A promising horizon

sunrise over karkarook lake, melbourne, victoria, australia

June has brought excitement and challenges, with a bunch of promising projects on the horizon.

Horizon 1: Romantasy Novel Assessment

First off, my fantasy/romantasy novel came back from its manuscript assessment.  I’m very pleased with the process. I wasn’t really sure what to expect — red pen crosses everywhere, maybe?

But the manuscript came back with a detailed overall assessment document, and the whole 115,000+ words read, and understood. The comments on the manuscript are not corrections — they are affirmations, or queries, or opportunities for enhancement. There are no suggested phrases or wordings, but places noted where the current writing doesn’t impact in the expected way.

This is SO useful for a writer.

I don’t know about you, but when I’m being creative, I don’t want anyone to ‘correct’ my vision, whether it’s art, craft, or a whole fictional universe that happens to exist in my head. I’m so thrilled that the assessor jumped right into my world, and talks about the characters (who are indeed figments of my imagination) as if they are real people. As if they have the same weight and substance as, hmm, Superman, or Dr Who, or Aragorn, or Miss Marple.

Actual fictional characters who exist in defiance of all the rules of physics. About whom we can have conversations and opinions.

Recommendation

In case you’re searching for something of this nature — a REALLY useful conversation about your fiction — I’d like to share that my manuscript assessment was carried out by the awesome Scott Vandervalk, editor extraordinaire at https://scottvandervalk.com/

Scott was recommended to me by writers whose published work I really admire, so I was very pleased that he accepted the brief!

As for me, my task, before the end of the year, is to fulfil my 2026 resolution: go over the entire manuscript,  respond to the assessment, and then: submit it somewhere.

Eep. But that’s a bridge to be crossed later this year.

Horizon 2: SEED Anthology

Last week I heard wonderful news from a publisher! Yes, it does happen 🙂

SEED: speculative possibilities is an anthology proposal that my fellow author Louise Zedda-Sampson (of the St Hilda’s history project collaboration) and I are floating for next year.

Clare & Louise at St Hilda's College, University of Melbourne
Clare and Louise at St Hilda’s College, University of Melbourne

We’ve approached some Australian speculative fiction writers and asked them to each contribute a story. AND the publisher we contacted said YES!

I’ll have more details on the publisher, the authors, and the timeline once contracts are issued. In the meantime, here’s a little taster overview of what we’re planning:

SEED: speculative possibilities
Edited by Clare Rhoden and Louise Zedda-Sampson
Seeds can promise good things to come, or they can invade and destroy. Seeds of certainty or uncertainty. Seeds of plenty, seeds of doubt, of confusion, untruth, destruction, seeds of alien life, seeds from all over the planet, all over the galaxy. Seeds that grow into something unexpected. Seeds of poison, seeds of peace. Literal seeds, and metaphorical seeds.

Louise and I enjoy working together so much that we’ve been hatching the idea of a jointly-edited anthology for some time. Only we couldn’t get started until Louise invented the brilliant theme of SEED. Thanks Louise!

Horizon 3: Heated Rivalry FanFiction!

Okay, now things are going to get very, very weird.

The background

I don’t know how many of you are into the Canadian gay sports romance series, Heated Rivalry? I started to watch this as part of my quest to make my writing more ‘romantasy’, keeping in mind that many popular fantasies of the 21st century include physical encounters between the characters. Quite a lot happens NOT behind closed doors in series such as ACOTAR by Sarah J Maas and THE EMPYREAN by Rebecca Yarros. I thought maybe I should investigate more.

Heated Rivalry, both the book and the TV series, is a modern, sensitive, and explicit exploration of physical romantic attraction. A trusted friend recommended it.

It’s basically a sexy, sporty, emotional love story.

I ended up reading all six books in author Rachel Reid’s Game Changers series, as well as having the 6 TV episodes pretty much on repeat. Like I used to have The Two Towers.

AND THEN:

True confession, I started to follow the actors (Hudson Williams and Connor Storrie) on socials — because they are beautiful and smart and fashionable. And then my feed became swamped with fan fiction recommendations based on the story.

SO I LOOKED at AO3 (Archive of Our Own), where fans write stories about their favourite characters out of all sorts of fictional worlds – Star Wars, Harry Potter, Dune, you name it. And, er, I had an idea for a Heated Rivalry story.

So I wrote it. It just flew off the keyboard, grew to over 30,000 words, and, as of today, has over 2,700 unique readers. What?!

It’s actually very affirming as a writer that a new story — even one featuring established fictional characters — can attract a growing readership.

Another positive is the confidence I have in what these characters would say or do in any given situation. This has inspired me to be more confident about my own fictional characters. Just let them be themselves! What would they do? I should know, I DO know, because I invented them.

And another affirmation

Thank you to everyone who reads my books from libraries. I received this year’s PLR (Public Lending Rights) statement and payment last month. It’s not huge, but it’s such a lovely little boost.

