Skip to content

Posts from the ‘writing’ Category

All Your Little Lies: Marianne Holmes is Back

All Your Little Lies!

Starting a post with these words might make you think that I am about to interrogate any one of the cornucopia of currently important affairs that clog our social media and our thoughts. Pandemic, anyone? Perhaps the effectiveness of hotel quarantine. I certainly have a lot to say about local journalism standards.

But not today.

I’m pleased to say that my mind has been more enjoyably occupied with a Good Book!

Book Review

Marianne Holmes has returned with an engrossing thriller called All Your Little Lies. This is the story of a woman who wants to help, but is so enmeshed in the lies at the heart of her life that she becomes hopelessly entangled in the investigation of a child’s disappearance.

The plot

Annie seems incapable of telling the truth. Socially awkward, she live alone and clings on to her one friend in a leech-like manner, terrified of being completely isolated from the rest of the world.

Annie is unable to form close relationships, and everything she says comes out wrong. Excruciatingly so! At first I wondered whether this was simply an awkward personality trait of hers, but I later discovered that her personal history has just as much impact on how she relates to the world. This story’s a fascinating look into the effects of crime on personal relationships and emotional health.

When Annie seems to be the last person who might have seen a child who has disappeared, her own secrets muddy the truth about what she does know and what she should admit.

My thoughts

This novel starts dramatically, and to me grippingly, with Annie inside her boss’s flat. At first I thought she was looking at her partner’s things. No! Stalker-like, she moves around Paul’s place touching everything and generally pretending that she lives there.

That’s the start.

Events get much more complicated from then on, as we learn more and more about the Annie of today, and also her hidden past.

Finally

I found this book an intriguing exploration of a complex case and the after effects of tragedy on lives many years down the track. The events past and present are literally life-changing and gave me much to think about. I’ll be reflecting on this story for a long time.

A wonderfully engrossing read.

Thank you to Agora Books for the opportunity to read and advanced copy, and congratulations to Marianne Holmes on this excellent follow up to her first novel A Little Bird Told Me (see my review here).

Author Marianne Holmes

About the Book

ALL YOUR LITTLE LIES

When everything you say is a lie, can you even remember the truth?

Annie lives a quiet, contained, content life. She goes to work. She meets her friend. She’s kind of in a relationship. She’s happy. Not lonely at all.

If only more people could see how friendly she is — how eager to help and please. Then she could tick “Full Happy Life” off her list. But no one sees that side of Annie, and she can’t understand why.

That all changes the night Chloe Hills disappears. And Annie is the last person to see her.

This is her chance to prove to everybody that she’s worth something. That is, until she becomes a suspect.

Drenched in atmosphere and taut with tension, All Your Little Lies takes a hard look at why good people do bad things.

Published October 22 2020 by Agora Books

 

The Snow Fox Diaries: gripping eco-fiction from Jan Mazzoni

Climate fiction (cli-fi) and eco-fiction are having a moment. Quite a long moment. Our concerns about the natural world, our impact on it and its impact on us, are thrown into stark relief by extreme weather, immense wild fires, and the global pandemic.

Only recently Jan Mazzoni discovered that – surprise, surprise – there IS a genre where her writing fits perfectly. It’s eco-fiction. Writing fiction that combines her passion for the natural world with a gripping tale for many years, Jan’s delighted to find a place where the stories she so loves to tell are completely at home.

Not that eco-fiction is new. In many ways, eco-fiction is much like any other genre – historical, thrillers, even romances – because every story needs the protagonist to go through some kind of hellish situation before reaching the (hopefully) happy ending.

As Jan says, eco-fiction just tends to have all this happen in prettier locations.

A yearning for wilderness encouraged Jan to move to a little house hidden in a large, rambling garden on the edge of Exmoor, a windy, bleak but beautiful part of the UK. Here, with husband George and four Romanian rescue dogs, she leads the simple life she’s always craved. She calls herself a recluse-in-training. As an only child she long ago grew up living inside the stories in her own head, and is quite happy there. She can control that world. And when the ideas that come seem like they’re worth putting down on paper, she retreats to the shed at the top of the garden and taps away at the PC. Sadly the dogs don’t usually go with her. It’s too cold up there.

Welcome, Jan, I’m so pleased to speak with you about The Snow Fox Diaries, and about your writing in general. Can you tell me when you decided that you ARE a writer?

JAN: I can’t remember when I haven’t wanted to write. As a toddler I cuddled books instead of toys. I made up stories – usually about animals, I started my animal rights campaigning early! –  and made everyone borrow them. Then I became a real librarian. But that didn’t involve writing of course so I went on to become an advertising copywriter which I loved. It was a real learning experience. But I’m easily bored. So next I tried my hand at cookbooks (vegetarian), dabbled in journalism, wrote magazine fiction, a book of short stories. And finally two novels – one of which was The Snow Fox Diaries, which I’ve revised and am relaunching right now.

The Snow Fox Diaries by Jan Mazzoni

The Snow Fox Diaries by Jan Mazzoni

Is writers’ block a thing for you?

No.  I’m lucky, that’s something I’ve never experienced. I love sitting down at my desk – feel a buzz of excitement as I switch on my laptop, I mean a real buzz, like I’ve just flicked a swich inside my head too. Probably goes back to the days when I was a copywriter. If you got writers’ block you got fired.

That’s a bit extreme! You and I first met through a discussion about covers. Could you tell me your thoughts about book covers.

Again, this may go back to my advertising days. For me the cover is like the box that a product goes into. Would you want to buy it if the box was plain brown cardboard? Or if it didn’t at least hint at what’s inside?  Same with a book – I can’t imagine having to choose books if they had blank covers.  I couldn’t do it. It’s my one problem with using a kindle.

It follows I’ve been very much involved with the covers of all my books. The Snow Fox Diaries originally had a stunning cover that was, in fact, a blue fox as we couldn’t get a picture of an albino (yes, they really are that rare). I wanted to change the balance with this revision, emphasising the moors on which the story is set as a character, while the the fox becomes more mysterious, elusive. We found a moody, misty shot that captures this unique environment perfectly. And then – a miracle – I found a photo of a real albino fox. Tucked on one side, she’s tiny, so you can’t see that she has pink eyes. But I assure she has.

I actually love both covers. I completely agree that the cover is the first thing that grabs me when choosing a book to read. What’s your favourite genre to read in?

I don’t have a favourite. I like to try new things – something that’s had a good review or has an intriguing title. I’ll read a book just because I love the cover!  I do have phases though. Right now I’m into translations. What better way to travel without leaving home? Just visited Poland (Olga Tokarczuk) . Next I’m off to Japan (Takashi Hiraide).

