When no one is watching … words arrive

Linathi Makanda is a young South African poet and author whose first book of brilliantly-realised love poetry was published last month. I reviewed When No One is Watching recently, full of enthusiasm for a new voice that so perfectly captures the heart of feeling, from first delight through to lonely despair. I consider that poetry is the perfect vehicle for emotion, and I haven’t felt so close to heartache-in-words since I first read Sappho’s fragments as a teenager.

Linathi Makanda
Author Linathi Makanda

I’m thrilled that Linathi has joined Odyssey Books, the wonderful publishing house that has done so much for me, and I’m very grateful that she has agreed to be first up in 2020’s Last Word of the Week series.

Welcome, Linathi! Can you tell me about the time you decided you are a writer?
Linathi: I started feeling like I was a writer when I started producing work that I felt like was authentically me, when it came naturally to me. I’ve always known that I wanted to write but struggled a lot when it came to finding my voice. So I internally identified as a “writer” when I was ultimately happy with the work I was producing.

When you writing spoke as you, that’s a good measure. What would readers never guess about you?
The fact that I’m very fearful of a lot of things. As an expressive, people often view you as bold. People would be really shocked to know how often I get anxious or nervous, especially when it comes to my writing.

You’re right, your nervousness doesn’t show. Your poetry has a beautiful, confident, authentic voice. Why is writing important to you?
Expression, in general, is important to me. I think it’s important for each generation to show how their forms of expression have evolved from the last. Books, writing and art in general have so much continuity and apart from us wanting to indulge in these crafts and enjoying them, it’s also equally important to make sure that we leave traces of ourselves for the next generations and I guess writing is my contribution to that bigger picture.

What five words would best describe your style?
Relatable – Emotive – Simple – Raw – Captivating / Gripping

I like the way you snuck in an extra word! What do you think about creative writing courses? Are they valuable?
They definitely are, especially for readers and writers of younger ages. As a young writer myself, it has become important to me that young children and writers are given the opportunity to explore themselves in creative spaces. Too often, reading and writing is boxed in in academia. It’s therefore important to show people that writing and reading can and does exist for purposes other than just for academics.

Well said. Is there anyone in your past who’d be surprised at your writing?
Funny thing is, I think everyone I’ve encountered would and is probably surprised about my writing. I’ve never really let people in on the fact that I write. It’s been a strange transition going from people not knowing that I write, to being a published author.

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Did you have a big break in writing? What happened?
My big break in writing has definitely been my book deal with Odyssey Books. As a writer, you dream of such things happening but they still seem very out of reach. Being the first South African author at an international publishing house means a lot to me as a writer and as an individual and I’m eternally grateful to my publisher, Michelle Lovi, for that opportunity.

Michelle is very special, and I find her very enabling. Congratulations on being published! What kind of reader would like your book?
I’d like to think my work is quite relatable and accessible to a range of people but more specifically, people who are highly in tune with their emotions, the lovers, the dreamers, the expressive and the people who aren’t scared to face their demons head on.

The lovers and the dreamers – I think I know a few! What would be a dream come true for you?
I’ve had a lot of my dreams come true at the end of 2019. My pictures were published on Vogue Italia and that really meant a lot for me as a self-taught photographer, I also got the book deal etc. But another one of my dreams would definitely be to see my poetry collection, When No One Is Watching, reach greater heights and to possibly venture into writing another book. Every writer definitely would like their bodies of work to gain traction and even though I didn’t necessarily write for recognition, the book itself doing well is something that I would really love to see happen.

Is it easy for readers to find your book/s?
Yes, definitely. When No One Is Watching is currently available on a wide range of platforms, namely Amazon, Barnes & Noble, the Odyssey Books website as well as on Goodreads.

And it comes highly recommended by me! If you could write a note to someone about to read your book, what would you say?
Well, I’ve already snuck a little note in there for my readers (wink), but more than anything, I’d want to say “breathe in and be ready to fully experience all forms of yourself.”

That’s perfect! Thank you so much for speaking with me today, Linathi, and I look forward to seeing more of your work in words and pictures.

The Silence of the Girls by Pat Barker

Pat Barker is a consummate storyteller, and this book is no exception. Her depiction of the Trojan War brings a freshness as well as a sameness, but that may be because I have studied (and taught) The Iliad.
Nothing can truly rescue the women from the ravages of war, but Barker has given some of them a voice in this work. It is undeniable that the women are not the major protagonists, because all the action is quarantined to the men – partly because that’s the way the original story was written, and partly because that is the nature of the times in which the story was written (thought to be a few hundred years after the action took place – if it did).
I’m interested to see that even though the bulk of the story is told through Briseis’s first person narrative, it doesn’t seem possible to progress the story without following Achilles, which we do in another voice, third person. Both narratives proceed in the present tense. Add this to the occasional jolt of modern-day colloquial language (Achilles actually says ‘OK’ at one stage!), and the reader is forcefully reminded that nothing much has changed across the centuries. Warriors fight; all of society suffers, and women most of all.
I rate this book very highly, although I admit I’d prefer not to have the colloquial language included (“She’ll do!”; “Look at the knockers on that!” etc.). However, Barker has made a deliberate choice to do use this language, and her astonishing record would say she has every right to make such editorial decisions.
Read it – see what you think.