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Phyllis M. Newman tells a ghostly tale

Phyllis M. Newman is my guest on today’s Last Word of the Week. Born in New Orleans, Phyllis spent her formative years in Florida, Iowa, Mississippi, and on a dairy farm in Ross Country, Ohio. After a long career in finance and human resources at The Ohio State University, she turned her attention to writing fiction. She published a noir mystery, “Kat’s Eye” in 2015, and “The Vanished Bride of Northfield House” in 2018. Today she lives in Columbus, Ohio, with her husband and three perpetually unimpressed cats, ghostwatchers all.

Phyllis M Newman author

Phyllis M Newman author

LWOTW: Lovely to meet you, Phyllis. Tell me, when did you write your first story?

Phyllis: I was thirteen and attending junior high school. It was a murder mystery entitled M is for Murder. (At the time I was living in Dade County Florida, murder capital of the world.) I still have a copy of it somewhere (and since then I think someone stole my title.) Maybe I could brush it up and finish it? At the time, I didn’t have the maturity and discipline to complete it with a well thought out plot and exciting characters. I do remember that the main character was named after my best friend Rhudell.

Ahem, murder capital of the world…*shivers*…You totally should revisit that book! What do you think of dreams, imagination, and planning?

Only if you dream can you write. Only if you have an imagination can you create fiction. Planning, not so much. I prefer to start out with a strong character who has a set of problems and just write as if I am that person. I develop in my mind only a vague idea of where she will go and what she will do and about my major themes. Those details come to me as I flesh out the story.

Case in point, when I started The Vanished Bride of Northfield House, all I knew about Anne, my main character, was that she was orphaned, she secured training as a typewriter, she could see spirits, and it was set in England, 1922. You can see that any writer could develop volumes out of such a situation. It’s quite exciting to write in this way. It’s an adventure.

The Vanished Bride of Northfield House by Phyllis M Newman

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I love your method! What’s the highlight of your writing career so far?

When a traditional publisher accepted my manuscript for publication. And I got a cash advance. And a very professional editor worked closely with me for months to polish and improve the writing. After a year, I was holding a book in my hand with my name on it. Talk about dreams!

That’s a completely magical feeling. What are you most busy with at the moment?

I am polishing a finished manuscript, a novel in the same genre as The Vanished Bride of Northfield House. It is another gothic mystery with elements of the supernatural and a suspenseful romance. And, of course, trying to market and publicize my two other publications.

If you could say one thing to aspiring writers, what would it be?

Just write. Stop dreaming and put your fingers to the keyboard (or pen to paper. Whatever floats your boat!) The more you write, the better you are at it. And read. Learn what makes a good story. And don’t forget the craft of writing. Good story telling is an art, but good writing is a craft that anyone can learn. But you can only learn by doing. That’s more than one thing, but all of the above is important.

Excellent advice there, thank you. And the Last Word of The Week: What’s your favourite colour?

I wear yellow, the color of sunshine, at every opportunity

How lovely! Thank you so much, Phyllis, for being my guest on today’s last Word of the Week.

Important links for Phyllis:

Contact/follow/like her at www.readphyllismnewman.com,  @phyllismnewman2, or Facebook  https://facebook.com/ReadPhyllisMNewman/

Buy link for The Vanished Bride of Northfield House: http://www.amazon.com/dp/1939403456

British buy link:   https://goo.gl/uU5QBC

 

Eugen Bacon has Something to Say

Eugen M. Bacon describes herself as a computer graduate mentally re-engineered into creative writing. Eugen’s entrancing, highly-regarded work is widely published in literary and speculative journals, magazines & anthologies worldwide. She is also a professional editor … check her out at Writerly Editing Services

Welcome, Eugen! Wonderful to have you on Something to Say! What project are you talking about today?