Reading is one way to travel these days! Now, you say that The Snow Fox Diaries is eco-fiction. What is your definition of eco-fiction?

Eco-fiction (also called eco-lit) has been around forever but it’s only just becoming popular. Put simply, it’s fiction that has a strong environmental theme woven through it. It can be any kind of story – horror, love, family saga, YA.  My niche is examining the link between humans and animals, the effect one can have on the other, both good and bad.  But – as you’ll know from your own growing following – dystopian fiction is all the rage right now, which isn’t surprising with the way the world is being trashed. I love reading it but couldn’t write it. I’d find it too frightening.

I think dystopia and eco-lit both have a lot to say in the twenty-first century, and both link strongly to fact. How much research is involved in your writing?

I was probably researching for The Snow Fox Diaries before I even thought of the book! I helped at a small wildlife hospital, which meant taking in casualties and then nursing them in my own home. It’s one of those experiences that sounds more fun than it is.  Baby birds have a terrible tendency to be doing OK, and then to just out of the blue drop down dead. Squirrels bite. They’re through to the bone instantly – and it hurts! Hedgehogs were a favourite, such weird little snuffly creatures. Even so, I recall one summer evening out on the patio with a sickly hedgehog on my lap, picking off maggots one by one, and wondering what on earth I was doing.

I’ve never actually worked with foxes though I’ve spent a lot of time around them. But when I heard the true story that inspired me to write this novel, I already had a lot of background info about caring for wildlife. And I live on Exmoor, so where else would I set it?

I think you’re a perfect match for the story! If I wanted to interview one of your characters, who would you suggest?

It would have to be Kevin. In the book he hangs around the edge of the story, keeps himself to himself, at least until he’s reluctantly drawn into the action. Even then he doesn’t say much, and never lets on what he’s thinking or feeling. Could be very little of course. Or he could one of those complex characters who are full of surprises. I’d love you to interview him because then you could tell me what makes him tick.

Ah! A character keeping secrets from his creator. I love it. What’s your writing goal over the next twelve months?

I like to keep a number of projects going at once. I’m working on three right now. A book of short stories (yes, that link between people and animals again).  A novel combining fact with fiction, based on the life of (English etcher) Eileen Soper who was a brilliant wildlife writer and illustrator, a recluse, eccentric of course. She deserves some recognition.  And I’ve been approached about making The Snow Fox Diaries into a radio play/podcast, which could work brilliantly. Capturing the moors in sound would be a wonderful challenge. I’ve already found the perfect music for the opening scene. It’s by Sting, called Cold Song, (from Purcell’s opera King Arthur) and it really makes you tingle. Now all I have to do is get Sting’s permission.

Maybe another version! Sounds a perfect choice, though – very English and snowy. Thanks for chatting today, Jan, and good luck with all those projects.

You can read my review of The Snow Fox Diaries here.

 

Jan’s LINKS

Website: https://janmazzoniwriter.com

All Jan’s books: https://janmazzoniwriter.com/books/

 

THE SNOW FOX DIARIES: A novel by Jan Mazzoni

Revised and with Author Notes August 2020

Available from Amazon

 

When passion becomes obsession, anything can happen…

Chic, intelligent, highly motivated and unexpectedly unemployed. AND soon to be forty. Not a situation Katie Tremain finds easy to cope with, especially as it gives her time to notice that she and husband Ben seem to get on better together when they’re apart. So when the opportunity to escape the city and work on a dilapidated house on Exmoor comes her way, how can she refuse?

Then, one misty morning, she comes across something so bizarre that she can’t believe her eyes. A fox with fur so white it sparkles, like snow. A very rare albino vixen.

From that moment Katie’s days – and her life – change completely. And as the fate of her faltering marriage becomes entwined with that of the fox, Katie must decide just what she’s prepared to risk to save this beautiful but vulnerable creature.

Her sanity? Her marriage? Even her life?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pondering the Business of Writing: a schema by Nat Dowling

The lovely Natalie Dowling is the bespoke writer behind Words on a Page (WOAP).

I’ve asked Nat to help me in the past, and loved her input. Nat introduced me at my latest book launch (back in 2019, when we had actual book launches!)

Nat introduces me at my last book launch

Nat introduces me at my last book launch

Today I’m asking Natalie to share some advice for creative people about the business of their creativity.

It’s not enough, as we know, to write a book. For example, the book needs a pitch and its author needs a bio. There is a business attached to storytelling.

In today’s blog, Nat is going to take us through some exercises to help us discover who we are – what values stand behind our creativity. Nat also shares some activities to help writers define  who they are and what they have to share.

 

THE BUSINESS OF WRITING

Writing for business is not the same as writing for creativity or self-expression.

As an author or writer you’re probably well versed in the latter. But if you want to get those words out into the world, at some point, you might need to think of yourself as a creative business.

That means developing a profile and talking about yourself with a brand story. Which might feel like sticking pins in your eyes. So, here’s a few tips for when you get stuck developing your bio or preparing the perfect pitch.

Accept the challenge

Talking about yourself to sell your work is difficult. Possibly unnatural. If you’re struggling to write about you, understand that that this block is not a reflection of your writing capabilities. It’s the tricky human dance between hubris and humility. Many people feel challenged by this task, so acknowledge the difficulty and give yourself time and space to have a go.

Brain dump words

Let your ego off the leash. Without overthinking it jot down an intuitive list of words that describe your work, or how you’d like to be thought of by others. Come back to the list. Feel into the words and whittle them down. Circle the most important 30. Then cull it to your top 20. Be the ruthless editor of your own story. Repeat, to get it down to three words. Use these as themes for your bio.

Draft multiple bios

If it starts to feel like you’re pigeon-holing yourself, try writing in different styles. Write a free range playful version. Then go for bureaucratic and perfunctory (a few games of buzzword bingo will introduce you to the industry lingo). You can also give yourself word length exercises. Write 50, 150 and 300 word versions. Deposit them in your bio bank, then access the appropriate version to fit the context.

Nail your narrative

Distil your work into 30 words. Nail your narrative in the most succinct way. Another option is to pitch it to a room full of ten year olds (real or pretend). Get over any idea that this is ‘dumbing down’. Conveying your work simply does not detract from the complexity of the ideas. This exercise can help you to step back out of your mind forest to see the wood for the trees.

