Nicola Pryce writes romances featuring Cornwall, adventure, drama, handsome heroes, and foregrounding remarkable women – an irresistible combination. If you’re a bit keen on Winston Graham’s Ross Poldark, or Jane Austen’s Captain Wentworth, or any well-written historical fiction, then you need to meet Nicola asap. Not in 1773. Now!
*Plus read on for a bonus scene!*
Welcome, Nicola. It’s great to meet you. Can you tell us something about yourself that you think anyone who reads your book/s really ought to know?
Nicola: If I have to reveal secrets, then it’s that I sail, certainly, but not across vast oceans. I’m more of a harbour hopper, sailing in and out of the towns and secret coves in Cornwall that I describe in my books. My characters inhabit my world, only 226 years before me. I follow their footsteps – every mile they walk, I walk; I have been to every harbour they anchor in, every river they row up, and every inn they dine in. Every mad dash they make across Bodmin Moor, I’m racing behind them. The houses they live in are all there, the streets they walk, the moonlit rose gardens and clifftops where they meet. And I wake to the same hammering in the shipyard, the same bleating of the sheep, the same crowing of the cockerel.
That’s great to know! What is your favourite scene from your own writing? Why?
My favourite scene is in The Captain’s Girl. My aristocratic heroine, Celia Cavendish, finds herself on a fast cutter in the charge of the rather secretive Captain Arnaud Lefèvre. It is two in the morning, the wind is gentle, the stars bright above them. Captain Lefèvre serves freshly caught seabass, grilled on a bed of herbs; they drink Chablis, watch a shooting star, and all the while the south coast of Cornwall is drawing closer. As she breathes the salt air, relishing the wind in her hair, Celia feels free for the first time in her life. At daybreak, she must return to rigid protocol and social niceties, but more importantly, she must explain her sudden absence.
Oooh, how intriguing! If I told one of your characters (you get to choose which one) that they were imaginary, how would they respond?
Badly! I could see it hadn’t gone well when I saw Madame Merrick staring down at me from the first floor of her dressmaking establishment above Pengelly’s Shipyard. The sun was glinting on her lorgnettes and knew that as soon as I opened the door, her hawk-like eyes would pin me into submission.
And I was right. Her silk petticoats rustled as she swung to face me. Elowyn and Mrs Pengelly took refuge in the storeroom, but I knew I must stand my ground.
‘A figment of your imagination? Her French accent is always more noticeable when she’s cross. ‘I think not!’
I had to be brave. Most would turn and run, but I had to explain.
‘You’re a character in my stories, Madame Merrick. You don’t exist off the pages of my books.’
A rise in her perfectly arched eyebrows, a slight ruffle in the feathers of her headdress, and then a smile – and it’s always worrying when Madam Merrick smiles.
‘Well, perhaps it is not such a bad thing. Maybe it is better they think you have fabricated my existence. Yes, let them think that – let them believe, I do not exist. It might well work in my favour. Will you take a glass of punch with me?’
I had to say I would, but only a small glass as I know only too well what goes into Madam Merrick’s punch.
Oh, that’s marvellous, Nicki, thank you so much! An extra scene. Yippee!
Can you think of any books and/or writers who inspired you on your path to be an author? Can you tell us about that?
I was a dreamy child, a boarder from the age of eight in a school with limited television and a large library and I spent rather more time reading than I should – even finishing Gone with The Wind by Margaret Mitchell in orchestra practice with tears rolling down my cheeks!
I read everything I could, from Agatha Christie detective novels to John Wyndham’s science fiction, but mainly I read historical fiction. I loved Jean Plaidy, Anya Seton, Elizabeth Goudge, Georgette Heyer, Huge Walpole, R F Delderfield, as well as all the Angelique books which we had to cover in brown paper! I did English A level and I enjoyed discovering the Classics.
At 42, I completed an Open University degree and found myself drawn to the eighteenth century and that has certainly influenced the books I write. My favourite author is Jane Austen, but it was Daphne du Maurier and Winston Graham who introduced me to Cornwall through their books.
The Rebecca and Poldark effect, eh? Perfect. Take yourself back ten years – what would you like to tell yourself?
I left school at 18 telling everyone I was going to write a historical novel, but my nursing career and my three children took up all of my time.
Ten years ago, at 52, I decided my children needed to know the real me. They knew me as their mother, and a nurse, but they didn’t know the stories that were always in my mind. I had never written anything down, but I decided to return to the child I was, to the incurable romantic who had read her way through school. So I began writing my first novel – Pengelly’s Daughter. It took me three years. I had never written anything before, but it was picked up by an agent, and then Corvus Books wanted a second book, and a third and a fourth.
What would I say to my myself ten years ago? I’d say, ‘Sit down, take a deep breath because you’re NEVER going to believe this …!’
Indeed, what a fabulous story. Good for you! What’s next for you in the world of writing?
I’m currently writing the fifth book in my series. Each book is written through the eyes of a different heroine. You get to know the new heroine in the previous books and so Book 5 follows The Cornish Lady. It’s now 1799 and Amelia Carew is facing a terrible dilemma.
You can follow the order on my website http://nicolapryce.co.uk/ but all my stories can be read as stand-alone books. I put photos to illustrate the history behind my stories on my website, so there’s background information as well.
Uh-oh, that’s a few more for my TBR pile – but thank you so much, these sound wonderful. And finally: Who would you be if you were a fictional character – one of yours, or someone else’s?
This is such a difficult question because, let’s face it, the trouble with books is that you get to fall in love with so many heroines as well as heroes. I would, of course, love to be Elizabeth Bennet, but – and I might regret this – I think I’m going to go for the daring-do, the energy and romance, and the sheer glamour of Marguerite St Just.
I’d like to be beautiful, graceful, witty, highly intelligent and I’d get to go to fabulous balls and wear stunning silk gowns. I’d have the whole of London falling at my feet, and I’d speak fluent French. I’d also have the very good fortune of discovering that the man I loved, and who had disappointed me so very terribly, is none other than the divine Scarlet Pimpernel.
I’d be just as cross with Sir Percy, just as hurt and disappointed; just as petrified of Citizen Chauvelin, and just as desperate to save my brother. But I’d be her, so I’d have her courage – her extraordinary bravery as she sets off across the channel to save her husband. Yes, can I be her, please? The Scarlet Pimpernel by Baroness Orczy.
Thank you so much Clare for inviting me to share your Last Word of the Week. I’ve had a lovely time answering your questions.
Thank you Nicola, you’ve been a great guest and I’d love to talk again – how about when Cornish Saga 5 appears?! In the meantime, of course Baroness Orczy would love to host you in her novel :-).
Barnes and Noble https://www.barnesandnoble.com/w/the-cornish- dressmaker-nicola-pryce/1126737521