Eugen: My literary speculative novel Claiming T-Mo  is out with Meerkat Press in August 2019. It is a lush interplanetary tale where an immortal Sayneth priest flouts the conventions of a matriarchal society by naming his child. This initiates chaos, unleashing a Jekyll-and-Hyde child—T-Mo/Odysseus. The story unfolds through the eyes of three distinctive women: his mother, his wife, his daughter, and the unbearable choices they must make.

Is there one aspect of Claiming T-Mo that you relate to most – a favourite character, scene, effect? Can you tell us more about that?

Myra—pronounced My (as in ‘my name is…) Rah(as in ‘ra-ra-rasputin’)—is one of my favourite characters.  She is half human, half alien, impulsive, and doesn’t really ‘belong’. But I also really like the complexity of T-Mo/Odysseus, his double persona that fools all but his mother, Silhouette. She is the omniscient narrator who haunts across the novel.

They all sound marvellous! What do you think drives you to pursue your creativity?

Dominique Hecq, a wonderful friend and mentor (she was my doctorate supervisor), articulates it best. She says that she writes to answer incipient questions troubling her mind, or to relieve some form of anxiety where cause may not yet be symbolised. She states, ‘I write because I must do so, exhilarating, detestable or painful though this might be.’

Like Hecq, I write to … find.

Very well explained! Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline. What can you say about your process?

My approach to the compositional space is with excitement, with a sense of urgency, with a knowing that writing is an active speaking. Writing is a search, a journey, a coming through. Text shapes my silence. It shouts my chaos. I often start with a skeleton, a general idea, and then the writing shapes itself.

Finally, what five words would you use to describe yourself as a writer?

Experimental. Inventful. Bold. Otherness. Poetic.

And entirely engaging! Thank you so much for having Something to Say, Eugen, and more power to your pen. Um, keyboard. Whatever 🙂

 You can follow Eugen on Twitter @EugenBacon

A special invitation from Eugen:

Please join me at my Melbourne Book Launch  on 1 August! It is a combined book launch, also celebrating Writing Speculative Fiction, published by Macmillan in 2019.

 

Lyn Farrell’s Wacky Man

Lyn Farrell’s debut novel, The Wacky Man, won the 2015 Luke Bitmead Bursary Award and is published by Legend Press. She is currently working on her second novel.

Lyn also writes articles, short stories, blog posts and, on occasion, songs and academic articles.

The Wacky Man cover

The Wacky Man cover

When she’s not at work or writing, Lyn is reading, singing, watching world cinema, or attempting to improve her Tibetan language skills (currently dreadful).

Welcome to Last Word of the Week, Lyn! Tibetan language skills? Interesting! Tell me, when did you write your first story?

I can’t remember writing stories when I was young, but I was always imagining stories. My sister used to tell us bedtime stories, that she made up as she went along. I copied that style in my own imagined stories, that I told to myself, especially when life at home got really difficult. My first written stories didn’t come about until English class at secondary school. I was allowed to go to school just for that one class as I was a chronic truant by the age of 12. I remember writing stories at this point in life as completely absorbing.

Stories often help, don’t they? What do you think of dreams, imagination, and planning?

I’ll answer the planning aspect first as it’s something I really struggle with. With my first novel I just dived in and kept writing, making mistakes and rewriting. It took me ten years so with the second one I’ve really tried to plan more. It hasn’t gone quite as I intended, I’ve had to create a second Scrivener document so that I can redraft my outline and copy across all the notes and scribbles into the right bit of the structure (this is partly because I dived into Scrivener without knowing how it worked!).

I never want to get afraid to just write as things come to me because I don’t have somewhere ‘tidy’ to put it immediately. On the other hand, my ‘jigsaw’ method of writing different pieces and spending hours finding where they fit isn’t the most organised one. I’m looking for that happy medium between planning and inspiration because I think you have to work within your own limits and writing style.

Imagination grows the more you use it. I write down thoughts and ideas as they  come to me, no matter how stupid they seem. Some of these ideas may never develop further, but capturing your brain’s imaginings is a great way to get over that harsh self-critic you carry around as well as being a good warm up for writing. And a few of my musings have later been used to give a character more depth or provide the backdrop for a scene. Imagination is never wasted.

