille, like many of our mothers or grandmothers, was born between the wars. She lived through the hungry 1930s and blossomed in the 1940s. She suffered some awful tragedies, the sort that rip the heart out of women. Then WWII stamped all over her life.
Maybe her grandmother’s warning was right:
“Marry the wrong man and your life will be nothing but misery.”
When at last Lucille raises Tom, a golden boy, everything seems better. Perhaps life will be kind after all. Maybe the mistakes and heartaches will disappear into the mists of time.
A well-loved child, Tom leaps on the ‘greed is good’ train of the 1980s, spreading his charm and his captivating energy with a generous hand.
How could anything go wrong with his ambitious financial scheming? Well, what about shady dealings? Or the mates’ rates he shares glibly? And what about his greedy, grabby habits?
Ah well, if you lived through the 80s you’ll know what can go wrong.
Quin was one of Tom’s star workers, writing up loans, sealing deals, helping as he schmoozed up customers.
She knows that some of what she did enabled Tom’s rapacious dealings, but she wasn’t prepared for the double cross that sacrificed her to the wolves when the going got tough.
Quin would love to right her own wrongs and see Tom pay for his crimes. Her budding relationship with Lucille promises to heal some of the wounds of the past.
Finally, the compassionate insight of women bypasses the slick and deadly traps of masculine over-confidence.
This story is very generous in detail
The Good Child recreates its diverse time periods with such a keen attention to everyday life that readers are immediately immersed in the settings.
It’s almost possible to smell the kitchen of the 1940s, touch the dresses of the 1950s, hear the hubbub of the 1960s six-o’clock swill, and taste the extravagance of the 1980s.
Author S.C. Karakaltsas has a thorough understanding of the periods covered in this wide-ranging novel, as well as a keen eye and a happy gift with dialogue. Perhaps most remarkable is her ability to bring out the green shoots of hope in a story that charts so many tragedies.
It’s easy to get lost in the world of The Good Child, riding the emotional lows and brief highs as the story inevitably unfolds to its very satisfying end. If you love Australian historical fiction with a feminist slant, this one is for you.
I’m very proud of these books and still very much in love with them.
But how did this love affair with talking animal stories begin?
Today I’m letting you into the ten hidden stages behind the Chronicles.
Stage 1: An Idea
Ideas comes from everywhere. I can’t stop them.
This one began with a dream in 2014. We were shut inside a gated compound while outside, crying babies were dying from exposure. We couldn’t get out, but my dog Dinny (an ancient and beloved German Shepherd) snuck out and carried the two babies into safety.
From small kernels of inspiration, a big story grew.
Dogs had to feature!
Stage 2: A Short Story
The story of the babies left to die Outside was too good to lose, especially during the height of the worldwide refugee crisis. The wise and compassionate canini Mashtuk and Zelie, the heartless humachines, and fully-human Hector appeared in my head. I wrote them into a story and submitted it to progressive journal Overland. My first ever short story acceptance!
If you’ve read The Pale, you might like to see where it started.
Stage 3: A Novel
After the story was published, an indie publisher contacted me because my Overland bio said that I was writing a novel about these characters.
I hadn’t started, but I immediately began. Ideas came too fast and the novel grew too long, but I submitted it within six months.
Stage 4: A Rejection
Sadly, The Pale Version 01 didn’t make the grade. The novel was BLOATED with too many characters and dozens of subplots, and falling over itself with over-complex world building.
While the feedback was positive, the novel needed severe editing.
Stage 5: An Acceptance
More time passed. I took a good hard look at my manuscript and pruned a few thousand words. Some of the off-cuts were old favourites: names for every (and I mean every) minor character, a newly invented calendar based on the many seasons recognised in indigenous cultures, and a subplot involving flashbacks to the time before the Great Cataclysm…
Then I sent the new manuscript to my dear, dear beta readers. Their ultra-valuable feedback (thank you – you know who you are!) resulted in more tidying…and THEN
Oh, my. Having a novel published was a lifelong dream come true.
I fell onto a steep learning curve. Working with fiction editors challenged me, but I could see that every discussion, every point, made my work better. A wonderful cover artist sent me concepts, and I jumped with delight on the one with the city and the canini – of course, it’s Mashtuk!
I’ve talked about launching here, and I can still remember the wonderful feeling. The Pale sold some copies. Readers contacted me and asked about the characters and what happened next? The characters gambolled around in my head.
