Skip to content

Posts tagged ‘literature’

Sue Paritt, writer with feeling!

Ardent Australian author Sue Parritt (who was born in England) has penned an impressive collection of novels across genres: future dystopia, WWII history, and contemporary fiction for a start. Sue’s writing is all about humanity and how we interact with each other. Providing great characters, detailed settings and fascinating plots, Sue Parritt is a writer to follow wherever she leads.

Author Sue Parritt

Author Sue Parritt

Welcome, Sue. I’m thrilled to be able to speak with you today. Can you tell us something about yourself that you think anyone who reads your book/s really ought to know?

Sue: I am a feisty sixty-nine-year-old, passionate about peace and social justice issues. My goal as a fiction writer is to continue writing novels that address topics such as climate change, the effects of war, the harsh treatment of refugees, feminism and racism.  I intend to keep on writing for as long as possible, believing the extensive life experiences of older writers can be employed to engage readers of all ages.

I’m totally with you, Sue! Writers must write, and from the heart. What is your favourite scene from your own writing? Why?

The scene in my fourth novel, ‘Chrysalis’ p.311 where my protagonist, Jane leaves the comforting cocoon of her sixty-year life to face an unknown future.

“Water seeped into Jane’s shoes as she disembarked at Heathrow central bus station. Stepping away from the puddle, she waited impatiently for luggage to emerge from bus bowels. At least the rain had stopped and grey clouds parted to reveal a washed-out sky of palest blue. She tilted her face, felt a hint of warmth to come. The perpetual promise of spring, new life, new growth and in this her sixty-first year, an opportunity for complete renewal. In an instant she had unzipped, cast-off, dashed over to a nearby rubbish bin and tossed her old jacket inside.

            And there was a butterfly underneath, damp wings trembling in straw-coloured sunlight as she prepared to take flight.”

This scene reflects my feelings on taking early retirement eleven years ago to concentrate on creative writing.  I took a risk giving up paid work but have no regrets. Like Jane in the final sentence of ‘Chrysalis,’ “today I know for certain true freedom lies within and I alone can birth its endless possibilities.”

How wonderful! How brave! If I told one of your characters (you get to choose which one) that they were imaginary, how would they respond?

Sannah the Storyteller, protagonist ‘Sannah and the Pilgrim.’  “As a storyteller I am familiar with the imaginary. An articulate speaker, I employ both voice and body to weave a spell around my audiences, make them believe whatever the government dictates. But never forget that in my clandestine role of Truth-Teller, I share the truth about Earth’s degradation with readers and other characters to evoke essential action.”

Sannah is a great character, very brave, compassionate and intelligent. Can you think of any books and/or writers who inspired you on your path to be an author? Can you tell us about that?

I have always read widely, however some of my preferred authors are:  Helen Garner, Margaret Drabble, Mary Wesley, Sebastian Faulks, Ian McEwan, Kate Grenville, Anita Shreve, Joyce Carol Oates and Elizabeth Jolley.

From my days as a sickly child reading Dickens in my grandparents’ kitchen, I have found inspiration in fiction. Each narrative presents a microcosm of lives and worlds, providing for me not only a rich reading tapestry but also the stimulus to create my own stories.

We share some favourite authors too. I just knew it would be fun to speak with you! Take yourself back ten years – what would you like to tell yourself?

Have faith in your writing, learn your craft and never give up no matter how many rejections you receive.

Great advice. What’s next for you in the world of writing?

Back to the future for my eighth novel, working title ‘The Doorkeeper.’ Set in Safety Beach on the Mornington Peninsula in 2100, this novel will deal with overpopulation and extended life expectancy in an increasingly climate-challenged world and the inhumane solutions adopted by a government determined to rid Australia of unproductive citizens. My protagonist will be forced to take up a position as a Doorkeeper, one of the hated individuals that choose who will be granted a continued lifespan or be euthanised.

Yikes, that sounds all too scarily possible. And finally: Who would you be if you were a fictional character – one of yours, or someone else’s?