I really enjoy dreaming, especially right now as I’m using nicotine patches to give up smoking. They have a known side effect of vivid, crazy dreams. My last remembered dream was watching a jet ski competition – where all the competitors were dogs. At this point in time I have absolutely no use for that but some of the best stories in the world make unexpected links between seemingly disparate events or things and/or are complete flights of fancy. Jet skiing dogs might just be the next bestseller. Love your dreams!

Great advice there: love your dreams! What’s the highlight of your writing career so far?

Winning a prize for my debut novel was definitely the highlight. I was told my first book was too ‘brutal’ to be easily marketed, because my main character is a battered child. I think it’s the fact that the child is not a silent entity, as so often happens in violent crime genre, but is ‘in your face’, that made some agents uncomfortable. Being awarded the prize gave me confidence that difficult subjects can be written about, can make beautiful writing. It’s also given me the motivation to keep writing.

That sounds very affirming. Good on you for persisting. What are you most busy with at the moment?

My day job keeps me very busy, especially as it’s marking season right now. I’m also reading a lot, mostly research for the second book, though I have to remind myself to take notes as both main strands of research are so fascinating.

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Ooh, fascinating. If you could say one thing to aspiring writers, what would it be?

Keep writing. The more we write, the better we get – and I don’t mean in terms of winning prizes. I mean in terms of writing what we want to write, with a precision and skill that satisfies us.

And the Last Word of The Week: What’s your favourite colour?

Teal.

Mine too! Thanks so much for talking with me today, Lyn! I’ll be on the lookout for your next novel.

Lyn’s Links:

Website: www.farrellwrites.co.uk

Twitter: @farrellwrites

Facebook: https://www.facebook.com/FarrellWrites/

You can buy Lyn Farrell’s The Wacky Man at WaterstonesWH Smith, Blackwells, and Amazon (paperback and Kindle)

Michael Pryor and the Graveyard Shift

Michael Pryor is a Melbourne author who writes in many veins: from literary fiction to genre sci-fi to slapstick humour, depending on his mood, and very successfully too. Over fifty of Michael’s short stories have been published in Australia and overseas, and he has  been shortlisted nine times for the Aurealis Award for Speculative Fiction. His short stories have twice been featured in Gardner Dozois’ ‘Highly Recommended’ lists in The Year’s Best Science Fiction and The Year’s Best Fantasy. Eight of his books have been awarded CBCA (Children’s Book Council of Australia) Notable Books status, and he’s been longlisted for a Golden Inky (YA book award) and shortlisted for the WAYRBA Award (Western Australia’s Young Readers Book Award).

He has also twice won the Best and Fairest Award at West Brunswick Amateur Football Club (Australian Rules), so I know he’s a fully rounded person!

Hi, Michael, great to talk with you. What project are you talking about today?

‘Graveyard Shift in Ghost Town’, my scary/funny YA sequel to ‘Gap Year in Ghost Town’. Details on my website (http://www.michaelpryor.com.au/novels/graveyard-shift-in-ghost-town/) and there’s a book trailer on YouTube: https://youtu.be/DFFENgtydDI

Graveyard shift cover small

Oh, that’s so cool!  Is there one aspect of The Graveyard Shift that you relate to most – a favourite character, scene, effect? Can you tell us more about that?

The book is set in Melbourne, my home town, and it’s a bit of a love song to a city I love. After years of writing stories set in imaginary locations, it was fun to write in a setting that I knew well. Instead of trying to work out how far it was from Imaginary Castle A to Imaginary Desert B, I could just use my local knowledge.

What do you think drives you to pursue your creativity?

I’m driven by the fact that anything else I could be doing would be a whole lot less fun and wouldn’t suit me nearly as well. Besides, I want to be part of the ranks of storytellers that stretch back to the dawn of language, because storyteller is such a human activity, part of who we are.