And the publisher said: is there a sequel?
Next week, I’ll explain how I got from a single dream to a three-novel series … and perhaps a set of short stories in genesis.
Donna Bottomley is a psychotherapist and writer, based in Wales (ah, Wales! Will I ever see you again?). As part of her psychotherapy practice, Donna runs an online Expressive Writing group, which sounds just perfect. Expressive writing can be effective in reducing anxiety, apprehension, worry and insomnia.
Donna’s book, released in May, has the intriguing title Do I Need to See a Therapist? In these pandemical (yes, I just invented that word) times, I know most of us have been touched in one way or another by worry, sadness, uncertainty and doubt.
Add feelings of fear and isolation, and it’s no wonder we think about seeking help. Read on for Donna’s comments on why she wrote this book, plus a free excerpt.
I can *almost* guarantee (*because nothing is certain, right?) that you’ll find this chapter very helpful.
Welcome to last Word of the Week, Donna!
I’m so pleased to speak with you. Can you tell us about your book?
DONNA: The idea for this book was to pass on my insights from being a therapist and to also mention a particularly helpful technique for managing emotions that has been a game-changer in my practice over the past year.
Making connections and discoveries is what inspires me. I LOVE research and am on a constant quest to understand what makes us feel and behave as we do. Therapy as a field is increasingly looking beyond merely talking about thoughts and instead bringing more of our physical bodily sensations and events happening beneath the ‘hood’ of the brain into therapy. This includes our sensory worlds. These are an important part of our feeling states.
I recharge using the sensory stimulation of listening to music whilst moving; preferably in my car but walking in nature can have a similar effect. I also love the physical act of handwriting and use expressive writing both for myself and in my therapy practice.
Oh and I also have a habit of getting lost for hours playing around on Canva!
DO I NEED TO SEE A THERAPIST?
Free Book Extract: Chapter 5
Will Talking about My Feelings Make Them Worse?
And if So, What Can I Do to Make It Easier?
I often hear new clients say that they are worried they will feel worse if they talk about their feelings. This belief that emotions are made worse by talking about them keeps people silent. When we are silent, we cannot process our experiences. If we do not process our felt experiences, then we cannot truly learn enough about our own emotions in order to manage them. You wouldn’t manage a sports team by having no idea of the individual skills and abilities in your players. You’d have no control over how a game would play out if this was the case, and it would feel unpredictable and uncertain. It’s the same with our emotions. By suppressing them and pushing them away, we never get to learn enough about our own processes in order to manage them better. Because we don’t know enough about them, we find them unpredictable and we feel out of control if they become triggered. We don’t want to lose control, so we push them away. This avoidance keeps us fearing them, and the cycle continues.
As humans we have a natural ability to be able to suppress, repress or express. Sometimes we knowingly suppress, sometimes we unknowingly repress. An example of repression is not knowing that something has bothered you until you later talk about it and feel upset, perhaps saying something like ‘I had no idea that bothered me so much’. This is normal, but do we balance out our natural tendencies to suppress, with setting aside time to process? In day-to-day life I don’t believe we do, because we desperately do not want to get upset. But this emotional suppression has a cost. It can make us feel even less in control of our emotions, and it also has an impact on our physical health.
A study by Gross and Levenson, published in 1997 in the Journal of Abnormal Psychology, found that when participants were asked to suppress either a positive (amusement) or negative (sadness) emotion, the act of suppressing the emotion produced increased activation in the ‘sympathetic nervous system’ (SNS). The SNS is the part of our nervous system that sets off the ‘fight or flight’ response and gets us ready for action. Along with the release of stress hormones, it increases our heart rate, blood pressure and breathing in order to tackle the task at hand. If this type of activity is prolonged it takes us into a state of chronic stress. So if we suppress either positive or negative emotions this has an effect on our body similar to that that occurs when we are dealing with something stressful.
Somehow, we have been given the message that it’s wrong, weak or crazy to notice and express our sensations and our feeling-states. But the research is clear that suppression as a strategy for managing our emotional health is not helpful. Peter Levine, in his book In an Unspoken Voice, discusses a study in which emotional suppression was correlated with higher rates of heart disease in men. James Pennebaker and Joshua Smyth’s research into expressive writing and emotional disclosure found a link between poor immune system functioning and emotional suppression (Pennebaker & Smyth, 2019). All of this tells us that if we stop trying to avoid our feelings, we might feel better. But how do we actually do this?