Stage an interview

Sometimes we need prompts or an outsider to help us see what’s buried below the surface. Call in a friend or colleague to ‘interview’ you about your writing style, background or project. The ‘what’, ‘why’, ‘how’, ‘when’ and ‘where’ questions are useful starting points. But it’s often the follow-up questions or conversation that strips away the layers to uncover a gold nugget of wisdom or insight.

Create the momentum

You know how to plot a narrative arc or chart character development. So you’ve got directional skills. You can map possibilities and assess which routes to take. See what happens when your writing career becomes the subject and you put those transferrable skills to work. Make decisions about what you want to achieve and determine what’s needed to get there. Give yourself goals and deadlines.

Some folks don’t want to consider themselves business people, because it’s at odds with the noble artist motif. But if you want to find an audience or make a living as a writer, you might want to get over that. You don’t need to compromise your integrity to tout your wares. It’s just a different type of writing that requires a shift in mindset, a commitment to your work, and a little bit of practice.

Thank you so much, Nat, for these pointers on business writing for creatives. That was – and will be – really useful! More power to you.

Web:      www.wordsonapage.com.au                                         Socials: @wordsonapageau

Roxi Harms and the accidental novel that helps out

Roxi Harms didn’t set out to write historical fiction, but some stories are irresistible. A chance meeting, a true story, and much research later, her book The Upside of Hunger is helping to finance high school students from disadvantaged backgrounds. I’m eager to learn more.

Roxi Harms, Author. Photo by Janice Filipiak Photography

Roxi Harms, Author. Photo by Janice Filipiak Photography

Hi Roxi, great to talk with you. How did you break into writing? What happened?

Roxi: I don’t know if I would call it a break, but there was definitely an inciting event. LOL. It was January 2012. I was in Costa Rica on vacation. As I stood on the patio looking out over the ocean and enjoying the sunset, I heard the clink of ice in a glass and looked down to see an gentleman in the yard below, also gazing out over the water. I called out hello, and he got up and came over. Next thing you know he and his wife, and my hubby and I were headed out for dinner together. What happened in the next couple of hours changed my life.

As we chatted and got to know a bit about each other, I realized I was sitting across the table from someone who had experienced and survived monumental historical events. Adam was raised in eastern Hungary in the 1930’s and ended up on the Eastern Front at 15 years of age – on the “wrong” side. I was fascinated not only to learn of his involvement in WW2 and how he was affected by Hitler’s rise and reign, but also by his family of origin and probably most of all by the life he built as a result of his indomitable spirit and unquenchable hunger for living. It took me two years to get up the courage, and when I finally did, I asked Adam if he would be interested in sharing his life story as a basis for my debut novel. Five long, but precious and irreplaceable years later, The Upside of Hunger was published.

What made you want to write this story?

I had no idea what I was getting into when I decided to write Adam’s story. I just had this pull, deep in my gut, to record it before it was lost (Adam was 82 when we met). I didn’t really think too deeply about why, it was more of a strong, instinctual desire. Since publishing it, I’ve learned so much from my readers about why Adam’s story is important. I’m so deeply touched when I read reviews that talk about how The Upside of Hunger illustrates our common humanity, regardless of which “side” of a conflict a country is on or which faction society judges to be right or wrong.

As I was saying, I had no idea what I was getting into when I committed to writing a book. And it was hard! Harder than anything I’d ever tackled in my business or personal life to that point. I just kind of made it up as I went (until I finally found an amazing coach later in the journey). About half way through my second or third draft, I woke up one morning and thought, “what if this book is successful, and makes a profit?” I hadn’t even considered that possibility, and I was perplexed… I didn’t want to profit from Adam’s story. That just wasn’t at all why I was writing it. We talked it over, Adam and I, and decided to establish a fund that is distributed to high school graduates from financially strapped families each year, to assist with first year college or university tuition. In 2020 we awarded our first two Upside of Hunger Bursaries. A few weeks later, I received this thank you card in the mail. Nothing could be more rewarding.

a thank you card

A card of thanks from an Upside of Hunger bursary recipient

I crossed out the young man’s name as I haven’t had a chance, with COVID, etc. to meet with him and confirm he’s okay with sharing his story about receiving one of our bursaries.

So now, bottom line is that every reader who purchases The Upside of Hunger is helping our youth access an education.

Oh, and another amazing thing that has happened with The Upside of Hunger is that high schools have begun picking it up to use in History 12 and English 11 & 12. I’ve just completed a 35 minute film of Adam discussing events in the book, as supplemental material for classroom use. I just love so much that kids (well, young adults really) are reading and discussing the life lessons in Adam’s story! It’s like a way that the terrifying events that Adam lived through and his response to difficulties throughout his life can serve a purpose and add value to the world for generations to come. I’ve posted a little video of commentary by some teachers and students: https://roxiharms.com/2020/01/13/upside-used-in-bc-schools/

 

Now that you are a writer, what’s your favourite writing food and drink?

Depends. Early morning writing is generally very productive as long as the first strong, black coffee lasts, then it peters out as I wake up and my mind starts to wander. Afternoon writing is rarely productive for me, perhaps because I can’t keep my hand out of the Hawkins Cheezies bag long enough to type anything.

Late night no food or drink is needed. The creative wheels just seem to turn and the words flow freely late at night.

Sometimes night lets our minds go free, I agree. Has your work been compared to other writers?

I can’t recall any direct comparisons to other writers, but I did have a girl put down the copy of The Testaments (Margaret Atwood) that she’d been clutching as she headed to the checkout, in favour of a signed copy of The Upside of Hunger, at a book signing event just before COVID started. I took that as a HUGE compliment! Oh, and last New Year’s I was tagged in this book club Instagram post. That was pretty amazing too!

Hey Girl reading group top 5

Number one in the Hey Girl reading group top 5, New Year 2020

Is writers block a thing for you?

Isn’t writer’s block a think for every author?

Partway through my first novel, I figured out that when I have writer’s block, I have to stop trying. Just stop. There is just no point in staying at the keyboard because whatever I write when I’m in that mode is garbage anyway. The best solution, which also happens to be pure bliss, is to pick a book from my shelf – often something by Michener or Ken Follett or Diana Gabaldon, an author whose prose I admire – get comfy on the sofa in my writing room (acquired for just this purpose), and read for an hour or two.

I don’t usually pick up whatever book I’m actually reading at the time or I might not get back to writing that day. Instead, I pick any one of a number of favourites on my shelf, and just read for a while. Somehow it gets my brain firing again. Resets the rhythm and opens the locked doors.

Book cover, The Upside of Hunger

The Upside of Hunger

What kind of reader would like your book/s?