I would be ‘Jo’ in ‘Little Women’ – the tomboy, the writer, the one that isn’t afraid to flout the conventions of a society that seeks to confine her.

Dear Jo! What a role model! Thank you so much for talking with me, Sue, and all the best for your future writings!

 

Sue’s Links:

Sue’s website is at www.sueparritt.com

You can find her on Facebook at: https://www.facebook.com/SueParrittAuthor/

Gill Thompson and her joined-up writing

Today I’m speaking with Gill Thompson. Gill has spent most of her career lecturing in English at sixth form level, but her hankering to write fiction has never gone away. She enrolled in and completed a Masters in Creative Writing at the University of Chichester, and says it was the best thing she ever did.

Gill understands both ends of the writing process: the planning and editing required to produce a text, and the reading and analysis it takes to appreciate it. She says she is now finally fully joined up! The writers among you will find her website full of wonderful writing tips, and the readers will be very interested in her wonderful historical novel The Oceans Between Us about the post-WWII child migrant process. So relevant in today’s context of the movement of people seeking refuge and safety, and with a foot firmly in both the UK’s and Australian social history.

The Oceans Between Us cover image
The Oceans Between Us by Gill Thompson

Welcome to Last Word of the Week, Gill! It’s lovely to have you. Can you tell us something about yourself that you think anyone who reads your book/s really ought to know?

That’s a difficult one! My book is about a child migrant from Britain to Australia just after World War Two. I don’t have any personal connections with that story (I’m old, but not that old!) – and in fact I agonised for quite some time about whether it was my place to tell it – but the support I received from ex migrants, and from The Child Migrants Trust, the charity that reunites parents and children, gave me the encouragement to go ahead. The fact that many people have written in their reviews of the book that they are grateful to have found out about this event makes me feel I’ve done the right thing.

My only common ground with the novel is that it is about a mother separated from her son. A few years ago, our son set off on what we now call his ‘gap decade’ (!) as he found a way to combine work and travelling. He is now settled in Bucharest where he met the girl of his dreams and they are getting married next month. I am happy for him, but I know how my character Molly feels at being separated from her child. It’s really hard! I certainly think I wrote those scenes from the heart.

Separation, especially for an unknown time, is really hard! What is your favourite scene from your own writing? Why?

I submitted three chapters from the novel as my dissertation for the Creative Writing M.A I undertook in order to help me write the best book possible. I remember describing a scene from that section that I was particularly proud of to my husband. Instead of giving me the approval I desired, he pointed out that I had missed an essential part of the plot. We argued about it for ages. I went away and sulked, then reluctantly conceded he had a point and finally, begrudgingly, I  rewrote it. To this day, that scene, which features my protagonist Molly acknowledging that her son Jack must have died in the bomb blast that destroyed their home, is one of my favourites. It was clearly right to put it in. I’m not going to tell my husband that though!

Oooh, a marital secret, how exciting :-). If I told one of your characters (you get to choose which one) that they were imaginary, how would they respond?

What an interesting question! (Don’t people always say that when they don’t know the answer?!) I think it would have to be an indigenous Australian girl called Rosie. Whilst I was researching the story of the child migrants, many of whom were falsely told they were orphans in order to lure them to Australia, I came across an eerily parallel account of the ‘Stolen Generation.’ These were Aboriginal children, taken from their parents as part of the White Australia policy. In my story, Jack and Rosie meet and bond through their common experience of loss. Having seen Timberlake Wertenbaker’s play Our Country’s Good, (based on the Thomas Keneally novel of the same name) and read Bruce Chatwin’s The Songlines, I’d become fascinated by the rich spiritual life of indigenous Australians, particularly their belief in the power and role of dreams. I’ve tried to convey this through my characterisation of Rosie who sometimes has supernatural insights. Of all my characters I think she would have understood the slender line between reality and fantasy and wouldn’t feel threatened by being told she was fictitious.