THE ALTERNATIVE TO SUPPRESSION: PROCESSING EMOTIONS
This is the first step. It might sound obvious, but it is central to being able to gain mastery over what is happening for you. There is a part of the brain that is involved in ‘noticing’ and in becoming aware of what you experience. You can enhance it, and some scientists would say that you can increase the size of this area through long-term mindfulness practice.
The next thing I’m going to ask you to do is to set an intention to be curious about the sensations in your body that you notice. Maybe you are used to immediately doing something to distract yourself from the fluttery feeling of anxiety, or that quick whoosh of adrenalin. Whatever it is that you notice, how about seeing where the sensation goes if you let it be? Yes, you can distract yourself if you want to, but that isn’t your only option. Could you allow yourself to be like a scientist and be curious about what you notice? Could you try to embrace the uncertainty rather than push it away? The sensations in your body are not going to harm you. You do not need to fear them. If you let them be, they will come and they will go. Like waves on a beach.
When or if you feel angry or anxious, you might also notice lots of thoughts or maybe images flashing up, wanting attention. Your brain will be trying to figure out what’s going on and what to do. That’s OK. Notice what is happening in your body. You do not have to answer the thoughts right now, let them be there. They will come, and they will go.
Observe without judgement
Try it now. Check in with your body. What posture are you holding? What position is your spine in? Is it slumped, or twisting to the side? Imagine straightening it a little bit, and actually let your spine move to where it wants to. Then notice your stomach: are you holding it in? Let it go, let it flop out. Adjust yourself if you notice any twists or tenseness anywhere else. Notice with curiosity and without judgement.
Take a breath in and slowly breathe out, trying to make that out- breath last for a count of six. Do this again, then once more, and now take a big breath in and let it flop out like a big sigh.
Oh, thank you so much for that, Donna.
Great advice there. I’m sure we all appreciate this. Now for the entire book – here are the links!
Today I’m excited to host Veronica Strachan and Darren Kasenkow as they tell us all about their inspiring project. Veronica and Darren are the co-founders of Australian Book Lovers and the co-hosts of the popular podcast of the same name. They’ve created a site that’s brilliant for readers and writers.
Love Australian books? Go straight to their site, sign up for the newsletter, subscribe to the fabulous chatty, engaging, informative podcast. I guarantee that you won’t be disappointed.
What is Australian Book Lovers?
Australian Book Lovers is a platform for Australian and Indigenous authors to list their books, and for readers from across the globe to find them.
About the ABL team:
In between listing books, promoting authors, and recording podcasts, Veronica and Darren are editing their collaborative novel Family Secrets. Book 1 of a new series, ‘Beneath a Burning Heart’, Family Secrets features adventure, romance, and a supernatural twist.
Veronica spent most of her life in the health industry as a nurse, midwife, project manager, CEO, coach, and facilitator. Once she switched her attention to creative writing, she published six books in five years. A memoir, a workbook/journal, and two books in a children’s picture book series, illustrated by her daughter, Cassi. As V.E. Patton, she’s written Book 1 of a fantasy series and a novelette. Soul Staff: Book 2 of her ‘Opal Dreaming Chronicles’, and Chickabella Shapes Up: Book 3 of The Adventures of Chickabella are due for release later in 2021.
Darren appeared on Last Word of the Week earlier this month. He’s an author whose work dances across the boundaries of literary fiction, with thematic elements from dystopian horror, apocalyptic science fiction and existential suspense. His books include The Apocalypse Show, Dust and Devils, See the City Red and The Hallucigenia Project Book One. He’s currently working on the highly anticipated sequel titled Godless, with an expected release date of late 2021.
I’m very excited to talk to Veronica and Darren today about their work and their mission to promote Australian books.
Welcome to 2021 Inspirations
Veronica: Thank you for the chance to post our inspirations to your blog.
What inspired me to get Australian Book Lovers going? Well, if you chat with Darren Kasenkow for more than a few minutes, you are guaranteed to be inspired by his enthusiasm and imagination. We’re co-authoring a book and have chatted regularly over Zoom over the last couple of years. I was getting to know lots of Aussie writers through the Twitter #AusWrites hashtag started by Rebecca Langham (and now assisted by Kevin Klehr) and the Australian Women’s Writers Challenge (Reading more works by Australian women writers).