So true! Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline. What can you say about your process?

I liken it to using stepping stones to cross a swiftly flowing river. The stepping stones are well thought out ahead of time and are in place, nice and solid. Between, though, it’s fluid and changeable, able to take you anywhere.

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That’s perfect. A plan with flexibility, I like that. Finally, what five words would you use to describe yourself as a writer?

Methodical, organised, persevering, playful, open.

Thanks for taking with us today, Michael, and all the best with your Graveyard Shift!

Michael’s Links:

Website: http://www.michaelpryor.com.au

Twitter: @michaeljpryor

 

Eugen Bacon impresses with the Last Word

The wonderfully talented Dr Eugen M. Bacon (MA, MSc, PhD) studied at Maritime Campus, less than two minutes’ walk from The Royal Observatory of the Greenwich Meridian.

Today’s guest on Last Word of the Week, Eugen is a computer graduate who has mentally re-engineered herself into creative writing. Eugen has published over 100 short stories and articles and multiple anthologies worldwide.

She is also a professional editor, of the very highest quality (yes, she edits some of my work! Much to my delight.) Today Eugen has agreed to tell us a bit about herself and her writing.

Eugen Bacon 2

Eugen Bacon Author

LWOTW: Welcome, Eugen! Tell us about when you first realised that you are a writer.

Eugen: I knew as a child that writing took me to a mystical place. There was flair in my letters when I wrote them—remember real letters, pen on paper, before email? Always vivid in my imagination, English composition was my favourite subject in primary and secondary school.

I express myself best in writing. I look at my text, and it’s exactly what I mean to say. Sometimes I feel but lack words to clarify the feeling until I put it to text.

A natural-born writer, then. That’s impressive! Do you rely more on dreams, imagination, and planning?

I love dreams, especially when my departed beloveds come to visit. I dream in colours and smells and sounds.  Never music, I don’t think… But I hear conversations and the timbre of voice, for example my mother’s. And I imagine. I always imagine.

Planning is a discipline that came as part of doctorate studies. It was excruciating but necessary to chart my non-fiction. But shorter fiction is spontaneous. Planning would ruin it!

Claiming T-Mo

Sounds like a great balance you have there. What’s the highlight of your writing career so far?

Please don’t make me choose! Every text has led me to where I am. Even those stupid earlier pieces Amazon has refused to take down! I was young and impulsive, and I really wanted to get published.

My very first achievement came in winning a writing competition and the Writers Bureau in the UK published ‘Morning Dew’, my very first publication. I later republished the short story as ‘The Writer’—it is a cathartic piece that is also autoethnographic, fictionalised. It was also my first earnings as a writer. Fifty pounds.

Frankly, the doctorate opened the literary world. Suddenly I networked and had access to publishers who were open to give my work a go.

Meerkat Press is a highlight, one of the best publishers to work with. The US book tour for Claiming T-Mo is just magic.

So many highlights, of course you can’t choose. What are you most looking forward to at the moment?

I love my work as an editor, especially when I read a piece of text that stirs me.

I would love to write professionally, but all formal reports on writers’ earnings paint a dismal picture. Only a rare few authors can truly live on writing alone without subsidiary income.

I am excited about current writing projects—a cultural novella set in Australia; a graphic collection of speculative flash fiction; a prose poetry collaboration… I also have a collection of speculative fiction out with Meerkat Press in 2020.

I am also savouring the 2019 release of my two books: Writing Speculative Fiction (Macmillan) and Claiming T-Mo (Meerkat Press). Reviews so far are very promising.

Sounds like you have plenty to be getting on with. If you could say one thing to aspiring writers, what would it be?

Edit, edit, edit. Make sure you professionally edit your work. Stay away from boutique publishers who will snatch all your publishing rights and continue to make the work available long after you’d rather they didn’t.