That’s a really great answer – and it actually makes Rosie more real to me! But more about you: can you think of any books and/or writers who inspired you on your path to be an author? Can you tell us about that?

I love the novels of the late Helen Dunmore. She had such skill at writing compelling human stories against the backdrop of historical events. I wouldn’t place myself in the same league as her but she is definitely a big influence. I read quite a lot of Tim Winton’s books when I was researching my story as I think he conveys the landscape and atmosphere of Western Australia so well. My central character, Molly, loses her memory so I read a few stories about memory loss such as ‘Pieces of Light’ by Charles Fernyhough and ‘Briefing for a Descent into Hell’ by Doris Lessing. I also love Maggie O’Farrell’s dexterity with words and the way she gets inside people’s minds so convincingly. Finally, Anne Tyler has an amazing ability to convey huge life issues within seemingly inconsequential events. I can only dream about writing as well as any of these authors, but they have certainly given me something to aspire to.

Ah, we have a lot of reading tastes in common! Lovely. Now, take yourself back ten years – what would you like to tell yourself?

Ten years ago my parents had both recently died and my husband was in the middle of a decade of ill health which he was seemingly unable to recover from and which doctors were baffled by. I was trying to care for him whilst supporting our family with my job as a teacher. I’d wanted to write since I was very young but life always got in the way. My father had written text books on Photography but always had a secret ambition to write a novel. I think he passed that on to me! Although he died in 2001, I was able to enrol on my Creative Writing M.A with some of the money he left me. It was hard at times, with Paul so ill, but I managed to scrape through it, and my novel ‘The Oceans Between Us’ started to evolve.

Eventually Paul recovered and I had the space to give the manuscript more of my attention. It took me nine years before it was published but I am so glad I stuck at it. I often wish I could travel back to 2009, when life felt so bleak, and tell my former self that my dream of writing a novel really would come true, and that life really would get better. I wish my father had known how my writing aspirations would end up.

That’s a great story, and I have some similar experiences and feelings. What’s next for you in the world of writing?

I have now written a second novel, ‘The Child on Platform One,’ about a mother and daughter separated by war, which comes out next March. It’s gone through two rounds of edits so I just have the proof reading to do and then it’s finished. To be honest, I don’t have a single idea for book three at the moment. I think the creative well has run dry! I am going to give myself the summer off. We have our son’s wedding to prepare for and my daughter and her husband are having an extension built so I have a feeling they will be bringing our two adorable granddaughters to stay with us on and off through July and August so I will have plenty to keep me busy. I am hoping inspiration will strike by the autumn though so that I can get writing again. I think I would miss it if I didn’t.

Oh, yes, I do hope there’s more to come! And finally: Who would you be if you were a fictional character – one of yours, or someone else’s?

I am currently obsessed by Eva, the protagonist of my second novel. She is a musical prodigy living in Prague during the late 1930’s. Later, when she is taken into a concentration camp, she uses her musical talents to mount a defence against the Nazis. I don’t have a musical bone in my body but I am fascinated by the power of creativity to triumph over adversity.

What a great creation, and a good choice. Thank you so much Gill for sharing with me today on Last Word of the Week.

Gill’s important links:

Website: http://www.wordkindling.co.uk

Twitter: @wordkindling

Isobel Blackthorn and the mysterious Last Word

Isobel Blackthorn writes great stories. She’s one of those accomplished authors who won’t be put in a box. Think thrilling mysteries, dark and dangerous romances, eerie occult tales and more. Every time I pick up one of Isobel’s books, I know I am about to be transported into an exotic location where I will meet intriguing characters who wrestle with particular circumstances…and I will have to read as quickly as I can to the end!

Hi Isobel, it’s wonderful to have you as today’s guest on the Last Word of the Week Q&A. Can you tell us about when you first realised that you are a writer?

