The Ten Stages of Writing a Series: Part 3 Book Three

One novel is now a post-apocalyptic series.

Welcome to Part 3 of how I wrote a post-apocalyptic fiction series: from one novel to three novels in three years.

Let’s recall the first five stages:

  1. An Idea
  2. A Short Story
  3. A Novel
  4. A Rejection
  5. An Acceptance

If you need a full recap of how it all started, check out this post.

And then three more steps:

  1. The Sequel
  2. A Plan for Book 2
  3. Writing Book 2

If you need a recap of how I got to Book 2, check out this post. Now we’re up to Book 3.

The Ruined Land cover
The Chronicles of the Pale #3: The Ruined Land

Stage 9: The End Game

I admit that deadlines are good for me. I love writing inside a time frame. But remember, I’m a bit weird – I loved exams. Adrenaline = inspiration for me.

Broad Plain Darkening raised a lot of questions that I couldn’t wait to tackle. So many issues that I wanted to resolve. Imagine me rubbing my hands together in glee.

Once again, I needed a plan.

Strangely, my “plan” looks almost like a maths problem. How does it work?

Notes in a book
Example page from my TRL (The Ruined Land) notebook
  1. You’ll notice very few words. The story was in my head. These are just reminders so that nothing got left out. Sticky notes for my brain.
  2. Chapters are important. They need a starting point, an action or change point, and some sort of conclusion – one that leads to the next chapter, or one that closes the action and allows the next chapter to tackle another aspect of the story.
  3. Chapter length is important. That’s what the numbers are about. I’m moving scenes around to ensure that each chapter is a similar length.
  4. The first page of this notebook is dated Oct 19th, 2018. Three years ago today! That means that I was deep in writing Book Three while waiting for the edits to come back for Book Two.

Editing and writing at the same time: heaven!

Editing is such a satisfying task. You wrestle with what comes back; you suddenly see what doesn’t work. Then you scratch your head over how to make this or that point any clearer. You laugh at your hilarious typos (the runted land LOL!) and in your imagination, you high-five the editor at the brilliant saves.

Once again, working with Odyssey Books suited me down to the ground.

So within two years of launching The Pale, and inside 12 months of launching Broad Plain Darkening, I was back at Readings Carlton, surrounded by well-wishers, thrilled to introduce my new book to the world.

The Ruined Land was born, and my idea for a novel is now a post-apocalyptic series.

Stage 10: The Series in a Box

The Chronicles of the Pale is now a complete entity. You can even buy it as an ebook box set:

The Chronicles of the Pale Complete Series

The Chronicles of the Pale Complete Series available as an ebook
The Chronicles of the Pale Complete Series available as an ebook

Seven-piece Essential Toolkit for Writing a Series

  1. follow up your good starting idea
  2. create characters to care about … ones that YOU care about
  3. expect a great deal of work writing your idea into the first novel … possibly years
  4. refrain from killing your characters too early – but be prepared to kill them at the right time
  5. keep tweaking and submitting until you find a match
  6. be responsive to your publisher’s needs
  7. treasure the publisher who believes in you and your work

What next?

I have a dozen ideas for short stories set in the world of the Pale, but it’s no use planning a short story collection (working title The Chronicles of the Pale #4: Before and After) until I actually write those stories.

Jotted words in a notebook – useful as they are – do not turn themselves into publishable writing. And I also have in mind the possibility of a graphic novel or an animation. So a lot of work to be done first, but the world of the Pale now has to wait on edits for my current projects.

In the meantime, watch out for my next novel

How to Survive Your Magical Family

which will be out in time for Christmas. More news soon!

Coming soon
Coming soon: How to Survive your Magical Family

The Ten Stages of Writing a Series: Part 2 Book Two

Once upon a time, a single idea became a novel, and a novel sparked a series.

Welcome to Part 2, where I cover the big picture of how I moved from a stand-alone novel to a post-apocalyptic fiction series: from one novel to three novels in three years.

Let’s recall the first five stages:

  1. An Idea
  2. A Short Story
  3. A Novel
  4. A Rejection
  5. An Acceptance

If you need a full recap of how it all started, check out the previous post.

Stage 6: The Sequel

It took a little while to get my head around the possibility of more novels in the world of The Pale. A whole series of post-apocalyptic fiction? But hey! The world was all there, the characters created, and a trajectory beckoned. Plus the world always needs more books with talking animals.

All I needed to do was pick up where I left off, right?