My knee-jerk reaction to that question is readers who love true stories and readers who gravitate to historical reads. BUT, then I look at a list like the Hey Girl Book Club Top 5 from 2019 (I still kind of blush with pride and disbelief when I think of that list) and I wonder if my mindset about who my target readers are is too narrow. Apparently readers who enjoy coming of age stories, dystopian fiction, LGBT romance, and crime thrillers also love The Upside of Hunger!

 

If I wanted to interview one of your characters, who would you suggest?

Definitely Adam, the protagonist. He’s 91 now and loves nothing better than a good chat. But then again, readers also love Jean, the quiet heroine of The Upside of Hunger. Adam and Jean are wonderful people – both highly intelligent and great conversationalists. And given they’ve lived almost a century, there’s never a shortage of things to talk about.

I’m sure there isn’t! Thank you so much for sharing your story with me today. All the best for the future of the bursary too.

Roxi’s LINKS:

Website: https://roxiharms.com

 

A civil war with Mark Turnbull

Mark Turnbull is a young English author who lives in the seventeenth century.

Well, he would if he could. He’s a passionate enthusiast of seventeenth century history. When he’s not writing or researching, Mark enjoys battle re-enactments and visits historic sites.

Mark’s here today to tell me about his fixation on all things English Civil War, a period of great interest to me. Many decades ago I read Margaret Irwin’s novel The Stranger Prince.  It’s the story of the romantic Prince Rupert of the Rhine, and that led me down all sorts of paths back to the 1600s.

I even once visited Linz on the strength of it. The Linzer Torte made it well worth our while!

Great to speak with you, Mark. I owe my interest to Margaret Irwin. How did you become interested in the War of the English Civil War?

When I was ten years old, my parents took me to Helmsley Castle, in North Yorkshire. I’d had a love of history from an early age. Like any child, I was eager to see what the gift shop had in store, eventually landing upon a pack of cards. But this was no ordinary pack. Each card featured an image of a monarch of England, along a short biography of their reign.

After flicking through many tombstone effigies, my eye was caught by Van Dyck’s portrait of King Charles I at the hunt. The colours, clothes, the beautiful artistry, as well as the King’s pose – imperiously looking at me as if I’d interrupted him – all drew my interest.

I was shocked to find out that he was publicly executed in the name of his people. Like a murder mystery, I now wanted to know who did it, when and why. Back then, of course, there was no internet to help with such questions.

How much research is involved in your writing?

My research is almost daily. Noting down observations, descriptions, or facts that I can use. I list historical characters’ movements as I come across them, jot down plot lines, or simply read about the period. It is constant research, although it’s all a pleasure. I feed my interest in the period, and that, in turn, feeds my writing.

Why are you the perfect person to write your books?

My friends tell me that I was born in the wrong century!

I really love the period I write about, and find the historical characters and events fascinating. They inspire my imagination.

For me, it’s the small details or snippets of personal facts that bring a person, event or an era to life. After reading and writing about the civil war and re-enacting it in The Sealed Knot as a pikeman, I feel as if I live and breathe the era when I write. Thirty years of passionate interest has helped me get to grips with the 17th century world and I stay true to the history.

What was the first book you bought for yourself?

Not long after my interest was sparked, I watched the film Cromwell, starring Richard Harris and Alec Guinness (not historically accurate, but is wonderfully visual!). This led me to purchase Cavaliers and Roundheads by Christopher Hibbert to expand my knowledge of the period. It’s timeless, and I have re-read it numerous times. It takes you through the war and skilfully brings it to life. I was hooked by every detail.

The book survives to this day, sitting on my bookshelf like a proud grandfather amongst the array of civil war books that followed it!

Allegiance of Blood by Mark Turnbull

Allegiance of Blood by Mark Turnbull

Do you plan your books, or do you listen to your muse?

A bit of both. I map out a chronology of factual events and then weave my story around that. I find that this brings my characters to life and grounds them in the history, motives and risks of the day. Consequently, the national events direct the life of my fictional characters – as they would have directed those who lived through this pivotal part of our history.

I also find that the storyline takes on a direction of its own as my writing progresses, and I really enjoy that; it’s great to see the plot come alive and to feel transported back in time to become part of it as I write. When writing Allegiance of Blood, one fictional character ended up meeting their maker, even though I had not planned for this to occur at the outset.

What would be a dream come true for you?

Ultimately, to be able to become a full-time writer, fully indulge my passion for the civil war period and entertain readers with books that transport them back to an overshadowed 17th century world.

Perhaps even to have a book adapted into a drama series, like the ones we see that are set in the Tudor age!

Now that would indeed be the pinnacle! Why is writing important to you?

Writing started as a hobby but is now part of my life. I believe we all have our own passions that can help us focus, get through tough times, give us both pleasure and challenge us, but also help us learn. This is mine.

I enjoy creating and crafting; whether it is a novel, non-fiction, short story, or a post for my blog and hope that my writing, along with that of other authors, helps play a small part in keeping the era and the people who lived through it alive.

What words of advice would you give an aspiring author?

Keep writing. In my own experience, writing – whether it is a novel, short story, or an article – has not only helped me find the style I enjoy, but it helps me improve and develop.

I recently read Andrea Zuvich’s inspirational story. In 2010, she bought a novel set in the 17th century on her way home from work, and at the time she, too, dreamed of writing one set in the period.  Ten years on, she is an established author of fiction and non-fiction and has just published her sixth book, which has been reviewed by none other than the well-known author of the book she bought all that time ago.

She is truly amazing, and now advises on television and film set in the period! What is your writing goal for the next twelve months, Mark?

I am currently finishing off a non-fiction which looks at the early stages of the English Civil War and am working on a sequel to Allegiance of Blood.

I’d also like to start compiling a book of short stories about minor events that occurred during the civil war, which would entertain in the way of fiction but put meat on the bones of these small, often overlooked occurrences.

A sequel, that would be wonderful. Thank you for speaking with me today, Mark. All the best with your work. Keep writing!

Mark’s LINKS

Mark’s website: http://www.allegianceofblood.com

Mark tweets at @1642author

Mark’s blog is at https://www.allegianceofblood.com/#Blog

Allegiance of Blood is available from all online sellers or you can purchase a signed copy from Mark at this link: https://www.allegianceofblood.com/#Purchase

How to be Happy with a Book Part 2: Does the book deliver?

Does that book make you happy?

A couple of posts ago, I wrote about reading happily, and how to choose a book that was most likely to please you. That was Part One of my meanderings about How to be Happy with  Book (click the link if you’d like to refresh your memory about that).