Isobel: When I was eighteen, I developed a thirst for literature. I had uni friends studying English literature and I asked them for lists. That was how I feasted on Austen and Hardy, and then Zola and Flaubert and Kafka and Hesse. A little Sartre. I devoured those books and as I did, something in me stirred. I wrote little bits of poetry and song lyrics. I had not an iota of confidence, just a deep urge or impulse that would rise up in me every now and then. I heard the narrative voices of those books in my mind and I began to develop a narrative voice of my own, which proved to be a lot like Hesse at first. This was in the 1980s. It took decades before I had the time and space and self-belief to apply myself to learning the craft.

A great way to enter the world of writing, indeed. As a writer, do you rely more on dreams, imagination, and planning?

Ideas for new works emerge as if from nowhere. Little aha moments. It is rare that a whole novel will emerge at once. Sometimes many years go by before the initial impulse is developed into a book-length work. I do as little planning as possible. Too much planning can kill the creative spark. I prefer to let things flow as much as possible. Although writing mysteries and thrillers, there is always an element of plotting. And I usually know how a story will end so I have something to work towards. I am forever mindful of balancing the story elements and I am always fixated on the word count.

60720040_299414837660079_4403544077832814592_n

Story ideas are delicate creatures, I agree. I think you wrangle them very well. What’s the highlight of your writing career so far?

Finding myself shortlisted for the Ada Cambridge Prose Prize. I have long coveted winning a prize or even just reaching the long or short list. A prize is a rubber stamp that tells the world you are really quite good at what you do. In a fiercely competitive and swamped marketplace, we need to stand out somehow.

Congratulations! Yes, wonderful to have that stamp! What are you most looking forward to at the moment?

That is a big secret.

Oh, how marvellous! Now you have me guessing. If you could say one thing to aspiring writers, what would it be?

Don’t give up. Writing is an all-consuming activity that will stretch you in unexpected ways. Enjoy the creative process and do not be defeated by rejection. It can take ten years and many books before you feel you have climbed more than a rung of the ladder. Above all, support your fellow writers. We are a vast community, published and unpublished and we can help each other progress in many ways.

Lovely, thank you! And finally:Who would you be if you were a fictional character?

Here is that curly question at the end of the exam! Just when you feel you are ahead and passing is assured, along it comes and dashes your hopes. Who would I be? I used to think I would be Cathy in Wuthering Heights. No more. But I can think of no single character. I am that woman who sits by her upstairs window and gazes out at the world. An artist, probably, and very solitary. Who is she? I am a lot like, or want to be a lot like the protagonist in The Oblique Place by Caterina Pascual Soderbaum. I urge all literary fiction fans to read that book.

It sounds intriguing – very suitable! Thank you so much for talking with me today, Isobel.

All of Isobel’s important links:

The Unlikely Occultist – viewbook.at/Occultist

http://isobelblackthorn.com

https://www.facebook.com/Lovesick.Isobel.Blackthorn/

https://www.goodreads.com/author/show/5768657.Isobel_Blackthorn

https://twitter.com/IBlackthorn

https://www.instagram.com/isobelblackthorn/

On my wish list: Writing Speculative Fiction

A book I covet has just been published.

Author Eugen Bacon is here to tell me all about it.

Welcome to Something to Say, Eugen! Can you tell me about your book, published this month by MacMillan?

Eugen: Writing Speculative Fiction: Creative and Critical Approaches is an accessible read about vibrant storytelling of speculative fiction that crosses genre.

It’s a cross-disciplinary book that scrutinises the characteristics of science fiction, fantasy and horror, and considers the potential of literary speculative fiction.

Eugen Bacon 2

Eugen Bacon Author

That sounds wonderful. As a genre-hopper myself, I’m fascinated by insights into all of these. Is there one aspect of this book that you relate to most?

I really love this book because it is a reader’s paradise. It has vignettes and excerpts and samplers from renowned artists and novice students. It has writing exercises at the end of each chapter. It offers provocative and useful insights on speculative fiction, moving—as one reviewer professed—‘between ideas and stories, between analysis and narrative’. It is a book that celebrates amazing authors like Ray Bradbury and Octavia Butler, and supreme theorists like Roland Barthes and Simone de Beauvoir in embracing the pleasure of the text, and writing about the ‘other’.