Onwards

That’s a wrap for this post, with quite a few teasers about what’s ahead for the rest of 2026. Love to you all! Happy reading 🙂

A character’s life is hostage to tension

wooden bridge in snow

To kill, or not to kill…

Should I kill off the reader’s favourite character? That’s the choice many writers must make.

As you may know, my latest fantasy manuscript is away from home, undergoing a professional assessment. I *might* have let slip that it’s quite a dark tale, with swords, sorcery, and even sex. Yes. I’m getting braver in my writing. Lots of dark.

But in such a world, where evil forces are threatening all the characters I love, I want the danger to be real.

thinking

My story is not cozy.

There isn’t going to be a happy ending for everyone. And while I’m not in the GOT* habit of randomly killing off characters to amp up the dramatic tension between honour and power, or between love and ambition (I’ve never got over the death of Ned Stark, have you?), I’m also not a fan of unrealistic survival. It kind of annoys me when a character gets so beaten up that they’d be a mass of broken bones, and then suddenly leaps up to stab their attacker in the throat. What? That should only happen in action movies.

That means that some of my lovely, lovely characters are going to face some nasty times. Characters who have been with me for years, inside my internal landscape.

This problem came starkly to mind when my manuscript assessor — whose feedback and opinion I strongly value — sent me a quick email just after the assessment had begun:

“Beginning — I love (name of character). They’re going to be one of my favourites …..”

A few chapters later:

“OH NO! HOW COULD YOU?!”

Scared
Oh no!

Immediately I began that writerly panic: have I done the wrong thing? Can I save that fictional person? I quickly researched ‘death of major character’, to see how the bookish world reacts to such things. It looks to be quite difficult to kill off a recurring, major character – – readers in general don’t like it — But — no, the plot won’t work without this crucial death. So that one stays dead. Sorry.

A fellow writer is also facing the same issue. Their Beta reader sent back Book 3 with a note:

DO NOT KILL HIM IN BOOK 4! I’ll never forgive you if you do.

Hmm, the character arc could really end with his death, but maybe having invested readers is not such a bad thing. My friend saved the guy, and, to tell the truth, I’m also glad that there could be more stories about him.

Famous Character Deaths

It’s possibly because we don’t do it that often (apart from in GOT*) that killing off a character is so controversial. All readers probably started on some version of ‘The Hero’s/Heroine’s Story’, in which the main character faces multiple obstacles but comes home safely. That’s an ancient archetype, one that affirms human survival in a perilous world. So killing off the main protagonist is still a kind of perverse twist. That doesn’t stop it happening.

Think of Stephen King’s Misery, for example. Wow, that’s dire. And Arthur Conan Doyle wanted desperately to kill off Sherlock Holmes at the Reichenbach Falls, making a neat ending. However, readers demanded a resurrection, and I guess Conan Doyle was happy enough to continue earning Holmesian income, even if he was fed up with the detective who gathered it in.

Agatha Christie killed off Poirot in Curtain: Poirot’s Final Case (1975), but as she died only six months later, before the book hit the shelves, she wasn’t faced with the same sort of backlash that Conan Doyle endured.

What Do You Think?

I’d love to know where you — writers and readers — stand on this. How OK is it to kill of characters? You’re probably going to say ‘It depends’. Please tell me what it depends on, for you.

Happy reading!

***********

*GOT In the Game of Thrones universe, famously, nobody is safe. It’s all about the story, not the characters.

James Hibberd of Entertainment Weekly noted that:

This is probably the first time a U.S. drama series has ever killed off its main character in the first season as part of its master creative plan … it’s just … not done. You don’t cast a star, put him on bus stops and magazine ads marketing the show, get viewers all invested in his story, and then dump him nine episodes later just because it arguably makes the story a bit more interesting.

Hibberd, James (June 12, 2011). Game of Thrones recap: The Killing”.

Writers’ Perks

Some awesome Writers’ Perks have had me smiling recently. A writer’s life is not all “stare at the keyboard until blood spurts from your eyes”, to paraphrase Hemingway. Sometimes you get to meet readers and interact with real people!

Writers’ Perk #1

In October, I spoke with three groups of young artists about the magic of writing, creating rounded characters, and my book How to Survive Your Magical Family. Creation is its own kind of magic, right? Before you write the story or paint the picture, that little piece of wonder doesn’t exist.

This was part of the awesome painting competition organised by my local art school Art Academica. What fun!

Writers’ Perk #2

Also in October, I attended a book launch for Fleetwalker by Judith Michael. It was so much fun to meet other writers and Judith’s fans, friends and family. A great day was had by all!

fleetwalker cover
Fleetwalker, the long-awaited #3 in the GriffinSong trilogy

Writers’ Perks #3

And on the last Friday in October, I attended the Founders & Benefactors Dinner at St Hilda’s College at the University of Melbourne, along with my fellow writing team member Louise Zedda-Sampson. It was a fabulous night where we met some amazing people and made connections to will go a long way towards setting the tone for our big project: Communitas-the first 60 years of St Hilda’s.

