The Ten Stages of Writing a Series: Part 2 Book Two

Once upon a time, a single idea became a novel, and a novel sparked a series.

Welcome to Part 2, where I cover the big picture of how I moved from a stand-alone novel to a post-apocalyptic fiction series: from one novel to three novels in three years.

Let’s recall the first five stages:

  1. An Idea
  2. A Short Story
  3. A Novel
  4. A Rejection
  5. An Acceptance

If you need a full recap of how it all started, check out the previous post.

Stage 6: The Sequel

It took a little while to get my head around the possibility of more novels in the world of The Pale. A whole series of post-apocalyptic fiction? But hey! The world was all there, the characters created, and a trajectory beckoned. Plus the world always needs more books with talking animals.

All I needed to do was pick up where I left off, right?

It’s not that easy. Something I found quite testing was to check and re-check my built world, to ensure the consistency of both stories. Remember that I’d invented a highly-detailed setting, with too many characters, too many places, too much that was too clever by half (including an over-clever calendar)? Well, thanks to me being such a smarty-pants, there was too much in my head. I had to match the published version of my world, not the one teeming in my brain.

Hmm, did I mention this particular detail before? I kept asking.
I told myself: probably not.

Can I include it? I thought: Yes, but…

Can I do without it? Answer: YES!

The thing about world-building

It so happens that I know a lot more about the back-stories of the characters than will ever be published.

And that’s the way it should be. I am the iceberg. The published work is the best fraction of it.

Readers really only want to know what’s happening NOW.

They want ACTION. And they want EMOTION. They want RESOLUTION.*

*Beware generalisations. Some readers like the long way round a story

Readers don’t want to know about the hours I devoted to googling baby names as I tried to make my cast diverse and interesting. They don’t want to know about my failed attempts at tracing maps of Tasmania and putting Pale-style names in tricky terrain. And they especially don’t want to hear me arguing with myself about just how evil I can make the villain without turning science fiction into horror.

Stage 7: A Plan for Book 2

Take one ambitious time frame, add a thriving cast, lots of conflict and then make the world explode. Or at least cause the ground to shake.

I’m a pantser by nature, but I needed a plan. More, I needed – for the first time in my fiction writing – to create lists and signposts. I discovered that writing a series is like writing a thesis: there is more material than you can keep in your head at one time. You MUST be organised.

A character list was easy enough, and here it is. I also asked for it to be included in the printed book, because many readers like to refer back as they’re reading.

A map! Fortunately, I have very talented people in my family – they’re so creative, this lot! – and @bernardjmaher listened carefully, coped with my scribbled diagrams, and voila! a map.

Territory and city map ThePale
Territory map for The Pale

Stage 8: Writing Book 2

The deadline was good for me: six months to the first draft – remember that the first novel took several years to gestate.

I wrote and wrote and wrote. My method is to write a lot, and then edit, edit, edit. Then I add, subtract, rearrange and polish.

Characters from offstage demanded to be heard – for example, Helm, the lost tribesman. He’d always been there as Feather’s missing father, but he insisted that he had a much bigger part to play. More talking animals wanted to be heard, and many of the villains began to flex their muscles. Dystopia is like that!

Back and forth with editing. It was so much better this time around. I was more relaxed about strangers’ eyes on my imagined world, and more confident in my choices. I mus say that working with Odyssey Books has been amazing – truly life-changing.

Amazingly, within a year of launching The Pale, I was back at Readings Carlton, surrounded by well-wishers, thrilled to introduce my new book to the world.

Broad Plain Darkening was born, and my idea for a novel became a post-apocalyptic fiction series!

The Chronicles of the Pale #2: Broad Plain Darkening

 

Next time, I’ll talk about how Book 3 rounds out the series, and test out whether there’s more to come from the world of The Pale.

 

 

 

The Ten Stages of Writing a Series: Part 1 The First Novel

The Chronicles of the Pale series

This month is the second book-iversary of my dystopian fiction series The Chronicles of the Pale.

I’m very proud of these books and still very much in love with them.

But how did this love affair with talking animal stories begin?

Today I’m letting you into the ten hidden stages behind the Chronicles.