I’m sold! I want my copy asap (but you have to sign it for me). What do you think drives you to pursue your creativity?

Dominique Hecq, a wonderful friend and mentor (she was my doctorate supervisor), articulates it best. She says that she writes to answer incipient questions troubling her mind, or to relieve some form of anxiety where cause may not yet be symbolised. She states, ‘I write because I must do so, exhilarating, detestable or painful though this might be.’

Like Hecq, I write to… find.

Writing Speculative Fiction

You write with very fluid genre borders yourself, of course.

How do you do it? Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline.

What can you say about your process?

My approach to the compositional space is with excitement, with a sense of urgency, with a knowing that writing is an active speaking. Writing is a search, a journey, a coming through. Text shapes my silence. It shouts my chaos. I often start with a skeleton, a general idea, and then the writing shapes itself.

Finally, what five words would you use to describe yourself as a writer?

Experimental. Inventful. Bold. Otherness. Poetic.

Eugen, thank you so much for having Something to Say!

Here’s an invitation for us all! Put it in your diary.

Please join Eugen at her Melbourne Book Launch on 1 August at Readings in Hawthorn! Eugen will launch her new spec fiction, Claiming T-Mo (more about that soon) and also celebrate the release of Writing Speculative Fiction.

I will be there :-), having my copies signed. Can hardly wait.

Twitter: @EugenBacon

Stephanie Bretherton has the Last Word

Bone Lines, Stephanie Bretherton’s debut novel, considers what it is to be human by engaging us in the lives of two women, separated by millenia. Stephanie is a wonderful communicator who has a fascinating backstory of her own – Born in Hong Kong to a pair of Liverpudlians, she is now based in London, but manages her sanity by escaping to any kind of coast, particularly far west Cornwall.

LWOTW: Welcome, Stephanie, it’s lovely to meet you. Thanks for sharing this Q&A about writers and writing. Tell us about when you first realised that you are a writer.

Stephanie: Probably the first time I got an A for a school composition! Those kind of dopamine hits can become as addictive as sugar. Just as well, really, as I have struggled with ‘numbers’ all my life. Words, on the other hand, have been my friends. It’s amazing what you can do with them, from creating and escaping into your own imaginary worlds, to coming back out into the ‘real’ world and communicating ideas, forming friendships, entertaining people, making them feel good.

If I had lived in the times of the prehistoric character in my book, Bone Lines, I would have been a rubbish hunter but would probably have made myself useful as the storyteller of the tribe.

55813670_679422859158841_8387779058426970112_n

That’s a great thought. You are obviously good at imagining yourself into the texture of your stories. Do you rely more on dreams, imagination, and planning?

I use all three. A dream might inspire, or help solve a problem, but that’s more passive. Active imagination is the key driver. Planning tends to come retrospectively, if that makes sense. I reverse engineer the planning once I have a character, a world, a theme, an idea that has been allowed to run free and take its own shape.

I love that notion! Reverse engineering planning – brilliant strategy for the imaginative writer! What’s the highlight of your writing career so far?

I have always worked with words, communication or ‘storytelling’ in one form or another, and there have been quite a few thrills and spills along the way, from reading the weather report on Hong Kong television to building my successful ‘boutique’ communications agency. But creative writing fiction in particular has always been my first love and publishing a book was a lifelong goal. So undoubtedly bringing my debut novel Bone Lines out into the world last September, as exciting and terrifying as that journey has been, has to be the highpoint so far

I’m glad you mention the terror. It’s something writers don’t always expect, but it’s certainly there, hiding among the joys and delights. What are you most looking forward to at the moment?

