Today I’m pleased to welcome playwright Petra Kavile to tell us about her play, Oil Babies, which is coming very soon to Northcote in Melbourne. OIL BABIES explores climate change and our continued “hope-investment” in procreation compared with our feelings of helplessness at the state of the planet – and our role in its demise. Babies – to have or not to have?
STS: Welcome, Petra. Can you tell us a bit more about your upcoming project?
My play Oil Babies is opening at the Northcote Town hall as part of Darebin Arts Speakeasy on August 9-18. It’s being produced by the wonderful guys at Lab Kelpie.
STS: That sounds great! Is there one aspect of Oil Babies that you relate to most – a favourite character, scene, effect? Can you tell us more about that?
Oil Babies is about the environment and babies, both of which have played on my mind lots in the last few years. The environment and our impact on it is a constant concern of mine (as I’m sure it is for many people) – but the structures that support us to live the way we do haven’t really taken minimising our impact on the environment into account. So we constantly have to be on guard and vigilant in our attempts to minimise our carbon footprint. Add babies into the mix and you’ve got thousands more tons of CO2 pumped into the atmosphere. And yet, we can’t stop reproducing. I’m guilty of it too. So that’s what first spurred the urge to write Oil Babies, this growing conflict in myself and amongst my friends and family – of wanting to live as lightly as possible in a world set against us doing so while we contemplate reproducing.
STS: What do you think drives you to pursue your creativity?
I’m passionate about new Australian stories. I think stories help us figure out who we are and what we want and why we behave the way we do. I think there are fundamental ways of being that cross history and culture – but I also strongly believe that stories of our time, place and culture are necessary too. I can’t stop helping facilitate stories for today, it’s like a compulsion.
STS: A compulsion, yes, many of the creative people I’ve spoken to feel that way, driven to pursue their art. Many describe their processes using analogies – like speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline. What can you say about your process?
I’m a dramaturg – a bowerbird at heart. I steal little bits from everywhere and weave together something that resembles the mess / conflict between my head and heart. I write for short intense bursts. I set myself a task and hopefully magic happens and I lose myself in creative flow. Then, the fun part of weaving all those tasks together begins.
STS: That bower bird is a beautiful image, thank you Petra! Finally, what five words would you use to describe yourself as a writer?
Concise. Weaver. Cut-it! Humorous. Flexible.
Lovely words to live by and to create by. Thank you so much for having Something to Say!
You can view of promo video of Oil Babies here: http://labkelpie.com/oil-babies/
All Oil Babies images are of Petra Kalive by Sarah Walker
Rehearsal image of Fiona Macleod, Jodie Le Vesconte, Petra Kalive and Kali Hulme by Adam Fawcett