Bone Lines, Stephanie Bretherton’s debut novel, considers what it is to be human by engaging us in the lives of two women, separated by millenia. Stephanie is a wonderful communicator who has a fascinating backstory of her own – Born in Hong Kong to a pair of Liverpudlians, she is now based in London, but manages her sanity by escaping to any kind of coast, particularly far west Cornwall.
LWOTW: Welcome, Stephanie, it’s lovely to meet you. Thanks for sharing this Q&A about writers and writing. Tell us about when you first realised that you are a writer.
Stephanie: Probably the first time I got an A for a school composition! Those kind of dopamine hits can become as addictive as sugar. Just as well, really, as I have struggled with ‘numbers’ all my life. Words, on the other hand, have been my friends. It’s amazing what you can do with them, from creating and escaping into your own imaginary worlds, to coming back out into the ‘real’ world and communicating ideas, forming friendships, entertaining people, making them feel good.
If I had lived in the times of the prehistoric character in my book, Bone Lines, I would have been a rubbish hunter but would probably have made myself useful as the storyteller of the tribe.
That’s a great thought. You are obviously good at imagining yourself into the texture of your stories. Do you rely more on dreams, imagination, and planning?
I use all three. A dream might inspire, or help solve a problem, but that’s more passive. Active imagination is the key driver. Planning tends to come retrospectively, if that makes sense. I reverse engineer the planning once I have a character, a world, a theme, an idea that has been allowed to run free and take its own shape.
I love that notion! Reverse engineering planning – brilliant strategy for the imaginative writer! What’s the highlight of your writing career so far?
I have always worked with words, communication or ‘storytelling’ in one form or another, and there have been quite a few thrills and spills along the way, from reading the weather report on Hong Kong television to building my successful ‘boutique’ communications agency. But creative writing fiction in particular has always been my first love and publishing a book was a lifelong goal. So undoubtedly bringing my debut novel Bone Lines out into the world last September, as exciting and terrifying as that journey has been, has to be the highpoint so far
I’m glad you mention the terror. It’s something writers don’t always expect, but it’s certainly there, hiding among the joys and delights. What are you most looking forward to at the moment?
Three weeks unbroken chill at my bolthole in Cornwall in the summer, to rest, write, walk and play. I am very blessed to have found a corner of the world that fills my soul. I’ve had a rather nomadic life since childhood (though I have always been drawn to a coast) and I while recent generations of my family are not from Cornwall (we are misplaced Scousers) and I’d never spent much time there before, I had the strangest sense of ‘coming home’ when I visited friends near Land’s End three years ago.
I had a small inheritance after my widowed mother had died, and I found a tiny place near the sea that weekend, put in an offer on the train back to London and knew it would gradually become ‘my soul’s landscape.’ I still have to spend a lot of time in London for work, but whenever I can get back to Cornwall, it’s just magic. The perfect place to write. (And I really need to crack on with book two.)
That sounds divine – but yes, we need Book Two. (I’ll put aside thoughts of Poldark for the moment…very distracting…) If you could say one thing to aspiring writers, what would it be?
If it’s what you want to do so badly that you are prepared to make sacrifices of your time, ego, cash flow, personal life, and sometimes what feels like your sanity, then just keep writing – whether you are ever published or not.
If you have something that has to be said, a story that has to told, a head full of characters demanding to written about, if you feel most ‘yourself’ (and at peace with yourself) when you are writing, then write, write, write. But there are no guarantees. Anything can happen and you can get lucky, but it’s a hard profession in which to make either headway or money. On the other hand it’s also a wonderful profession to be a part of. You can also self-publish – but do that as well as you can too. All readers deserve your best, most professional work.
Do the work, learn the craft, take advice from those whose track record speaks for itself. Work with a good editor. If you can, pick a genre. I haven’t really yet, so am no example, but it will help when it comes to selling to the industry and then marketing – and know that marketing is a huge part of being an author too, so start to learn those skills as well. Nothing will just come to you though. Take rejection on the chin. You are unique, but you are not ‘special’ (yet) – writing is graft, but worth every minute, at least it has been to me.
Wonderful advice, thank you! And finally: Who would you be if you were a fictional character?
Atticus Finch, and Scout. The father in The Road, and his kid. Cathy and Heathcliffe. Pip, Abel Magwitch, and Estella. Or Joe and Biddy. Luke, Han and Leia. And Chewie. My Dr Eloise and all her lost lovers, and John, the priest. My ‘Sarah’ and all her ‘children.’ Aren’t we all the characters we have ever loved, learned from, or imagined?
LWOTW: Indeed we are! Writers and readers are the most changeable, and perecptive, of humand. Thank you so much for speaking with me, Stephanie, it has been pure joy.
Stephanie’s important links:
Stephanie’s Website is at http://stephaniebretherton.com/
Bone Lines is available online at all the usual places such as Book Depository