It’s not that easy. Something I found quite testing was to check and re-check my built world, to ensure the consistency of both stories. Remember that I’d invented a highly-detailed setting, with too many characters, too many places, too much that was too clever by half (including an over-clever calendar)? Well, thanks to me being such a smarty-pants, there was too much in my head. I had to match the published version of my world, not the one teeming in my brain.

Hmm, did I mention this particular detail before? I kept asking.
I told myself: probably not.

Can I include it? I thought: Yes, but…

Can I do without it? Answer: YES!

The thing about world-building

It so happens that I know a lot more about the back-stories of the characters than will ever be published.

And that’s the way it should be. I am the iceberg. The published work is the best fraction of it.

Readers really only want to know what’s happening NOW.

They want ACTION. And they want EMOTION. They want RESOLUTION.*

*Beware generalisations. Some readers like the long way round a story

Readers don’t want to know about the hours I devoted to googling baby names as I tried to make my cast diverse and interesting. They don’t want to know about my failed attempts at tracing maps of Tasmania and putting Pale-style names in tricky terrain. And they especially don’t want to hear me arguing with myself about just how evil I can make the villain without turning science fiction into horror.

Stage 7: A Plan for Book 2

Take one ambitious time frame, add a thriving cast, lots of conflict and then make the world explode. Or at least cause the ground to shake.

I’m a pantser by nature, but I needed a plan. More, I needed – for the first time in my fiction writing – to create lists and signposts. I discovered that writing a series is like writing a thesis: there is more material than you can keep in your head at one time. You MUST be organised.

A character list was easy enough, and here it is. I also asked for it to be included in the printed book, because many readers like to refer back as they’re reading.

A map! Fortunately, I have very talented people in my family – they’re so creative, this lot! – and @bernardjmaher listened carefully, coped with my scribbled diagrams, and voila! a map.

Territory and city map ThePale
Territory map for The Pale

Stage 8: Writing Book 2

The deadline was good for me: six months to the first draft – remember that the first novel took several years to gestate.

I wrote and wrote and wrote. My method is to write a lot, and then edit, edit, edit. Then I add, subtract, rearrange and polish.

Characters from offstage demanded to be heard – for example, Helm, the lost tribesman. He’d always been there as Feather’s missing father, but he insisted that he had a much bigger part to play. More talking animals wanted to be heard, and many of the villains began to flex their muscles. Dystopia is like that!

Back and forth with editing. It was so much better this time around. I was more relaxed about strangers’ eyes on my imagined world, and more confident in my choices. I mus say that working with Odyssey Books has been amazing – truly life-changing.

Amazingly, within a year of launching The Pale, I was back at Readings Carlton, surrounded by well-wishers, thrilled to introduce my new book to the world.

Broad Plain Darkening was born, and my idea for a novel became a post-apocalyptic fiction series!

The Chronicles of the Pale #2: Broad Plain Darkening

 

Next time, I’ll talk about how Book 3 rounds out the series, and test out whether there’s more to come from the world of The Pale.

 

 

 

The Ten Stages of Writing a Series: Part 1 The First Novel

The Chronicles of the Pale series

This month is the second book-iversary of my dystopian fiction series The Chronicles of the Pale.

I’m very proud of these books and still very much in love with them.

But how did this love affair with talking animal stories begin?

Today I’m letting you into the ten hidden stages behind the Chronicles.

Stage 1: An Idea

Ideas comes from everywhere. I can’t stop them.

This one began with a dream in 2014. We were shut inside a gated compound while outside, crying babies were dying from exposure. We couldn’t get out, but my dog Dinny (an ancient and beloved German Shepherd) snuck out and carried the two babies into safety.

German Shepherd Dinny
German Shepherd Dinny, the original model for Mashtuk

From small kernels of inspiration, a big story grew.

Dogs had to feature!

Stage 2: A Short Story

The story of the babies left to die Outside was too good to lose, especially during the height of the worldwide refugee crisis. The wise and compassionate canini Mashtuk and Zelie, the heartless humachines, and fully-human Hector appeared in my head.  I wrote them into a story and submitted it to progressive journal Overland. My first ever short story acceptance!

Man-machine-dog-Illustration
Man-machine-dog-Illustration from Overland #215

Man/Machine/Dog‘ is available online.

If you’ve read The Pale, you might like to see where it started.

Stage 3: A Novel

After the story was published, an indie publisher contacted me because my Overland bio said that I was writing a novel about these characters.

