A book I covet has just been published.
Author Eugen Bacon is here to tell me all about it.
Eugen: Writing Speculative Fiction: Creative and Critical Approaches is an accessible read about vibrant storytelling of speculative fiction that crosses genre.
It’s a cross-disciplinary book that scrutinises the characteristics of science fiction, fantasy and horror, and considers the potential of literary speculative fiction.
I really love this book because it is a reader’s paradise. It has vignettes and excerpts and samplers from renowned artists and novice students. It has writing exercises at the end of each chapter. It offers provocative and useful insights on speculative fiction, moving—as one reviewer professed—‘between ideas and stories, between analysis and narrative’. It is a book that celebrates amazing authors like Ray Bradbury and Octavia Butler, and supreme theorists like Roland Barthes and Simone de Beauvoir in embracing the pleasure of the text, and writing about the ‘other’.
Dominique Hecq, a wonderful friend and mentor (she was my doctorate supervisor), articulates it best. She says that she writes to answer incipient questions troubling her mind, or to relieve some form of anxiety where cause may not yet be symbolised. She states, ‘I write because I must do so, exhilarating, detestable or painful though this might be.’
Like Hecq, I write to… find.
My approach to the compositional space is with excitement, with a sense of urgency, with a knowing that writing is an active speaking. Writing is a search, a journey, a coming through. Text shapes my silence. It shouts my chaos. I often start with a skeleton, a general idea, and then the writing shapes itself.
Experimental. Inventful. Bold. Otherness. Poetic.
Eugen, thank you so much for having Something to Say!