Three weeks unbroken chill at my bolthole in Cornwall in the summer, to rest, write, walk and play. I am very blessed to have found a corner of the world that fills my soul. I’ve had a rather nomadic life since childhood (though I have always been drawn to a coast) and I while recent generations of my family are not from Cornwall (we are misplaced Scousers) and I’d never spent much time there before, I had the strangest sense of ‘coming home’ when I visited friends near Land’s End three years ago.

I had a small inheritance after my widowed mother had died, and I found a tiny place near the sea that weekend, put in an offer on the train back to London and knew it would gradually become ‘my soul’s landscape.’ I still have to spend a lot of time in London for work, but whenever I can get back to Cornwall, it’s just magic. The perfect place to write. (And I really need to crack on with book two.)

55575988_261667237921329_5922808777911828480_n

That sounds divine – but yes, we need Book Two. (I’ll put aside thoughts of Poldark for the moment…very distracting…) If you could say one thing to aspiring writers, what would it be?

If it’s what you want to do so badly that you are prepared to make sacrifices of your time, ego, cash flow, personal life, and sometimes what feels like your sanity, then just keep writing – whether you are ever published or not.

If you have something that has to be said, a story that has to told, a head full of characters demanding to written about, if you feel most ‘yourself’ (and at peace with yourself) when you are writing, then write, write, write. But there are no guarantees. Anything can happen and you can get lucky, but it’s a hard profession in which to make either headway or money. On the other hand it’s also a wonderful profession to be a part of. You can also self-publish – but do that as well as you can too. All readers deserve your best, most professional work.

Do the work, learn the craft, take advice from those whose track record speaks for itself. Work with a good editor. If you can, pick a genre. I haven’t really yet, so am no example, but it will help when it comes to selling to the industry and then marketing – and know that marketing is a huge part of being an author too, so start to learn those skills as well. Nothing will just come to you though. Take rejection on the chin. You are unique, but you are not ‘special’ (yet) – writing is graft, but worth every minute, at least it has been to me.

Wonderful advice, thank you! And finally: Who would you be if you were a fictional character?

Atticus Finch, and Scout. The father in The Road, and his kid. Cathy and Heathcliffe. Pip, Abel Magwitch, and Estella. Or Joe and Biddy. Luke, Han and Leia. And Chewie. My Dr Eloise and all her lost lovers, and John, the priest. My ‘Sarah’ and all her ‘children.’ Aren’t we all the characters we have ever loved, learned from, or imagined?

LWOTW: Indeed we are! Writers and readers are the most changeable, and perecptive, of humand. Thank you so much for speaking with me, Stephanie, it has been pure joy.

Stephanie’s important links:

Stephanie’s Website is at http://stephaniebretherton.com/

Bone Lines is available online at all the usual places such as Book Depository

 

 

 

Last Word: Lachlan Walter

Lachlan Walter, writer, science-fiction critic and nursery-hand (the garden kind, not the baby kind) is today’s guest on Last Word of the Week. Lachlan’s Australian post-apocalyptic novel is called The Rain Never Came and his next book will be the Kaiju story-cycle We Call It Monster. Lachlan also writes science fiction criticism for Aurealis magazine and reviews for the independent ‘weird music’ website Cyclic Defrost. Lachlan’s short fiction can be found floating around online, and he has completed a PhD that explored the relationship between Australian post-apocalyptic fiction and Australian notions of national identity.

LWOTW: Welcome, Lachlan! Tell us about when you first realised that you are a writer.

Lachlan: To me, the distinction between wanting to be a writer and actually being a writer is psychological more than anything else. Being a writer means accepting the fact that you don’t have to write a blockbuster (and probably won’t) or churn out a book a year, but instead have to put in the work and make the sacrifices needed. Lots of people who want to be writers seem to see it as some kind of glamorous calling that doesn’t actually involve any real work, whereas the truth is that it’s often a slog involving persistence and tenacity, in which a thick skin is utterly invaluable. To touch on an old chestnut: writing is about perspiration, not inspiration.