Both DK and I were doing everything we could as Indie authors to promote our books in the crowded marketplace, and in the midst of COVID-19!!! I can’t help coaching – looking for potential and nurturing it forth, it’s in the blood – and wanting to support other people in reaching for their dreams, in this case Aussie authors! The conversation got around to … wouldn’t it be good if all the Australian authors were in one place… and easy to find and promote. I’m pretty sure it was DK who said,
“We should start a website”
and he came up with the name Australian Book Lovers. As a serial small business entrepreneur, it was the green light to get started.
The continuing inspiration comes from the authors themselves. The podcast is my favourite. It is an absolute honour to chat with so many creative imaginative people and to hear about what inspires them. And then to spend time chatting with my friend Darren about anything and everything writing and reading that takes our fancy. If one of us is feeling a bit flat, it only takes a minute or two to be uplifted by the other person’s energy and enthusiasm.
Darren: Thanks so much for the opportunity to be a part of your amazing blog!! And an extra huge thank you for shining a light on great people and artists of all passions – in a world that’s continuously turning upside down it’s a beautiful thing to know beautiful conversations are happening 🙂
As for inspirations behind the Australian Book Lovers website and podcast, my writing, and of course my insatiable appetite for all things that ignite the imagination, I guess I have to say it probably has to do with those truly magical moments of discovery as a kid that held a recipe for transcending time.
The promise of wonder in a new book
is just the same today as it was when my bedtime was out of my hands and a new tale to read was a whole new world to discover and learn from. I love all art and forms of expression, yet books continue to be portals that I just don’t think other mediums can beat (and I say that as someone who loves to explore the technology of virtual reality!).
I write with the hope my story might inspire the same love of literary portals that I’ve been lucky enough to carry with me throughout life’s trials and tribulations, and I love working on Australian Book Lovers with Veronica because it represents the chance of sharing great works with readers who also hold the soul of an inner child filled with wonder and the desire to push their imaginations to the limit! Oh, and I love to peek behind the curtains in life, so interviewing authors and industry specialists is an absolute blast!!!!!
Tell us more about Australian Book Lovers, please!
Each listing allows a cover, blurb, bio, and author pic as well as a buy link of the author’s choice. We have hundreds of books from hundreds of authors listed under 12 separate genres/ages. Each page has its mascot – an Australian animal or bird, usually wearing a quirky piece of clothing or a prop instantly recognisable to lovers of those books. You can see two of our favourites in this blog. We’ve just commenced competitions to name all the mascots. The hundreds of people who subscribe to our newsletter get updates on the latest additions to the website, special features and access to author giveaways. Authors get their books shared with our subscribers and all the website visitors. The website changes almost daily, both in terms of books added and functionality. Very soon we’ll have to add multiple pages for our most popular genres. We’ll be offering listings for short fiction in the near future.
which currently has seventeen episodes and over 25 hours of writing news, reading news, author interviews, cameos, book readings, chats with industry experts and expert panels.
It is so inspiring to chat with authors and industry people about their love for writing and publishing. We were blown away by the support of authors for the podcast and amazed at having 1000+ downloads by our listeners in only three months.
There are times when it’s hard to keep up with demand, as we both have our own creative work and careers, but it is a gift to be connecting Australian and Indigenous authors to new readers, and we love it.
Thank you so much to Veronica and Darren for bringing together Australian Book Lovers through their energy and passion for reading, writing, readers and writers. If you are an Australian author yet to take advantage of the free listing service for your book, do it now! If you love reading books by Australian authors, wherever you happen to be in the world, go straight to ABL for a feast of books!
This statue, titled “Cobbers” by Melbourne artist Peter Corlett was was installed in the Australian Memorial Park at Fromelles, France in 1998.
In the days after the battle rescuers recovered some 300 wounded from no-man’s land.
As one soldier carried a wounded companion from the field he heard a call for help.
Don’t forget me, cobber
The “Cobbers” statue in the Australian Memorial Park at Fromelles in France features Sergeant Simon Fraser from Western Victoria carrying a fallen comrade from the field.
Cobbers is a memorial to Australian service and sacrifice at the Battle of Fromelles. Fraser risked his life and a possible court martial when he returned to save a stricken soldier whose identity is unknown.