My 10 best reads of 2018, just in time for the holidays

You will have noticed that this is not your regular ‘Last Word of the Week’ fix. As December draws to a close and everyone gets busy with end-of-year tasks and (for the lucky ones) holiday preparations, we’re putting LWOTW away for this year. In its place, I thought I’d give you a quick overview of my ten top reads of 2018. My aim was to read 60 books this year, but I am currently at 75 and hope to get a couple more in before 2019. Books are addictive, yes?

Not all of these books were published this year, but with TBR lists growing faster than I can read, it’s not always easy to keep up.

1. Station Eleven, Emily St John Mandel

mandelMy best read of the year. First published in 2014, this book was recommended to me by word of mouth from a trusted friend. I found it to be: Wonderful. Uplifting. Thoughtful. Perceptive. Clever. Kind. Worrying. Sad.

It’s a perfectly comprehensible tale of the advent of the apocalyptic virus and the world inherited by the survivors. There is a large cast of characters, and at times it seems they have no connection, but their lives do intersect – as all of ours do, in truth. The hope and desolation of this novel will stay with me for a long time.

I’m so glad I read it.

 

2. Record of a Spaceborn Few, Becky Chambers

chambersThis is an amazing book, and I loved every minute of it. It’s my first Becky Chambers and now I have to read more. It’s rare and wonderful when fantastic books — and I mean fantastic in the sense of books that aspire to a different realism — speak to the reader in her own life. This book does.
Here are my three top quotes:
“Yet it was a quiet grief, an everyday grief, a heaviness and a lightness all at once.”
“That’s how we’ll survive, even if not all of us do.”
“Our species doesn’t operate by reality. It operates by stories.”
Yes!
I loved the cast of diverse characters and the plot threads that connected them all. I loved the worlds and the perspectives, and the clarity of this story. I was a little impatient with teenager Kip, but hey, that’s what teenagers are for! The alien viewpoints were also fascinating.
One of the best reads of 2018, for sure.

3. La Belle Sauvage, Philip Pullman

pullman

 

I am glad that I waited a bit to read this wonderful book, because now (I hope) I will manage the wait for the next of the trilogy. I confess guiltily that it’s my first Philip Pullman (he’s been on my TBR list for a long time) and I’m hooked. I could tell by the first page that this was exquisite, assured writing backed by a huge, compassionate, intelligent imagination.

The characterisation is masterly and Pullman doesn’t offer any short cuts or quick fixes to the dire circumstances of living in the time of a totalitarian government. I am in love with the daemons too. More please! Oxford forever.

 

4. From the Wreck, Jane Rawson

rawsonI really loved this extraordinary book. The dovetailing of historical family story plus alien lifeform may not be for everyone, but it really is worth trying. Some of the sentences will stay with you for a long time, even if you’re not entranced by the combination of alien and history. Personally, I LOVED it.

I don’t do spoilers if I can help it, so I won’t go into detail. I just want to say that this book makes the reader ask all the important questions. As in, what is life all about? What is our place in the universe? Are we the cosmic specks we sometimes feel? What about love and care for others? How do we take care of ourselves and our loved ones in the face of the vast majesty of life?

 

5. Winter, Ali Smith

smithali

I fell in love with this book, after being a little puzzled at the start. Don’t get too caught up in the whys and wherefores in the beginning. A floating head? Why not? All will become clear.  I soon got into the swing of things and enjoyed every nuance. Essential reading for the Christmas holidays – thoughtful and compassionate, interesting and tender.

 

6. Den of Wolves, Juliet Marillier

marillier

I very much enjoyed this third book in the Blackthorn and Grim trilogy – all of which I have now read. However it is so neatly written that it would stand alone. Very good consistency of characterisation, and the ending wasn’t squibbed. Loved it!

I pick up every Marillier book I see and have had some glorious times reading her wonderful, rich, insightful prose. This is the type of fantasy that resonates across the ages.

 

 

 

7. The Ocean at the End of the Lane, Neil Gaiman

gaiman

I absolutely loved this book from the very first line. Neil Gaiman’s writing is exquisite. Everything he writes about magical events seems so right that it sinks in. Of course the world is as he says it is.
You will love the Hempstocks and you will also be able to use ‘Ursula Monckton’ as an epithet for any annoying person you know!