Stage 1: An Idea

Ideas comes from everywhere. I can’t stop them.

This one began with a dream in 2014. We were shut inside a gated compound while outside, crying babies were dying from exposure. We couldn’t get out, but my dog Dinny (an ancient and beloved German Shepherd) snuck out and carried the two babies into safety.

German Shepherd Dinny
German Shepherd Dinny, the original model for Mashtuk

From small kernels of inspiration, a big story grew.

Dogs had to feature!

Stage 2: A Short Story

The story of the babies left to die Outside was too good to lose, especially during the height of the worldwide refugee crisis. The wise and compassionate canini Mashtuk and Zelie, the heartless humachines, and fully-human Hector appeared in my head.  I wrote them into a story and submitted it to progressive journal Overland. My first ever short story acceptance!

Man-machine-dog-Illustration
Man-machine-dog-Illustration from Overland #215

Man/Machine/Dog‘ is available online.

If you’ve read The Pale, you might like to see where it started.

Stage 3: A Novel

After the story was published, an indie publisher contacted me because my Overland bio said that I was writing a novel about these characters.

Ahem.

I hadn’t started, but I immediately began. Ideas came too fast and the novel grew too long, but I submitted it within six months.

Stage 4: A Rejection

Sadly, The Pale Version 01 didn’t make the grade. The novel was BLOATED with too many characters and dozens of subplots, and falling over itself with over-complex world building.

While the feedback was positive, the novel needed severe editing.

Stage 5: An Acceptance

More time passed. I took a good hard look at my manuscript and pruned a few thousand words. Some of the off-cuts were old favourites: names for every (and I mean every) minor character, a newly invented calendar based on the many seasons recognised in indigenous cultures, and a subplot involving flashbacks to the time before the Great Cataclysm…

Then I sent the new manuscript to my dear, dear beta readers. Their ultra-valuable feedback (thank you – you know who you are!) resulted in more tidying…and THEN

I sent the manuscript off to another indie press looking for new authors.

The Pale cover detail: Mashtuk
The Pale cover detail: Mashtuk

About three months later, and email came, asking if The Pale was still available.

Yes! I shrieked. Yes, yes, yes!

(Thank you Odyssey Books!)

 

What next?

Oh, my. Having a novel published was a lifelong dream come true.

I fell onto a steep learning curve. Working with fiction editors challenged me, but I could see that every discussion, every point, made my work better. A wonderful cover artist sent me concepts, and I jumped with delight on the one with the city and the canini – of course, it’s Mashtuk!

I’ve talked about launching here, and I can still remember the wonderful feeling. The Pale sold some copies. Readers contacted me and asked about the characters and what happened next? The characters gambolled around in my head.

And the publisher said: is there a sequel?

Next week, I’ll explain how I got from a single dream to a three-novel series … and perhaps a set of short stories in genesis.

The Pale
Chronicles of the Pale #1: The Pale

 

The Middle Child Reads

2020 has begun with a great deal of destruction, loss and anxiety for us in Australia. I will write more  about this, but I also need to take it on board – it’s part of me now.

I wish it need not have happened in my time,

And I can still do bits and pieces – like this list of twenty positive actions.

This week, I’m looking over my shoulder, gathering strength for the times ahead.

Last year, 2019, was pivotal for me in many ways:

I could say that 2019 is the year that convinced me that I am writer. So that was quite affirming, as well as a huge relief! Looks like I can sort of do this thing I’ve always longed to do.

Middle Child Reads

Some of you know that I ‘suffer’ from Middle Child Syndrome. I’m not the eldest, or the youngest; I’m not the prettiest, or the most artistic; I’m not the most talented sportsperson, or the most charming bloke. Each one of those titles belongs to one of my six siblings. Three older, three younger. (Search Middle Child Memes – they’re hilarious!)

Your classic middle child, so they say, craves the attention that is lavished on their older and younger sibs. Mid kids are said to be overachievers as they try desperately to be noticed. I could call 2019 the year of overachievement.

But I won’t. I’d rather say that my defining characteristic is that  I’m the reader – reading is my superpower – and now I feel I can confidently say

I’m the writer!