In my case, I realised that I was actually a writer when found myself unable to step away from my work-in-progress of the time. I was putting in ten and twelve-hour days, turning a simple idea into a novel (and neglecting my oh-so-forgiving family and friends), and waking up each morning dead-keen to do it all over again. There were good days and bad days, but the important thing was that they were all writing days, and ever-so-slowly my first book was coming together. By the time I’d completed the first draft, this had become a routine – wake up, have breakfast, clean up, start writing – and was the equivalent of punching a clock or reporting for duty. And thus, I considered myself a writer.

Of course, it helps to have your work affirmed through publication, positive feedback, in-depth reviews and sales, but they aren’t strictly necessary. What matters is your work ethic, getting on with the job and creating a body of work that you can be proud of.

Lachlan Walter - HEADSHOT

That’s an interesting analysis, thank you. For your writing, do you rely more on dreams, imagination, and planning?

I don’t think I’ve ever had a dream that resulted in a good piece of writing, so let’s scratch that off the list, which leaves imagination and planning. Both are important, but planning is a skill that can be refined whereas imagination is intuitive, inspiring and seems to strike like the metaphorical lightning bolt. An example: I had the idea for my first book long before I put pen to paper (or finger to keyboard, which is more accurate though less poetic), but when I started writing it – and consequently started planning it – I really had no idea what I was doing. It wasn’t until a fellow writer gently pointed out that my plan was a bit long – three books long, by their estimate – that I realised how much I had to learn about this underappreciated skill.

In other words, I rely more on my imagination than anything else, but it’s the planning that really matters.

That sounds like a good balance of imagination and organsation. So what’s the highlight of your writing career so far?

This would have to be a tie between having my first book accepted for publication, and having my second book accepted.

Having your first book accepted is an incredible feeling, as all authors would know – it’s a validation of your hard work, and confirmation that the idea behind it and the writing within it is solid and of a high quality. Everyone’s first book is a labour of love, something that’s been happily sweated over, something that contains a little bit of your heart and soul, and mine was no different. As mentioned, I had the idea for it long before I put pen to paper, and nurtured this idea like an obsessed gardener growing the fussiest plants from seed.

But once your first book has been published you realise that if you want to be a writer, you have to do it all over again from the beginning. This can be a struggle because you carry within you an expectation that your second book has to happen sooner rather than later, and you have to conceive it and work at it quickly and diligently, whereas the ideas and writing of your first book just seemed to come naturally and at its own pace. However, once it’s completed to your satisfaction, having it accepted for publication somehow proves that you’ve got what it takes to keep on writing.

That letter (or email) acceptance is such a joy, isn’t it? What are you most looking forward to at the moment?

Finishing my third book, so that I can then get onto the next and the next after that and so on. I’m like most writers – I have more ideas than I do time to write them, and I just can’t wait to get them down and bring them to life.

Oh, yes, that’s the problem. Not where we get our ideas from but how to herd them! If you could say one thing to aspiring writers, what would it be?

Write, write and write some more – you can always be better, and the only way to achieve this is through dedication and work. And remember that not every piece of writing has to be a book: short stories, articles, reviews, blogs, criticism, they all help hone your talent.

 And finally: Who would you be if you were a fictional character?

The Doctor, without a doubt. He/she possesses everything that one would want in life, and that makes a good person: kindness, intelligence, inquisitiveness, childlike wonder, loyalty, a circle of loving friends who are loved in return, and a dedication to pacifism that only falters when absolutely necessary.

I thought you had a bit of a Tom Baker look about you! Thanks for speaking with me, Lachlan, and more power to your writing.

Lachlan’s important links:

www.lachlanwalter.com

https://www.facebook.com/LachWalter79/

https://twitter.com/LachWalter79

BUY LINKS:

https://www.amazon.com/Rain-Never-Came-Lachlan-Walter/dp/192220093X

https://www.amazon.com.au/Rain-Never-Came-Lachlan-Walter-ebook/dp/B07CH261TC/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1547115345&sr=1-1&keywords=the+rain+never+came

www.odysseybooks.com.au/titles/9781922200938/