First, a reminder about the things I consider when faced with that delicious choice – which book next:

Clare’s three questions for being happy with a book:

  1. Do I want to read this book? … cover, genre, look & feel, reputation
  2. Is the book well written and appropriate to its genre? … writing quality, genre stylistics, expression, editing, production values
  3. Was this book a success? … thoughts about plotline, characterisation, suspension of disbelief, resolution, afterglow

Today’s post looks at the second list of criteria. That is, does the chosen book deliver what you expected? Let’s look at the writing quality and think about whether the book matches its promise.

Two books

Choose your next book to make you happy

Writing Quality Matters

There is no escaping the readerly expectation that books should be well-written and well-edited. We expect nothing less.

Production values

We like the book to look and feel good in our hands or on our screens. I talked about covers last time, and I want to add that I often look again at the cover while I’m reading. Does the cover represent a specific scene? Perhaps it shows me what a character looks like. Maybe it simply sets the mood.

If you don’t refer often to the cover, or you’re not really into visual mood-setting, this may not bother you. But…

When a cover doesn’t match what’s inside in any of those ways, I feel let down.

Writing values

What is it about good writing? To me, it’s a bit like listening to speech. When I was a speech pathologist, I used all sorts of cues and markers to diagnose speech problems. However, most listeners wouldn’t even hear what I was hearing. For example, it’s not until a speaker is less than 96% fluent that ordinary listeners might think they are stuttering.

The same with writing. I have studied the craft, and although there are much better editors than I am, I can spot writing problems – especially in other people’s writing! Not so much in my own… Many readers will be made uncomfortable by ungrammatical writing or too many swear words. They may not be able to pinpoint the problem, but they will say that the book is not well-written, and they will ditch it.

For us writers, getting it right means endless rounds of editing and polishing.

open book

Reading is one of life’s joys

Editing values

Poor layout and frequent typos present another barrier to the enjoyment of a story.

To some extent this is due to the disruption of the publishing industry and the rise of self-publishing. But that’s a long discussion for another day.

If typos and shoddy layout don’t bother you, you’ll be fine with anything. That’s not what I hear or see in the world of books, though.

Let’s just say that too many typos are a big turn off for dedicated readers. Look at the review websites to see the loathing. Hmm.

Genre matching

Sometimes it’s wonderful to be surprised, sometimes not. The example I often use is the Game of Thrones (GOT) fantasy series.

On first reading, you might expect that the story will follow the traditional hero journey of mainstream fantasy. There, good triumphs over evil, after a series of horrendous trials, strange meetings and sad events. Well, the death of Ned Stark at the end of the first GOT book put paid to that expectation. Not to mention the random slaying of baby dire wolves early on. Eek!

Millions of readers were enthralled about the reversal of the typical storyline of the genre, thrilled by the way the story played with fantasy conventions, and excited by loads of extraneous sex and violence that raised the stakes higher and higher. Other readers not so much, because they invested heavily in Ned Stark and felt short-changed.

I’m not going to decree whether meeting or flouting expectations is good or bad. However, if you particularly want a certain type of reading (such as a happily-ending Regency romance), you probably shouldn’t choose one with zombies included.

Levitation in historical fiction?

When to DNF

I try my very best not to choose books that I can’t finish. As I said previously, a DNF is a disappointment for both the reader and the author. I can generally judge whether I’m going to enjoy the book by using all the cues I mentioned in the first post about How to be Happy With a Book, and reading the first page/few pages/chapter.

I am so excited when I realise that YES, this book is going to be fabulous!

I hope you get that feeling often too.

Next time, let’s talk about how to reflect on the book … and a little bit about reviewing.

 

 

Clare Urbanski loves villains … just a bit too much…

Clare Urbanski is a fantasy author and Twitter-certified villain fangirl. She’s managed to confuse and alienate many a friend who can’t understand why she always falls for the brooding villains instead of the courageous heroes, or why she always wants to play villains even though no director ever casts her as one. On top of that, she can’t find any fictional villains who will date her. As such, she’s had to settle for creating fictional villains of her own, ignoring the temptation to give them all happy endings.

Author Clare Urbanski

Author Clare Urbanski

Hello, it’s so nice to meet another Clare! We should form a club…No, onto more important things. What was your favourite book as a child?

Clare: The Truth Cookie by Fiona Dunbar. I still love that book. A little bit of magic and a whole lot of emotional family struggles—which the main character does use magic to solve, but very much through her own initiative.

It’s really well-written, I agree, and a great premise. What about creative writing courses – do you think they are valuable?

Totally depends on the instructor and what you need. If it’s all about craft and doesn’t involve practical feedback at all, that can be helpful to extreme beginners. Instructors who impose their own preferences on you and give you bad grades for not being Ernest Hemingway shouldn’t be allowed to teach creative writing, but they can help you develop a thick skin if nothing else. The kind of course I recommend is the kind that’s basically a workshop guided by the instructor’s expertise. I’d argue those are useful for everyone.

Workshopping is a wonderful resource for any writer, I think. What’s the best response you’ve ever had to your writing?

Someone once told me Sixth in Line was like “Crime and Punishment times seven.” (Dostoyevski’s) Crime and Punishment happens to be one of my favourite books, and I definitely wasn’t purposely trying to imitate it, but I was absolutely delighted by both the compliment and the realisation that Sixth in Line actually does take a bit of a jab at the übermensch philosophy. I guess Dostoyevsky and I both hate it. No one is special enough to be above consequences!

I’m all in favour of undermining the übermensch! What’s your favourite writing food and drink?

I actually have this nasty habit of not eating or drinking at all when I get on a good writing streak. I remember texting my writer friend once saying “HELP I’VE BEEN WRITING FOR THREE HOURS STRAIGHT AND I JUST WROTE A REALLY DISTURBING SCENE AND IT’S ALMOST 9 PM AND I HAVEN’T EATEN SINCE NOON PLEASE TELL ME I’M NOT INSANE.” Not sure how she puts up with me.

Sixth in Line by Clare Urbanski

Sixth in Line by Clare Urbanski

Ah, you do like olive dangerously! Can you tell me about the time you decided you are a writer?

I was in fifth grade. I used to be super into those Bailey School Kids books, and I remember being very disappointed to discover that not every type of fantastical creature I liked was featured in the series. Then, suddenly, one day I thought, “What if I wrote a book about the ones they missed?” And as soon as I realized nothing was stopping me, that’s exactly what I did. (I still have that one. My mom printed out all 150 pages for me and everything. Not a bad achievement for an eleven-year-old… which is the only thing that’s kept me from burning it. It is exceptionally, prodigiously terrible.)