8. The Orchard Underground, Mat Larkin

First up: I knew this guy in a former life, so I had some trepidation reading Mat Larkin’s debut middle grade novel. What if I didn’t like it? What could I say? I planned some soothing platitudes in advance, crossed my fingers and eyes, and started to read…
Well, all my planning was a waste of time. The Underground Orchard is seriously good. It’s smart, funny, accessible, well-structured and a wonderful read. I’m SO sorry that I didn’t get to read books like this when I was in middle school. Sure, I made a heroine out of Mary Grant Bruce’s Norah of Billabong (who could ride horses, muster cattle, AND cook!), but where was Attica Stone, with her confidence, succinct way with wirds, love of strong black coffee, and refusal to give up?larkin
You’ll love Pri Kohli and his quirky way of talking, and his world-view completely immersed in the town of Dunn’s Orchard. You will meet the amazing Attica Stone, and the wonderful Slotcar character (who reminds me a bit of Luna Lovegood in the Harry Potter series). Pri’s parents – it’s nice to have a middle-grade protagonist with parents, just for a change 🙂 – are doing their best to stay cool while he navigates the craziness of the Razz Wood and does his best to save his town – or the wood – or the orchard – or his friends – or … but no spoilers here.
Read it. Read it to yourself, read it aloud to others. Nobody needs a backup plan with this excellent offering. I have my fingers crossed that Mat has more adventures planned for Pri, Attica and co.

 

9. The Cruel Prince, Holly Black

26032825CPThis novel has given me much to think about. I am so enthusiastic at the brilliant writing and the neat characterisation, but the plot is pretty dark. It’s my first Holly Black, and perhaps I need to read one or two more to delve a bit deeper. I wrote a blog about it, which you can read here — warning, *spoilers*.

That said, I’ve rated this book 5 stars on Goodreads, because I couldn’t put it down. It’s like George RR Martin, Juliet Marillier, and Paula Hawkins got together to write a completely captivating dark thriller set in Faerie.

By the way, I adore the cover.

I think if you love GOT, you will love this. So that’s most people!

10. Dyschronia, Jennifer Mills

I devoured this fascinating book, and I’m still thinking about it. That’s a sign that it has some important things to say, I think. There are also many phrases that I noted as worth re-reading, and adding to my list of cool things written by excellent authors.
The story in this novel is like a cracked mirror – there are shards of time and we don’t always exactly know where or rather when we are – but every piece shines with reflections of reality that we almost recognise, but of course everything looks different now that reality has been broken apart and reassembled.

mills
This novel charts the dystopian future of a careless Australia, where the environmental damage is so gross that there is no future to be had. The wondrous, worrying dreams of local girl Samandra (Sam) are dismissed as, Cassandra-like, she debates how much to tell the people around her, people who prefer not to believe. Her mother Ivy in particular is determined to be head-in-the-sand, spending years trying to have Sam’s migraines diagnosed correctly. The resulting pronouncement of ‘dyschronia’ never quite settles the question, for Ivy, of whether Sam is truly foreseeing the future or just dreaming vividly and strangely. The entrepreneur Ed (who is meant to be charming, but I have pre-raised hackles about this kind of guy) is a credible saviour-cum-villain, or is it villain-cum-saviour, of the town. Sam’s best friend Jill is probably the most likeable of all the characters. I loved the device of the ‘chorus’ of locals whose comments intersperse Sam’s dreams and Sam’s story.
Equally prescient of a dire future and nostalgic of the simple ignorance of the past, this elegant story of loss and the inevitability of bad choices deserves an enduring place among the best Australian books of recent years.

 

So that’s it for another year! I can’t wait to see what 2019 brings in terms of new, re-discovered, and old books. Then of course there’s my TBR pile waiting patiently.

Safe and happy times to you all!

Last Word of the Week: Mat Larkin

This week LWOTW is very happy to welcome the intriguing Mat Larkin, author of the newly released middle grade novel The Orchard Underground. Mat has a very inventive imagination – as I know from working with him on a project in the past – so I’m expecting some unusual responses … Read on with caution and delight …

Last Word of the Week: Greetings, Mat! When did you write your first story?

Mat: When I was seven, I wrapped a small, brown, corduroy belt-loop in a note and left it on the kitchen counter. The note read: ‘Dear Mum, this piece fell off my pants. Can you fix it please? Love Mathew.’

That story was a lie. I cut it off with scissors. Don’t tell my mum.

