Eleni Hale’s stunning debut novel, Stone Girl, burst onto the scene in 2018, and was instantly recognised for its outstanding quality and its direct emotional engagement with a difficult topic – society’s forgotten children. Published through Penguin Random House, Stone Girl won the prestigious 2019 Readings YA (Young Adult) Book Prize , and has been short and long listed for a number of other awards. Stone Girl tells the story of one child’s journey through institutional care.
Eleni describes herself as a survivor of the system, and she campaigns for the recognition and rights of children who are in, or have now left, the care of the state.
My review of Stone Girl is forthcoming. I can’t wait for the book to arrive!
Welcome, Eleni, and thank you for speaking with me today. I know you have quite a background as a writer across different media and genres. You’re now working on your second novel. Is writers’ block ever a thing for you?
Eleni: It’s not really a ‘block’ for me. I think it’s a message that something isn’t right in the work. It took me years to figure this out but it’s completely changed the way I approach that horrible moment when my fingers are suspended over the keyboard and I have nothing to say.
Writing isn’t just about writing. it’s about thinking and dreaming and problem-solving and that ‘block’ moment is when I step away from the keyboard to go for a walk or take a shower or clean the car.
I think about where the story is and how the characters feel about it. That’s how I figure out what to write next. And sometimes that means going back and deleting what I never should have written because those characters would never do that or it was leading the story to a dead end.
Sometime deleting sections is the kindest thing you can do for a work in progress, I agree. What would readers never guess about you?
I am addicted to documentaries, especially true crime. In another life I would have liked to be a criminal psychologist.
Never too late! And there’s always your next reincarnation. When did you fall in love with reading?
I discovered the escapism of books when I was about nine or ten. My mum let me read whatever I wanted and once I devoured all the Sweet Valley High series I quickly moved onto Judy Blume. Then, at about twelve years old, I discovered Virginia Andrews and Anne Rice.
Books opened up new worlds up for me. I was no longer living my life and grappling with my difficulties but sharing in the troubles of my characters. It was magical and empowering.
Always, I was attracted to dark-subject books.
Yes, I see that. Dark stories can be very affirming, in strange ways. Do you think that creative writing courses are valuable?
Yes. Writing course offer parameters and structure for the creative mind to build upon. I remember starting Stone Girl and my brain was the wild wild west. I had no idea how to write a book, what the elements were or the structure required to hold it all together.
Courses teach a novice writer the tools and secrets of those who’ve been writing for years. This is a fast-track method to enlightenment. Obviously, some courses are more valuable than others so do your research.
That sounds right. I learned so much from my creative writing studies, though I had been writing for a lifetime already. What words of advice would you give an aspiring author?
From my personal experience (I can’t talk for others), writing appealed to me because it was a way to express an active imagination. The world around me was shrill, triggering and inspiring. I wanted to capture it and, in this way, find some control.
Aspiring authors are told ad nauseum to read lots and write constantly. Create a character, find the plot and the voice and set it in a place. I concur that this is all vital.
However, don’t forget your imagination. It is completely unique to you. Don’t constrain it too much in rules and structure or worse, trying to write like someone else. Particularly with your first and second draft, allow your writing to be free and trust the muse. After that, apply the theory.
Imagination is the basis of each writer’s own voice, I think. Do you have a go-to routine for writing?
I enjoy writing in the morning but since I’ve had kids, I am an opportunistic writer. Pre kids I wrote for about six hours in the morning before university or when I worked as a journalist, I’d write on the train on the way to work.
Now, my husband and I negotiate terms and times and I inform everyone I’m working and to only interrupt me when it’s absolutely urgent. But, as I have a three and a five-year-old ‘urgent’ can mean pretty much anything! Yes, I’ll get you a snack/peel your banana/give you a hug. I’m starting to insist though that they understand this is important. Being a mother and a writer has taught me to be pretty great at shutting out distractions.
And excellent practice for pandemic lockdowns, too. Are there any secrets hidden in your writing?
I’m not sure about ‘secrets’ but I hate being bored. My writing needs to involve a level of emotional intensity and a constantly progressing plotline to keep it interesting. I often need to go back and stretch out the action to make sure it’s not too much too soon.
Pacing is important, but I’m sure you have that down pat. Congratulations on the great reception for Stone Girl, and many thanks for speaking with me today, Eleni.
Stone Girl is available through all good booksellers (the link at the start of this sentence is to Booktopia), and many bookshops are providing free postage during the COVID-19 restrictions. Or buy an e-book – guaranteed germ free 🙂
Eleni Hale – Writer – elenihale.com
Goodreads: Stone Girl