The Ten Stages of Writing a Series: Part 2 Book Two

Once upon a time, a single idea became a novel, and a novel sparked a series.

Welcome to Part 2, where I cover the big picture of how I moved from a stand-alone novel to a post-apocalyptic fiction series: from one novel to three novels in three years.

Let’s recall the first five stages:

  1. An Idea
  2. A Short Story
  3. A Novel
  4. A Rejection
  5. An Acceptance

If you need a full recap of how it all started, check out the previous post.

Stage 6: The Sequel

It took a little while to get my head around the possibility of more novels in the world of The Pale. A whole series of post-apocalyptic fiction? But hey! The world was all there, the characters created, and a trajectory beckoned. Plus the world always needs more books with talking animals.

All I needed to do was pick up where I left off, right?

It’s not that easy. Something I found quite testing was to check and re-check my built world, to ensure the consistency of both stories. Remember that I’d invented a highly-detailed setting, with too many characters, too many places, too much that was too clever by half (including an over-clever calendar)? Well, thanks to me being such a smarty-pants, there was too much in my head. I had to match the published version of my world, not the one teeming in my brain.

Hmm, did I mention this particular detail before? I kept asking.
I told myself: probably not.

Can I include it? I thought: Yes, but…

Can I do without it? Answer: YES!

The thing about world-building

It so happens that I know a lot more about the back-stories of the characters than will ever be published.

And that’s the way it should be. I am the iceberg. The published work is the best fraction of it.

Readers really only want to know what’s happening NOW.

They want ACTION. And they want EMOTION. They want RESOLUTION.*

*Beware generalisations. Some readers like the long way round a story

Readers don’t want to know about the hours I devoted to googling baby names as I tried to make my cast diverse and interesting. They don’t want to know about my failed attempts at tracing maps of Tasmania and putting Pale-style names in tricky terrain. And they especially don’t want to hear me arguing with myself about just how evil I can make the villain without turning science fiction into horror.

Stage 7: A Plan for Book 2

Take one ambitious time frame, add a thriving cast, lots of conflict and then make the world explode. Or at least cause the ground to shake.

I’m a pantser by nature, but I needed a plan. More, I needed – for the first time in my fiction writing – to create lists and signposts. I discovered that writing a series is like writing a thesis: there is more material than you can keep in your head at one time. You MUST be organised.

A character list was easy enough, and here it is. I also asked for it to be included in the printed book, because many readers like to refer back as they’re reading.

A map! Fortunately, I have very talented people in my family – they’re so creative, this lot! – and @bernardjmaher listened carefully, coped with my scribbled diagrams, and voila! a map.

Territory and city map ThePale
Territory map for The Pale

Stage 8: Writing Book 2

The deadline was good for me: six months to the first draft – remember that the first novel took several years to gestate.

I wrote and wrote and wrote. My method is to write a lot, and then edit, edit, edit. Then I add, subtract, rearrange and polish.

Characters from offstage demanded to be heard – for example, Helm, the lost tribesman. He’d always been there as Feather’s missing father, but he insisted that he had a much bigger part to play. More talking animals wanted to be heard, and many of the villains began to flex their muscles. Dystopia is like that!

Back and forth with editing. It was so much better this time around. I was more relaxed about strangers’ eyes on my imagined world, and more confident in my choices. I mus say that working with Odyssey Books has been amazing – truly life-changing.

Amazingly, within a year of launching The Pale, I was back at Readings Carlton, surrounded by well-wishers, thrilled to introduce my new book to the world.

Broad Plain Darkening was born, and my idea for a novel became a post-apocalyptic fiction series!

The Chronicles of the Pale #2: Broad Plain Darkening

 

Next time, I’ll talk about how Book 3 rounds out the series, and test out whether there’s more to come from the world of The Pale.

 

 

 

The Ten Stages of Writing a Series: Part 1 The First Novel

The Chronicles of the Pale series

This month is the second book-iversary of my dystopian fiction series The Chronicles of the Pale.

I’m very proud of these books and still very much in love with them.

But how did this love affair with talking animal stories begin?

Today I’m letting you into the ten hidden stages behind the Chronicles.

Stage 1: An Idea

Ideas comes from everywhere. I can’t stop them.

This one began with a dream in 2014. We were shut inside a gated compound while outside, crying babies were dying from exposure. We couldn’t get out, but my dog Dinny (an ancient and beloved German Shepherd) snuck out and carried the two babies into safety.

German Shepherd Dinny
German Shepherd Dinny, the original model for Mashtuk

From small kernels of inspiration, a big story grew.

Dogs had to feature!

Stage 2: A Short Story

The story of the babies left to die Outside was too good to lose, especially during the height of the worldwide refugee crisis. The wise and compassionate canini Mashtuk and Zelie, the heartless humachines, and fully-human Hector appeared in my head.  I wrote them into a story and submitted it to progressive journal Overland. My first ever short story acceptance!

Man-machine-dog-Illustration
Man-machine-dog-Illustration from Overland #215

Man/Machine/Dog‘ is available online.

If you’ve read The Pale, you might like to see where it started.

Stage 3: A Novel

After the story was published, an indie publisher contacted me because my Overland bio said that I was writing a novel about these characters.

Ahem.

I hadn’t started, but I immediately began. Ideas came too fast and the novel grew too long, but I submitted it within six months.

Stage 4: A Rejection

Sadly, The Pale Version 01 didn’t make the grade. The novel was BLOATED with too many characters and dozens of subplots, and falling over itself with over-complex world building.

While the feedback was positive, the novel needed severe editing.

Stage 5: An Acceptance

More time passed. I took a good hard look at my manuscript and pruned a few thousand words. Some of the off-cuts were old favourites: names for every (and I mean every) minor character, a newly invented calendar based on the many seasons recognised in indigenous cultures, and a subplot involving flashbacks to the time before the Great Cataclysm…

Then I sent the new manuscript to my dear, dear beta readers. Their ultra-valuable feedback (thank you – you know who you are!) resulted in more tidying…and THEN

I sent the manuscript off to another indie press looking for new authors.

The Pale cover detail: Mashtuk
The Pale cover detail: Mashtuk

About three months later, and email came, asking if The Pale was still available.

Yes! I shrieked. Yes, yes, yes!

(Thank you Odyssey Books!)

 

What next?

Oh, my. Having a novel published was a lifelong dream come true.

I fell onto a steep learning curve. Working with fiction editors challenged me, but I could see that every discussion, every point, made my work better. A wonderful cover artist sent me concepts, and I jumped with delight on the one with the city and the canini – of course, it’s Mashtuk!

I’ve talked about launching here, and I can still remember the wonderful feeling. The Pale sold some copies. Readers contacted me and asked about the characters and what happened next? The characters gambolled around in my head.

And the publisher said: is there a sequel?

Next week, I’ll explain how I got from a single dream to a three-novel series … and perhaps a set of short stories in genesis.

The Pale
Chronicles of the Pale #1: The Pale