Oooh, that felt good.

Thank you so much for your support and interest in 2019. Next week I’d better get my head properly around 2020.

Crisis Interruptis

I interrupt the regular run of Last Word of the Week with an explanatory story about Australian dystopian fiction and bushfires.

Apologies to anyone looking for my Middle Child post – that’s been rescheduled to next week. The national bushfire emergency is too high a priority.

I wish I’d never written that book

As the climate emergency continues, I’m forced to reflect on my writing. One social media post I saw described a bookshop as moving its post-apocalyptic fiction books to the current affairs section.

I feel the same.

The Chronicles of the Pale started with a dream – or nightmare – in which desperate refugees were shut out of a fenced compound, and those of us inside were prevented from bringing them in to safety. This dream arose from Australia’s harsh treatment of refugees, a policy condemned by the UN. Scott Morrison as the Minister for Immigration at the time introduced Operation Sovereign Borders, and his lack of empathy, his inhumanity, his stubborn conviction that he and only he was right, inspired the cruel characters who rule inside my fictional policosmos, the Pale. Jason the Senior Forecaster and Élin the Regent care only for themselves.

If Australia had been a more compassionate country, I would never have written The Pale. I truly wish that was the case – better a world with care for refugees than a world with one more dystopian novel in it. I wish I had never had to write that book.

ruins pale

And I wish I’d never written the next one

In Book 2, Broad Plain Darkening, it’s the discriminatory practices of the Settlement that come under the most scrutiny. It is no surprise to me, now, to reflect that this novel was written during the bitter gay marriage referendum debate that occupied Australians at the time. I was also extremely distressed by the live export controversy, and got nowhere with my communication to the then Minister for Agriculture Barnaby Joyce. Profit above all, no matter who or what suffers.

I can see my rejection of this every time one of my favourite characters acts in a compassionate way, every time they work against discrimination and cruelty. It’s sad to think that my fictional folk – humans and animals – have more heart than many of my fellow Australians. Brettin, the outrageously upright Lady of the Temple, represents all that distresses me about religion and prejudice. And that’s saying something.

Now that the current Federal Government is pushing through its religious ‘tolerance’ bill, allowing many acts of bigotry to flourish unchecked in the spurious name of religious freedom (ie freedom to discriminate against the LGBTI+ community), I’m sad that Book 2 also had to be written. A better world would never have the need for such a story.

BPD horses

If only I hadn’t written the third book!

And so we get to the climate.

The Chronicles of the Pale 3, The Ruined Land, is about my fictional world falling apart under the feet of all the communities that depend on it. Here’s what happens:

Volcanoes destroy the Shaking Land – and yes I did write that before White Island erupted just off the New Zealand coast.

Unchecked fires rage through the Broken Ranges and send smoke across the entire continent, with displaced and starving ursini (bear creatures) invading Broad Plain because their habitat is gone – yes I did write that before Australia burst into unprecedented flame.

Water floods the land as the temperature rises and the ice caps melt back into the sea … and I wrote that before Australia patted the Pacific islands on the head and told them not to panic. Does any of this sound familiar?

In my story, there is even a child – Jasper Valkirrasson – who does his best, at great personal cost, to warn the crusty old misanthropes at the old Settlement about the coming danger. I wrote Jasper’s courage and his big heart before I had even heard of Greta Thunberg, but if I hadn’t , she would certainly have been my model.

The Ruined Land was written at a time when – again and again – Australia turned its back on environmental reform in the name of money, and held the position that Australia had no desire or mandate to be a world leader in this field. True, our overall effect may be comparatively small, but we are also one of the countries most vulnerable to climate change. We should care more. Many of us do, and we take the small steps we can, because we can’t keep on pretending that how we live has no effect on the planet.

TRL fire

I hope to never write dystopia again

I would like to live in an Australia that was compassionate, ethical, and environmentally responsible. I would like us to spend our money on resettlement of refugees, on bushfire mitigation strategies and equipment, on sensible use of water, on transitioning away from live export, on responsible waste treatment, on public transport, on the preservation of wildlife habitat, and so much more. People will shout about the cost, but our current policies are just as costly in dollars, and much more costly in long-term damage to the Earth and its inhabitants, of all species.