And, most importantly, don’t keep a shrine of rejection slips. Work at quality, read the authors who most inspire you, and keep submitting until your work finds the right home.

Great advice there. And finally:
Who would you be if you were a fictional character?

Professor Moriarty. A tantalising mastermind. S/he’d be a person of colour.

Aha! That makes a kind of sense, I must say.
Thank you so much Eugen for having this week’s Last Word.
Twitter:@EugenBacon

Southern Skies Publications up and away

Today I’m so pleased to introduce you to Chris McMaster, who has wonderful news for all of us speculative fiction folk: writers, readers, book lovers that we are.

Here is news of a brand spanking new publishing house, that is not only seeking submissions, but also looking for staff to be involved with a new and more equitable business model.

Now you just HAVE to read on, don’t you?

Welcome to my blog! What project are you talking about today, Chris?

I’m launching a new publishing company—and a new type of publishing.

Southern Skies Publications  is a traditional small press indie publisher, established to bring Australian and New Zealand speculative fiction to print, and to work with other writers to bring their novels to life. I wanted to specialise in speculative fiction from down under: especially science fiction in all its many forms (Hard, Soft, Opera, Military, Dystopia, Apocalyptic, Alternate History, Time Travel), fantasy (Dark, Epic, Heroic, High, Low), and more.

I want Southern Skies to be able to help authors get their books to market. Self-publishing can be daunting. Traditional publishers can be closed doors. Southern Skies can offer the label, as well as the freedom to play a significant role in the production and marketing of the product.

We’re now team building, looking for folks who want to apply as well as develop their skills through participating in this exciting opportunity.

Chris McMaster

Can you tell us more about why you’ve started up?

I was excited to be offered a contract for my first novel, American Dreamer. It plays with time travel, alternate realities, interference by ‘gods’, and fighting back. I am still waiting, after one year, to be assigned an editor. In the meantime, I’ve written the third book in that series (now with beta readers), wrote a science fiction book (I’m almost done with first draft!) AND learned a lot about the publishing business.

I studied the model of my American publisher and saw where it could be improved. I think I’ve done that with Southern Skies, and am seriously contemplating asking to have that first contract torn up. I think we can do a better job.

Oh, that’s quite a story! Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline. What can you say about your process?

I love analogies, and have applied this one to Southern Skies: The whaling venture. It took me a very long time to finally read Moby Dick. I tried every few years, and eventually succeeded. As well as being a cracker of a yarn, it has an intriguing business model. Everybody on board a whaling ship has a percentage of profits. On those ships, it was whale oil. With a book, it is royalties.

Think back in time to when we didn’t know any better and whale oil was a valued and lucrative commodity. Ships were sent out to hunt whales, and it was only when they returned with the oil that any profit was turned. Somebody fronted the money for the ship (in most cases with Southern Skies that is me, but not always). They got a share of the profit. The captain of the ship got a share—our writers. And everybody who worked on the venture got a percentage. The harpooners, the deckhands, the first mate.

The marketeers are our harpooners, and they always get a fair share. Where writers also market, and develop their platform, their share increases. Editors are indispensable, and they get a fair percentage. Cover design is vital, which is why our graphic artist gets a percentage. Of course, all this is negotiable. We can be more flexible than a Nantucket whaler when it comes to individual arrangements.

I like the analogy of the ship, as each book will have its own crew, ensuring the success of that venture. I have heard the, “I’m way too busy for that!” reaction, but we’re only as busy as we choose to be. We’re in charge of that. You might want to play a part in one book, or two, or even three. You can be as busy as you want to be.

Oh, maybe another analogy: think microbrewery. There are the huge brands, that mostly taste the same. Try to talk to the folks there and see how far you get. Then there are local brews produced by people who care. You go to the counter and order your pint, and you talk to the brewmeister about it. You can meet the team. You could probably even join the team.  The beer is special because of that, as well as the individual flavour it offers, and the pride the team put into their product.

Southern Skies is like that.