Ha! Lucky for me, my early efforts are long-lost. Is there anyone in your past who’d be surprised at your writing?

Anyone who knew me as a child: Oh, are you still writing?

Me: Yeah!

Anyone: [Remembering cute story about plucky middle school detective girls and the evil fairies’ labyrinth of doom] So what have you been working on?

Me: Well, I just finished a novel narrated by a serial killer…

Anyone: Uh.

Me: And I’m editing one about a teenage prince having a mental breakdown over all the deaths in his family…

Anyone: [Runs away]

That’s hilarious! Where do you write?

Actually, for me it helps to move around. For some reason I focus better if I don’t write in the same place twice. I’ve gotten a surprising amount of writing done in very non-romantic places, like while riding the city bus or trapped in the lobby of a Russian hotel (long story).

Ooh, perhaps another book about the Russian hotel…Where do you get inspiration or ideas from?

The most random places you could imagine. I did some excellent character development once by walking into a Walgreen’s to get out of the cold while I was waiting for the bus. The only money I had on me was a dollar in quarters, and since I was bored waiting I decided to search the store for anything I could buy with that. Unfortunately I was extremely hungry, and it was torture looking at all the candy when I could only afford an eraser. My mind immediately jumped to one of my main characters from a work in progress, an ex-criminal. I pictured him walking through his local market as a twelve-year-old, doing the same thing I was, but knowing full well he and his mom would go hungry that night if he couldn’t find anything cheap enough. Suddenly I understood exactly how his thieving habit started.

That’s very clever, and a kind of method-acting way of getting inside your character. I like it. If I wanted to interview one of your characters, who would you suggest?

It might be funnier to tell you who I wouldn’t suggest. I think the absolute worst candidates would probably be 1. the Jack of Spades, the villain’s sidekick from Queen of Spades, and 2. Crystal, the main character’s twin sister from Hero of the Hinterland. They’re both an incredibly dangerous combination of powerful (in combat and magic, respectively) and spectacularly socially inept. You don’t want to be the one to accidentally make them feel threatened.

The Witch's Apprentice by Clare Urbanski

The Witch’s Apprentice by Clare Urbanski

I will keep that in mind! Eek. *looks over shoulder in case a magic villain has materialised* Who helped you most when you were starting out?

My parents had this one friend who used to read my works in progress when I was in high school. Every time he came over I would print out a chapter or two for him, and he read every single one of them. Considering how terrible I think those high school projects are now, I actually get a little teary thinking about how kindly and generously he encouraged and supported me by being my first “fan.”

That’s a lovely memory. Early constructive support is very important, I think, more so than early criticism or corrections. Thanks for speaking with me Clare – and adding yet more to my long ‘want to read’ list.

Clare’s LINKS:

Twitter: @ClareUrbanski, @VillainFangirl

Facebook: https://www.facebook.com/clareurbanski.author

 

Daughter of the Times: Louise Fein

Real people living though unprecedented times – sound familiar? This is what author Louise Fein brings to life in her novel People Like Us  (see my review of this wonderful book here). Inspired by her family’s real life travels and tribulations, Louise looked at the historic events of Nazi Germany from both sides, creating wonderful characters who will resonate with readers. How can such things happen to ‘people like us’?

Welcome, Louise, lovely to speak with again. I see mention of your novel everywhere  such as in the latest issue of the Historical Novel Society journal. I’m so glad to see it getting the attention it richly deserves. You came to writing later, after studying your masters – what advice would you give an aspiring writer?

Author Louise Fein

Author Louise Fein

LOUISE: My advice is: persist, persist, persist. Writing is a long game, so don’t be in too much of a hurry. Read as widely as possible, it’s the best and most vital way to becoming a writer. Set yourself easily achievable targets. Ones which don’t seem too daunting. You most likely have a job or busy life around which you must write, so at the end of a long day, you probably won’t want the prospect of writing 2,000 words. But, if you set a target of just 500 words a day, four days a week, you will easily have a first draft within a year. A comfortable target means you are less likely to bail or procrastinate. Then, once you have a first draft, even if it’s terrible (and most, certainly mine, are) you will have something to rewrite, edit and polish. Only when it is as good as you can get it, should you consider sending it out.

Yes, I agree, and I’d probably add that you need to put it aside for a little before sending. How much research is involved in your writing?

A lot! I am currently writing historical fiction, so it’s a huge part of the process. For People Like Us, I travelled to Leipzig twice to conduct in depth research there; I read everything I could get my hands on about Leipzig in the 1930s, as well as fiction and non-fiction set in that time period. I listened to people’s recollections, read contemporaneous diaries, letters, official documents and even Mein Kampf, to really understand the mindset of the Nazis. My current novel is set in 1920s England and I’m having to do just as much research for that, although a totally different subject matter. Luckily I love the research part of the job.

Daughter of the Reich by Louise Fein

Published as Daughter of the Reich in the US

Can’t wait to see the new one! I guess that’s part of your writing goal for the next twelve months?

I am in the editing cycle for my second novel. I am excited for this book, but can’t say too much about it at present. I am also thinking ahead to my third book, and doing some early research for that. I have a setting for it, a premise and rough outline of a story, which is how I usually start. The early research is quite general but helps me to hone the story. I will then write a pretty rough first draft which will be a chance for me to explore my characters and story lines. Most of it will end up being ditched, but it’s part of the process. When I write the second draft, I will do more specific and detailed research as required. I will finesse and add depth and detail to the storyline. I will do at least three drafts, probably, before I feel ready to submit to my agent and editor. There will be further edits after that following their input.

And that process is why your writing is so good! Is it easy for you to meet other writers?

Before I started my master’s degree, I didn’t know any other writers. Through the course, I soon had a core group of writing friends and we continued to meet up long after the course had finished to critique each other’s work and to support each other in our journey to publication. Since getting my publishing deal, I have met a great many other writers, both virtually and in reality. They are, in my experience, THE most supportive, generous and lovely group of people who cheerlead each other. Writing is a lonely job and chatting to others who understand the writing life is crucial for me!

I find the #writingcommunity wonderful! Do you belong to a book club?

I belong to three! Reading is my passion and I also love chatting to likeminded people about books.

Three book clubs! That’s very keen. Where do you write?

I am very lucky in that I live in a 400-year-old converted watermill. In the garden we have an Elizabethan barn (dating back 500 years), beneath which runs a small stream, and which used to house a horse and some farm equipment. It has been converted into a library-style writing office, where I have my desk, a rug, couple of sofas and shelves full of books. I share the barn with some tiny birds who nest in the rafters and the odd bat! It is wonderfully peaceful and the perfect place for creativity, although, despite being heated, it is a little cold in the winter! My dog always accompanies me, curling up and sleeping in her basket at my feet while I type. Walking with her helps me solve many a plot hitch.