I have to say that unfortunately I’m planning to have The Chronicles of the Pale #4 ready for late 2021.

This post is, and isn’t, about writing. Writing, for me, can’t be divorced from who I am and what I believe. All the same, the books can simply be read as a story. I’m just so sad that so much of it has come true.

Next week, current affairs permitting, I’ll be back to plain old talk about books!

 

Broad Plain is almost here

I’m getting a bit excited about the release of the next book in my dystopian survival series. Broad Plain Darkening (The Pale #2) will be published on October 20th. Thank you to my awesome publisher Odyssey Books.

Plus I’m thrilled about the launch: at Readings Carlton on Monday November 5th.

If you are keen to reacquaint yourself with the canini and to meet the equii, this is the sequel you’ve been waiting for. Oh, and there are some interesting humans as well, not to mention the humachines of the Pale…Wolf face

In the meantime, I’m playing with a number of online tools to create posts and notices. The beautiful wolves above are from Canva’s extensive library of free images.

Five learnings from the ABA conference

ABA = Australian Booksellers’ Association – a pretty important group for authors to access.

Thanks to the good offices of my lovely publisher at Odyssey Books and our dynamic distributor Novella, I was able to join the stand at the Sunday afternoon trade exhibition. This is where booksellers meet distributors and publishers. Our task was to interest booksellers (ie the folk who sell books to the reading public) in the books we had on display, so that they would consider stocking Odyssye titles (and titles from other publishers in the Novella stable).

I had a wonderful time and learnt many things about the book trade and about book folk. Here are  five major learnings that could change the way you approach marketing and self-promotion:

1. It’s hard to give away books

Even though all the sample books were free, it is quite difficult to persuade a bookseller that they need to add any specific 500g of brilliance to their luggage for the flight home. They have to be convinced that it’s worth their while. I hadn’t expected this – I mean, put me in a room full of free books and I’ll pay excess baggage any time!

2. About giveaways and gimmicks…

Some of the stands offered all manner of freebies, including champagne, chocolates, cupcakes, pens, notepads, neck massages and canvas bags. The neck massage included a chance to sample an e-book on an iPad. My impression is that the stands with canvas bags gave away most sample books, especially at the start, because folk could put the books in the bag. I wasn’t sure that the other giveaways resulted in more books being taken – but they certainly helped to stop the traffic so that booksellers actually looked at the stand.

3. Being an author counts

I had the best success when I was able to tell the person I had waylaid that the book I was offering had been written by ME (pointing to cover and to name tag so the connection could be made…). Booksellers appeared to be impressed by the fact that I actually had written a book that was being published! Congratulations flowed (more so than the champagne). Giving away review copies of my own soon-to-be-published book was comparatively easy, and indicating that I would be (more than!) happy to visit book stores to do readings/signings created a warm glow that I will definitely follow up 🙂

Being there to sign the actual book also worked for another Novella author who was present, Harrison Craig whose book Harrison’s Song has just been published by Wombat.

4. Folk won’t wait

At other events, I have also experienced this conundrum – either there’s nobody at your stand and you look sad, or else your stand is crowded with people and other potential contacts walk away without a backward glance. This is inevitable at such an occasion, but I wished for an easy (and light-weight) take-away for such people, along the lines of those tear-off contact details you see pinned to notice boards.

5. Books ARE judged by their covers

It’s quite true. Not saying that good books might not dwell inside dodgy covers, but it was definitely the cover art that made folk look at my book. (PS I love the cover art!) Another cover that drew interest on the day was for the children’s book The Whirlpool by Emily Larkin, also published by Wombat. High quality, attractive images that clearly indicate the book’s genre seem to be the way to go.

6. Bonus learning: say YES

OK, I said five learnings, but here’s number six: whenever you are offered a chance to spruik your book, do it! You and your manuscript have already survived the seas of rejection and heartache, so what does it matter if some people think your book is not worth its weight in their suitcases? Someone else will tell you they love the look of it – and just one of those comments is worth any number of ‘no thanks’-es!