Ahem.

I hadn’t started, but I immediately began. Ideas came too fast and the novel grew too long, but I submitted it within six months.

Stage 4: A Rejection

Sadly, The Pale Version 01 didn’t make the grade. The novel was BLOATED with too many characters and dozens of subplots, and falling over itself with over-complex world building.

While the feedback was positive, the novel needed severe editing.

Stage 5: An Acceptance

More time passed. I took a good hard look at my manuscript and pruned a few thousand words. Some of the off-cuts were old favourites: names for every (and I mean every) minor character, a newly invented calendar based on the many seasons recognised in indigenous cultures, and a subplot involving flashbacks to the time before the Great Cataclysm…

Then I sent the new manuscript to my dear, dear beta readers. Their ultra-valuable feedback (thank you – you know who you are!) resulted in more tidying…and THEN

I sent the manuscript off to another indie press looking for new authors.

The Pale cover detail: Mashtuk
The Pale cover detail: Mashtuk

About three months later, and email came, asking if The Pale was still available.

Yes! I shrieked. Yes, yes, yes!

(Thank you Odyssey Books!)

 

What next?

Oh, my. Having a novel published was a lifelong dream come true.

I fell onto a steep learning curve. Working with fiction editors challenged me, but I could see that every discussion, every point, made my work better. A wonderful cover artist sent me concepts, and I jumped with delight on the one with the city and the canini – of course, it’s Mashtuk!

I’ve talked about launching here, and I can still remember the wonderful feeling. The Pale sold some copies. Readers contacted me and asked about the characters and what happened next? The characters gambolled around in my head.

And the publisher said: is there a sequel?

Next week, I’ll explain how I got from a single dream to a three-novel series … and perhaps a set of short stories in genesis.

The Pale
Chronicles of the Pale #1: The Pale

 

Inspire me in 2021

Inspired

After the roller coaster that was 2020, it’s time for a change.

Welcome back to Last Word of the Week. In the 2021 series, I’m looking for inspiration.

Each week, a different author will tell us  what inspires them. Then they will share an extract from one of their books!

I’m looking forward to their encouraging words and their stories.

I’m going to launch the series

My inspiration for stories comes from family, from culture, and from nature. Our precarious planet provides us a flimsy shield from the vastness of the universe. I love to look out and in, to our own species and the precious flora and fauna around us, for insights into what it means to be alive.

Inspired by a puppy
Inspiration comes in many shapes

The worldwide refugee crisis and Australia’s punitive response is the inspiration behind my sci-fi fantasy series, The Chronicles of the Pale. Writing these three books helped me work through my despair to find a way to hope for the future.

 

 

Here’s an extract from Book 3: The Ruined Land. In this scene, Feather of the Storm tribe arrives at the den of the canini (yep, taking wolf-dogs) of the Ravine. Oh, you can see a list of characters here if you wish.

 

The Ruined Land cover
The Ruined Land

The Ruined Land

‘I never thought to belong to such a pack,’ said Callan, one paw scratching busily behind his ear.

‘Nor I,’ commented Feather, cross-legged on the hard floor of the pack’s main den. He shifted a little as Callan leant back against him. On his other side, the half-grown canini cubs Niccolò and Rhosyn were tangled in slumber, their paws occasionally flapping against his leg in a dream run. Feather watched as Callan rose to all four feet, shook himself vigorously, and then settled again by his side with a long, soft exhalation. In the hours since they had rediscovered each other, the big white canine and the tribal envoy had been almost inseparable.

Freeing one hand to stroke a bit of comfort over Callan’s back, Feather looked around the den. From where they sat against the far wall, they had an excellent view of the astonishing company they shared. By the entrance, Hippolyta the leader of the ravine canini was engaged in serious conversation with Marin, huntmaster of the Storm tribe, and his partner Willow. Beside Willow, Jarli sat quiet and frowning, listening much more than he spoke. From the way that he leant close every time Willow spoke, Feather guessed that the Storm’s foremost couple had recognised the outclansman as the father of the twins, a man whose claim to raise them was greater than Marin and Willow’s plan to adopt. The older pair were probably trying to convince Jarli to stay with the tribe rather than taking his infants back to the less safe life of the outclan Owl. Feather was glad to be out of that conversation. The decision was Jarli’s, and it would not be easy.