Magic Cats rule October

character cats drawn by Elena Buyanova

The magical cats are coming!

This October I’m collaborating with local art school Art Academica. We are running a competition for two groups of teenage artists. Their task: create a portrait of one of the characters in How to Survive Your Magical Family.

While most of the characters in How to Survive Your Magical Family are magical, it’s the cats who make the story purr.  One Art Academica’s talented teachers, Elena Buyan, prepared the feature image for the start of Term 4 classes.

Here it is again for your enjoyment. Who’s your favourite?

character cats drawn by Elena Buyanova
Magical Cats by artist Elena Buyan

Next Monday, I will have the great pleasure of speaking with the young artists in a Q&A session for each group. I’ve heard that many of them create their own stories. I can’t wait to hear what they might ask me. More importantly, I can’t wait to see their portraits of my fantasy creations. Especially Toby, Mia, and all the cats.

I’m going to ask their permission to share their works online. So keep watching this space. In between, enjoy these photos With me is Art Academica founder and director,  and all-round creative, Taya Danchenko.

artist and author
Here I am with Art Academica’s Taya Danchenko
artist and author read book
Artist Taya Danchenko and I have a look at the magic inside the book

Tim Major shares some Open Submissions for June and July 2023

TIM SAYS: Here are the most interesting open submissions calls for SFF writers I’ve found this month. Good luck! Qualia NousThe first volume of this anthology series contained high-profile names and was nominated for the Bram Stoker Award for Superior Achievement in an Anthology. This new volume looks set to be a bit deal, too. The editor […]

Open submission calls: June 2023 — Tim Major

Australian novels of WWI: some recommendations

April 25, Anzac Day text

Fifteen years ago, I started my PhD journey looking at Australian stories of World War I. I wanted to discover how Australian writers of WWI transformed their experiences into fiction. Arguably, I’ve read more of these books than anyone in the world. Here are my recommendations for Australian stories you might like to read, if you’re interested in Australian perspectives of war.

Some people said

THERE ARE NO AUSTRALIAN NOVELS OF WWI!

But there are, and I discovered that Australian stories are different from the famous WWI texts of the English-speaking world (but that would be another post!).

Here are my selected reading lists for Australian novels of WWI. Copy and paste a title into your library catalogue (or preferred retailer) and get reading. I need more people to talk about these with! So read on …

Books of the Time:

By Australian veterans (first published; most recently published):

Leonard Mann, Flesh in Armour (1932;2008)

J.P. McKinney, Crucible (1935; 2012)

Frederic Manning, The Middle Parts of Fortune (1929/30; 2012)

Ion Idriess, The Desert Column (1935; 2017)

G.D. Mitchell, Backs to the Wall (1937; 2007)

By non-combatants (first published; most recently published):

Mary Grant Bruce,  From Billabong to London (1914; 2019), Jim and Wally (1915; 2019), Captain Jim (1916; 2022), and Back to Billabong (1919; 2015).

Ethel Turner, The Cub: Six Months in his Life: a Story in War-Time (1915; 1958), Captain Cub (1917), Brigid and the Cub (1919).

2000s Australian WWI Novels:

A selection. There are more.

Ian Callinan, After the Monsoon (2004)

John Charalambous, An Accidental Soldier (2014)

Jackie French, A Rose for the Anzac Boys (2008)

Stephen Daisley, Traitor (2009)

David Metzenthen, Boys of Blood and Bone  (2003)

David Metzenthen, Black Water (2007)

Clare Rhoden, The Stars in the Night (2017)

Brenda Walker, The Wing of Night (2005)

Sheila Walker, The Ghost at the Wedding (2010)

Chris Womersley, Bereft (2010)

Peter Yeldham, Barbed Wire And Roses (2007)

 

Please let me know if/when you’ve read any of these. I’d love to discuss 🙂

 

Open submission calls: March 2023 — repost from the savvy Tim Major

Whereas last month’s open submission calls all seemed to be horror-flavoured, this month I’ve come across a wealth of science fiction venues seeking story submissions. Maybe horror editors prefer the winter, and the impending arrival of spring is bringing out all the SF publishers? If you’d like to receive notifications of open submission calls direct […]

Open submission calls: March 2023 — Tim Major

What is it that makes the Attack at Fromelles resonate with Australians? ‘Don’t forget me, cobber’ — Baffled Bear Books

Thanks to Baffled Bear Books for the mention!

 

Fromelles Anniversary Book Bundle. What is it that makes the Attack at Fromelles resonate with Australians? Fromelles Anniversary Book Bundle from Odyssey Books comprises three fascinating WWI stories from Australian authors July 19-20, 1916 The Battle of Fromelles was Australia’s first action on the Western Front. It was disastrous. Arguably the worst 24 hours in […]

What is it that makes the Attack at Fromelles resonate with Australians? ‘Don’t forget me, cobber’ — Baffled Bear Books