Writers and their dogs – a heavenly match. If I wanted to interview one of your characters, who would you suggest?

I think I would have to choose Erna. She is the best friend of my main character, Hetty. Erna is incredibly brave, selfless and a brilliant friend. We get to know Hetty in the book very well, having access to her inner thoughts and feelings. It would be great to know more about the lovely Erna.

I loved Erna, she’s great character. Do you send out a newsletter to readers?

I do. I send a quarterly newsletter to my readers who sign up to my website: www.louisefein.com You will receive a free WWII themed short story if you sign up and I promise, I won’t spam you!

That sounds like a wonderful deal! All the best, Louise, and let us know when Book #2 is here!

 

Louise’s Links:

To find out more, you can follow Louise on Facebook: https://www.facebook.com/louisefeinauthor/  or Twitter: https://twitter.com/FeinLouise or visit her website: www.louisefein.com

You can buy People Like Us from the following booksellers, or ask at your local independent store:

UK

https://www.amazon.co.uk/People-Like-Us-Louise-Fein/dp/1789545005

https://www.waterstones.com/book/people-like-us/louise-fein/9781789545005

https://www.hive.co.uk/Product/Louise-Fein/People-Like-Us/23814992

Australia

https://www.harpercollins.com.au/9781789545012/people-like-us/

https://www.amazon.com.au/People-Like-Us-Louise-Fein/dp/1789545013

USA

https://www.amazon.com/gp/product/0062964054

https://www.barnesandnoble.com/w/daughter-of-the-reich-louise-fein/1132922940?ean=9780062964052 

https://www.harpercollins.com/9780062964052/?utm_campaign=aps&utm_medium=athrweb&utm_source=aps

 

 

How to be Happy With a Book: a guide for readers and reviewers in three parts. PART ONE

In these days of lockdowns and revisiting old pastimes such as board games, knitting and baking, many of us* have been doing more reading. But are we enjoying our books?

*Well, not me, because I am a lifetime book addict and I can’t see how I could possibly do more reading. At least as long as eating and personal hygiene remain important.

How to be Happy with a Book PART ONE

I write books, and I love the fact that complete strangers read and review them – reviews are a kind of currency among authors. Most authors also read a lot, and a second aspect of my writing practice is book reviewing. To me, ‘book review’ = ‘book critique’ where ‘critique’ = ‘analysis and assessment of a book, including virtues and shortcomings’. In this series of posts, I want to talk more how to choose books better so that you spend more time reading books that suit you, and waste less time on the DNF* stories. This is about finding a book that makes YOU, dear reader, happy.

*DNF = Did Not Finish. A disappointment to the reader, and a cruel blow to any author…
Pile of books I have read this year

Some of the books I have read so far this year

As a reviewer, I see my task as working out which readers would like this book, and then telling them why. I don’t see the need to find fault, because I know that different readers like different things (gore, violence, swearing, romance, magic, philosophy, spirituality – you name it!). It’s a rare book, in my experience, that has nothing for anyone. I concentrate on finding out what’s good about this book, for which readers – hence the title of this series: how to be happy with a book.

As well as book reviews in print, there are also many online platforms to share our thoughts about books. Some readers check Goodreads reviews before they buy; others look at the Amazon scores. Authors sift through their reviews for good quotes to use on their book descriptions and some book bloggers check what everyone else thought about a particular book before they weigh in on one side or the other.

Reviews are not always positive, and authors are advised not to read reviews.* While it’s a fact that not every reader will love our books, we still like to see what others think.

*We do (read reviews of our books)

 

I read and review about 80 books a year. You might think that’s  a lot, but it’s perhaps a quarter of the books I’d like to read each year. How do I choose the ones that will please me best?

Clare’s three criteria for being happy with a book:

  1. Do I want to read this book? … cover, genre, look & feel, reputation
  2. Is the book well written and appropriate to its genre? … writing quality, genre stylistics, expression, editing, production values
  3. Was this book a success? … thoughts about plotline, characterisation, suspension of disbelief, resolution, afterglow

 

This post is Part One: choosing a book*

*I’m imagining that you have strolled into a bookshop or library, or you are scrolling online, just browsing for something to read. If you are looking for a specific author or title, you are way ahead.

 

First, look at the cover: The old adage that you can’t judge a book by its cover has lost most of its power now that book production is streamlined with access to high resolution images, huge banks of attractive fonts, and the growing language of cover art. You will know what kind of book it is by the look of the cover. For example, a cover that features the back view of a young woman walking away from us into a dark street will be a crime thriller. The cover with the hovering dragon will be a fantasy. The cover with the pretty blue and pink border around a scenic view will be a romance, and the cover with the little white cottage surrounded by a flower garden is probably a cosy mystery.

Add to this the helpful work of bookshop staff and librarians who shelve novels under genre categories*, and you should recognise immediately what kind of book you are looking at, even before you pick it up.

*Genres are often imposed by libraries and bookshops. Many authors, myself included, just write the next story that comes along. Then we have to propose that story to a publisher, who wants to know ‘what genre’? Good question!

You, dear reader, now have a decision to make. Do you like reading this genre? Perhaps you have never read anything in this genre and you’d like to try it. Are you going to pick up this book, turn it over and read the blurb? If the book looks promising so far, then onwards!

Next, read the blurb: The blurb is part of the cover. Often written by a marketing staffer, sometimes by a bemused author, the blurb conveys the essence of the book in a way meant to entice the reader. The relationship of the blurb to the contents is not fixed. The blurb is as accurate as the ad for your local pizza chain. Do they serve the best pizzas in your town? The answer will be different for each reader, or pizza eater as the case my be. The blurb is to ‘sell’ the book to you, not to summarise the story.

Then check out the inside: The look and feel of a book is important too, especially in physical books. The artwork, the paper weight, the font, the ink quality, the layout – all of these can have an effect on your reading experience. I find that the font and layout of e-books is important too, and the quality of the illustrations is paramount for graphic novels in electronic form. I would usually read the first paragraph too, to see if the style of writing is one I can easily engage with.

Reputation: Have you heard of this title? Heard of the author? Heard of the publisher? What about any recommendations printed on the cover or on the inside? What do these things tell you about this book – do you think you’re likely to agree with the puff statements? Maybe you’re looking for an Australian book, or a quick read, or an elevating challenge. You can usually discover quite a lot about a book without even reading its first page.