For himself, his only thought was to return as quickly as possible to the new settlement of Newkeep Port, where Jana, and little Rasti, would be waiting. His father Helm, too. The easy, joyful reunion he had with his own daughter Freya, here in the ravine, had made him think again that he should make more of an effort to connect with his father. He was uncomfortably aware that he had not only failed to mention Helm’s return to Freya or to anyone else in the tribe, but also that he had avoided serious discussion with Helm during the weeks that they had laboured at the Newkeep site. He swallowed his worries. Problems for another day. It was enough to enjoy the nearness of Callan and the sense of happy community that pervaded the ravine.

In the space between the elders and the den, a handful of tribal children slept among the rest of the canini, human and canini young mingled in attitudes of casual trust while their parents guarded the ravine. He had not seen such a thing since the days when the packs of Callan and Waleen had shared their lives with the Storm. It was a pleasant sight. Lifting his gaze, Feather could see the shadows of equii – Pinto and Violeta, whom he had met within minutes of reaching the ravine. He had been told that the senior equii liked to visit the canini every few days, taking it into their round of the territory as they led the rest of the herd from pasture to pasture. It had given him much joy to find that quite a large herd of equii had found shelter here in the ravine. On their journey, he and Jarli had seem more bones than they cared to study, but Feather was sure that some of them were equii. He had feared that all of them, all who had run from their confined life in the Settlement, had perished on the unforgiving stretches of Broad Plain. That many had found safety, and that some at least of them had once more opened their minds to speech, was an unexpected but joyful discovery.

‘That was a good thought of yours, Callan,’ he commented, indicating the visitors.

Callan looked away, hiding some emotion. ‘For them, I daresay. There was no future for them out on Broad Plain. I don’t know that they’ve added much to our comfort, though.’

Feather smiled at the back of Callan’s head. ‘They have rediscovered their language, and they are safe. Knowing that must be counted as a benefit to all of us as well. Their lives are precious, and worth saving.’

‘Hmm.’ Callan sent a look back over his shoulder, his face creased in the semblance of a grin. ‘Trust you to find some good in that. As long as they don’t completely strip the ravine, I suppose there will still be food for all.’

‘Undoubtedly.’

They stayed silent for a while, enjoying the contentment of their reunion. The afternoon was fading, and Feather noticed a ripple of movement as the next detail of lookouts left to take up position at the pinch point of the trail. A good sentry post, but also a death trap, by everything Callan had told him. He returned Freya’s wave as she returned from her turn on guard, glad that he had seen no sign of the ravening horde of giant vulpini as he and Jarli had crossed Broad Plain. They had encountered only carcasses. In fact, it looked as if the vulpini had grown to excessive size and then suddenly died, all their life force sucked out of them by the freakish growth spurt. Interesting.

Just as the thought stuck him, he saw the humachine Hector join the group by Hippolyta. The big silvery creature sat at the leader’s feet, accepting a bowl of stew which one of the Storm youngsters handed him. Feather stilled his hand on Callan’s back. ‘And that one,’ he said softly. ‘What is he? Who is he? Can we trust him, Callan?’

‘Ah!’ answered Callan. ‘That is Hector of the Ravine. Mashtuk adopted him. He is to be trusted, yes.’

‘He’s from the Pale,’ murmured Feather, frowning, although he heard the faith and affection in his friend’s voice.

‘Let me tell you his story,’ offered Callan.

 

Thanks for reading! See you next week.

Clare and Aeryn
Clare and her distracting writing companion

 

 

The Ruined Land Links

Who’s Who in The Ruined Land

Amazon buy link

The Chronicles of the Pale box set

 

*PS: If you are an author who would like to be featured here this year, please contact me via this form. Cheers!

Don’t Blame Science Fiction

The apocalypse is here, in the form of more fires, floods, and storms. Meanwhile, belief that democratic processes can find a solution is fading.

In difficult times like these, an outpouring of stories occurs. Witness the millions (literally) of books inspired by, based on, and discussing the Great War. A terrible experience gave birth to a never-ending strand of stories.

Now there is an explosion of science fiction: dystopian, cli-fi, and post-apocalyptic. Think Cormac McCarthy’s The Road, Suzanne Collins’ The Hunger Games, and Scott Westerfeld’s The Uglies, among many other examples. Australian Mark Smith’s fabulous Winter trilogy is right on topic.

Alongside the enthusiasm for such stories, there is a strain of dismissal. Dystopian science fiction is criticised for glorifying hardship, or for giving unrealistically happy endings, or for giving depressingly horrific unhappy endings, and especially for not providing answers. A recent article on the dystopian sub-genre called hopepunk (where continuing to fight for good is an affirmation of humanity) commented that such stories, validating the struggle rather than providing a solution, were simply telling the downtrodden that it’s their place to suffer.