The first honest fictions I wrote were little stories when I was around nine. They all had Doctor Who in them. I wrote them while wearing a duffel coat with a recorder in the pocket that I pretended was the sonic screwdriver.

I could tell you I got over that phase, but I now know someone who writes for Doctor Who and the envy is scalding.

LWOTW: What do you think of dreams, imagination, and planning?

Mat: A really good therapist once told me, ‘enjoy your dreams, survive your nightmares, wake up, walk away and leave them be. Your subconscious is out of your reach for a reason. Keep it that way.’

It’s profound, wise advice, and I absolutely never follow it. Dreams don’t make sense — that’s not what they’re for — but they’re so damn compelling, so tantalisingly just a fingertip beyond our reach that our big, twitchy, far-too-curious human brains don’t stand a chance to resist.

I still can’t make sense of them, though. Why would Daryl Somers even want me to have orang-utan arms for legs?

Imagination is play, and I lost the habit of play until my son was born. He taught me to write by asking me to get down on the floor and stare for hours at a spinning top, to clamber into a cardboard box with him, to draw wings on that box and fly in it with him to Neptune, to stare at Venus together until the actual real photons that bounced off another planet were lodged forever in our retinas. Space travellers we welcomed.

My son taught me to play, and to write.

Planning is creative. I plan a novel by playing with my characters, writing their backstories, wondering what’s around the corner of the last street of the world I just invented, writing all my plot points on system cards then shuffling them to look for better patterns.

I mean it’s also a load of financial, professional and record-keeping tediousness, but it’s easy to forget in all that to keep a creative element in the more mechanical parts of your creative practice.

LWOTW: System cards! Wow, I’m impressed. They obviously work well. What’s the highlight of your writing career so far?

Adults have been very nice about The Orchard Underground, and that’s very nice. But I’ve been visiting a lot of the middle-grade book clubs run by Melbourne bookshops, and there is no substitute, as a middle-grade writer, for sliding politely past the adults and talking to kids.

The kids I’ve met have been incredible. They’re engaged, thoughtful, creative, rowdy and very much full of their own ideas about my story and characters. It’s been exciting to hear girls tell me they love my female protagonists Attica Stone and Slotcar, but almost more exciting to hear boys tell me the same thing. Boys finding non-male heroes is a big deal for me.

So the highlight of my writing career so far is this drawing of Attica Stone, which was done on the spot for me at a book club. I can’t begin to describe what it’s like to see my character appear like magic on the notepad page of a ten year-old girl who loves her.

attica-stone

LWOTW: That’s wonderful! (I love Attica too – apologies for being an adult. I’m sure my child-self would have adored her, but I had to make do with A Little Bush Maid, who could at least ride horses, muster cattle, and fight bushfires as well as cook…) What are you most busy with at the moment?

Here’s my list

  1. A prequel to The Orchard Underground, working title: The Chameleon Thief
  2. Visiting schools, book clubs and anyone else who’ll have me to meet kids, talk about stories and hear their sensational ideas about double-decker ladders and rocket trees
  3. Reminding people that The Orchard Underground exists, is a cracking read, has a sloth in it and is available in good bookshops everywhere at a very reasonable price
  4. Writing on mental health for SANE Australia, a fantastic organisation that supports people affected by complex mental illness.

mat-kids

LWOTW: If you could say one thing to aspiring writers, what would it be?

Two years ago I was uncertain whether I could make this career work. I kept going. Don’t give up.

Ten years ago I wrote an entire novel that never got published, and thought that was pretty much it for me. It wasn’t. Don’t give up.

Even with a book on shelves I frequently have moments when I feel like I’m not as good as proper writers. I don’t listen. Don’t give up.

I got a contract for my first novel eleven years into my writing career, at age 42. It’s never too late. Don’t give up.

The first draft of The Orchard Underground was extremely ropey, and so is the first draft I’m working on now. Publishers expect this. It’s okay. Don’t give up.

I absolutely bloody love this job and never want to do anything else. Don’t give up.

Don’t. Give. Up.

LWOTW: Fabulous advice! And the Last Word of The Week: What’s your favourite colour?

I’m reading Terry Pratchett with my son at the moment, so: octarine.

LINKS
You can follow Mat at matlarkin.com

Mat tweets  @matchtrick

And you can read my review of Mat’s book The Orchard Underground on Goodreads.