PART ONE SUMMARY:

So, we’ve had a look at the book and we should now be able to decide whether or not to give it a go. Remember, our goal is to have a happy reading experience. I don’t mind passing on a book that others rave about, if my reconnaissance tells me it’s not going to make me happy. After all, I can only do justice to 80 books a year!

Next time, I’ll look at Part Two: Is the book well written?

Until then, happy reading!

 

Remarkable Women with Carrie Hayes*: free love and votes for women

Carrie Hayes’ debut novel Naked Truth tells the story of real life sisters, Tennessee Claflin and Victoria Woodhull, American suffragettes and advocates of Free Love, who came to New York in 1868 and challenged the status quo.

*Author photo by Pamela Forbes
Tennessee Claflin, stockbroker

Stock broker Tennessee Claflin with investors, from The Days’ Doings, February 26, 1870.

Unusually and rather shockingly for women of the time, they opened a Wall Street stock brokerage and published a newspaper. In 1870, Victoria made history when she became the first woman to run for President of the United States.

Victoria Woodhull attempts to vote

Suffragettes Victoria Woodhull and Tennessee Claflin attempt to vote, from Harper’s Weekly, November, 25th 1871

Welcome, Carrie, and thanks for speaking with me. Can you tell us why writing is important to you?

Carrie: Writing is important to me because words and language are the most basic and spontaneous way for us (ie people) to convey our thoughts, feelings, dreams and everything else that goes along with being a human being. I love, love, love all forms of art- music, dance, theatre, and the visual arts, but writing is something almost everyone can do- at least to one degree or another. So that pushes its significance to the top of the list.

What’s your take on creative writing courses?

I think creative writing courses are incredibly valuable. They help tease out whatever natural flair you might have as a writer, at the same time as (hopefully) drilling in a little bit of discipline when approaching one’s work.

What would you like to tell aspiring authors?

My words of advice to any aspiring author would be to read as much as you can, particularly those writers you admire and would like to emulate. The books that you read are like free lessons and can only help you grow as a writer.

Can you give us some insight into your writing routine?

My go-to routine for writing involves as much procrastination as possible! But sitting at my desk is very heaven. It’s in a smallish room at the top of the landing at the house where I live. There’s a wall of books on one side and a small bed across from that where my dog snoozes while I work. The desk was a gift from a friend and had been her mother’s. It’s an elegant burled oak lady’s desk with a patina full of good vibes. It’s centered on the window and looks out onto the street. I can peer around my computer screen and watch the comings and goings outside. I don’t allow myself to quit for the day until some writing happens….Writer’s block is not really a thing for me, because a very brilliant writing teacher I had said, “Plumbers don’t get plumber’s block, you just have to work through it. Just get to work!” She also pointed out that 300 words a day come out to a novel a year, so there isn’t any excuse. My favorite writing food and drink is preferably something that isn’t sticky. I’m a pretty messy person, but a gooey keyboard is the worst. I tend toward salty savoury things whilst working, but then again it’s a rare sweet that I’d turn away from too..

Procrastination staved off by snacks sounds like a good plan! What kind of responses to your writing have you had?

“I didn’t want it to end….” was the best response I’ve had to my novel. However, reviews are tricky. Because whoever is reviewing the book might really, sincerely not have enjoyed it at all! And that puts the reviewer in an awkward position, I think… so one shouldn’t take these things too much to heart, but getting a negative review never feels good. Alas, it’s part of the deal of putting one’s work out there! An agent who wrote me a really nice rejection letter said my novel made him think of Annie Proulx‘s writing…. But I haven’t read much of her work, and the agent also rejected me, so I don’t know what to think about that. I guess I realised that I am a writer when it just became the default setting of how I spend my quality alone time. I wrote something in medium about that: this is a friend link so anyone can click on it and see it  in medium. https://medium.com/@carriehayz/for-dad-in-time-for-fathers-day-2f3368f78455?source=friends_link&sk=f730af86b5cafa8217227457ce1f1425.

It ‘s about my dad, who was involved in the New Journalism movement of the 1960’s. He would constantly say that I would be a writer. Of course, if one’s parent says something, it almost becomes a challenge not to do the opposite thing….  It wasn’t until he’d been dead 30 years that the writing thing really took hold and I just stopped fighting it.

That’s very interesting, if a little sad, but your dad was right. If writing is your go-to quality activity, then it’s definitely your way of life. Do you like reading too?

My favorite genre is historical fiction, which not coincidentally, is my genre. I love doing the research. It’s everything to me. In fact, I wish I were better at it. And to be honest, my favorite reader would be someone who just likes to read what I like to read! Something challenging but not too difficult! Something with lots of nuanced, even feminine perspective that doesn’t necessarily end the way that I want but something that leaves me feeling a little bit breathless and amazed by the narrative journey I’ve taken whilst reading the story, you know?

Naked Truth, or Equality, the Forbidden Fruit by Carrie Hayes

Naked Truth, or Equality, the Forbidden Fruit by Carrie Hayes

Your writing style is quite different to a lot of historical fiction. How have readers responded?

So far, my book has yet to gain much traction. It may be because it isn’t very straightforward. Also, some readers have really disliked the way I used news clippings and letters from the period to frame the action. Then there are those who find the jump cut style of the narrative rather jarring. I am a huge Baz Luhrmann fan, and the way he incorporates the jump cut in Romeo and Juliet left a very powerful impression upon me in terms of storytelling and structure, even now, years later. So, the way I wrote the book was an attempt to emulate that sort of perspective. I think that were I to write it again, I would stick with my guns, too. I just like a jarring, staccato style narrative. I do. So, if I could write a  note to a reader, I think it would say,

Dear Reader, 
THANK YOU for reading this! If you don’t know who Victoria and Tennessee were, now you will. They were real women who did incredible things, but were largely lost to history. 
I wrote this book with the hope of inspiring you, if only just a teeny tiny bit to take chances and to do incredible things. 
Also, Reader, please rest assured that at the end of the day, it doesn’t matter if your efforts go unheralded, 
incredible things are still worth doing. What matters is that you did them. 
With every best wish, Carrie

Thank you so much for chatting with me today, Carrie. Your Naked Truth book is on my TBR list for this year, and I’m very much looking forward to it.

Carrie’s LINKS

Website: www.carriehayes.net

The Book: Naked Truth or Equality: the Forbidden Fruit

On Amazon: Naked Truth or Equality: the Forbidden Fruit

Instagram: https://www.instagram.com/carriehayes1964/

Facebook: https://www.facebook.com/carriehayespage/

Blog: https://medium.com/@carriehayz