Many of you know that my academic area of interest is Great War literature. War stories, too, have been criticised as glorifying war, revelling in misery, continuing the cultural expectation that life is harder for some than others, and worst – not preventing future war.

I have to ask whether that is the role of war fiction. Isn’t it rather like expecting murder mysteries to solve crimes? Romances to enable real-life happy endings? Fantasies to provide tangible proof of faeries?

I could go on about the role of literature (and I have elsewhere), and I could enter the discussion about the bourgeois nature of fiction (which, after all, is written by the literate for the literate). And I probably will go on a bit more soon. For now, though, let me say:

Don’t blame science fiction for the world’s ills. Science fiction can sound a warning, or point out current issues, or provide role models. Dystopian stories are like the traditional adventurer genre described by the poet Paul Zweig, too*. Such narratives imply action and purpose, and to my mind this is just as valid as feelings of hopelessness. Adventure stories show how to keep living in the face of peril.

This is not a new role for stories. In fact, I would argue that it is one of the original tasks of the storyteller, handed down from the first oral stories and continuing through the earliest written narratives of about 4000 years ago. Ancient stories such as The Odyssey and Gilgamesh reassuringly confirm ‘the possibility that mere [hu]man can survive the storms of the demonic world’ (Zweig 1974, vii); a powerful affirmation for readers in apocalyptic times.

I’ll no doubt write more about this. I see ample opportunities in the difficult future, sadly.

Until next time, read on!

*Paul Zweig (1974) The Adventurer: the fate of adventure in the western world.

Seven tiny steps towards a future

I just wrote a long paragraph about the bushfires that are rampaging across Australia, but I deleted it. Nobody can be unaware. Everyone can see the destruction and count the cost. The better question is: what can we do about it?

An intransigence of climate-change sceptics deny any connection between this disaster and humanity’s actions. It keeps them busy, I guess. I see no hope of winning that argument. Instead of bashing my head against the stoutly defended walls of Big Money, I’m regretfully abandoning them as impossible to save.

In my quest to remain hopeful and positive – because humans do have children who deserve a future – I’m seeking new ways to support the Earth. Plus there are only so many pictures of mummified wallabies I can carry in my heart. Fund raising and physical help (money, goods, offers of accommodation and assistance) will continue years into the future as we strive to recover, so there will be no shortage of actions to take after the event (so big and so new it doesn’t yet have a name). Yet I don’t want to just sit and watch, so…

Here’s a starting list of seven tiny things I can do right now:

  1. Something that I’ve only just heard of: Ecosia, the search engine that plants trees
  2. Plus a new blogger to follow: InspireCreateEducate
  3. Check out The New Joneses for tips on living a big life with a little footprint
  4. Grow your love of retro every day: make Buy Nothing New a permanent resolution
  5. Share hopeful images to help nurture mental health, like the dog playpen on HMAS Choules
  6. Step outside and observe your world: the air, the birds, the plants, the locals, and think about how much you love them all
  7. Tell your people you love them

I’m certain I will find more and stronger actions as time progresses. We really have no choice but to do so. The future is coming. Let’s try to make it one we can live in.

Latest news: #WeLoveOurAuthors

Every day throughout October, awesome Odyssey Books is celebrating one of its authors with a feast of shares including FREE SAMPLES!

Now is the time to discover your new favourite.  Look under Odyssey News every day in October to meet yet another fab author. Remember, this is where books are an adventure!

My feature day was Saturday October 12th. If you want to learn some of my secrets and get some freebies of my writing, here’s the link:

https://www.odysseybooks.com.au/2019/10/12/clarerhoden-weloveourauthors/

Spoodle Wolf – writers and their dogs

Aeryn the spoodle-wolf writing companion

Dogs rock.

I love them and their big hearts. That’s why they feature so much in my writing (like my beloved Mashtuk in the Pale series).

I’m keen to get hold of a new book to be released next month – The Wisdom of Wolves by Elli H. Radinger. It looks fascinating. The byline is ‘what wolves can teach us about being human.’ We certainly need that!

This is a recent picture of my writing companion Aeryn. When she thinks I’ve done enough at the keyboard, she stands up and puts both front paws in my lap.

I’m sure my patronus is the wolf – what’s yours?