It’s great to hear how passionate you are about this venture, Chris. Where can we find out more?

You can learn more about Southern Skiesat: www.southernskiespublications.com. Just click on the contact tab to get in touch—we’d love to hear from you.

My author site is: www.christophermcmaster.com. Take a look and join my mailing list—stay up to date with my books!

Thank you so much for having Something to Say today, Chris!

Good luck to Southern Skies!

 

Isobel Blackthorn and the mysterious Last Word

Isobel Blackthorn writes great stories. She’s one of those accomplished authors who won’t be put in a box. Think thrilling mysteries, dark and dangerous romances, eerie occult tales and more. Every time I pick up one of Isobel’s books, I know I am about to be transported into an exotic location where I will meet intriguing characters who wrestle with particular circumstances…and I will have to read as quickly as I can to the end!

Hi Isobel, it’s wonderful to have you as today’s guest on the Last Word of the Week Q&A. Can you tell us about when you first realised that you are a writer?

Isobel: When I was eighteen, I developed a thirst for literature. I had uni friends studying English literature and I asked them for lists. That was how I feasted on Austen and Hardy, and then Zola and Flaubert and Kafka and Hesse. A little Sartre. I devoured those books and as I did, something in me stirred. I wrote little bits of poetry and song lyrics. I had not an iota of confidence, just a deep urge or impulse that would rise up in me every now and then. I heard the narrative voices of those books in my mind and I began to develop a narrative voice of my own, which proved to be a lot like Hesse at first. This was in the 1980s. It took decades before I had the time and space and self-belief to apply myself to learning the craft.

A great way to enter the world of writing, indeed. As a writer, do you rely more on dreams, imagination, and planning?

Ideas for new works emerge as if from nowhere. Little aha moments. It is rare that a whole novel will emerge at once. Sometimes many years go by before the initial impulse is developed into a book-length work. I do as little planning as possible. Too much planning can kill the creative spark. I prefer to let things flow as much as possible. Although writing mysteries and thrillers, there is always an element of plotting. And I usually know how a story will end so I have something to work towards. I am forever mindful of balancing the story elements and I am always fixated on the word count.

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Story ideas are delicate creatures, I agree. I think you wrangle them very well. What’s the highlight of your writing career so far?

Finding myself shortlisted for the Ada Cambridge Prose Prize. I have long coveted winning a prize or even just reaching the long or short list. A prize is a rubber stamp that tells the world you are really quite good at what you do. In a fiercely competitive and swamped marketplace, we need to stand out somehow.

Congratulations! Yes, wonderful to have that stamp! What are you most looking forward to at the moment?

That is a big secret.

Oh, how marvellous! Now you have me guessing. If you could say one thing to aspiring writers, what would it be?

Don’t give up. Writing is an all-consuming activity that will stretch you in unexpected ways. Enjoy the creative process and do not be defeated by rejection. It can take ten years and many books before you feel you have climbed more than a rung of the ladder. Above all, support your fellow writers. We are a vast community, published and unpublished and we can help each other progress in many ways.

Lovely, thank you! And finally:Who would you be if you were a fictional character?

Here is that curly question at the end of the exam! Just when you feel you are ahead and passing is assured, along it comes and dashes your hopes. Who would I be? I used to think I would be Cathy in Wuthering Heights. No more. But I can think of no single character. I am that woman who sits by her upstairs window and gazes out at the world. An artist, probably, and very solitary. Who is she? I am a lot like, or want to be a lot like the protagonist in The Oblique Place by Caterina Pascual Soderbaum. I urge all literary fiction fans to read that book.

It sounds intriguing – very suitable! Thank you so much for talking with me today, Isobel.

All of Isobel’s important links:

The Unlikely Occultist – viewbook.at/Occultist

http://isobelblackthorn.com

https://www.facebook.com/Lovesick.Isobel.Blackthorn/

https://www.goodreads.com/author/show/5768657.Isobel_Blackthorn

https://twitter.com/IBlackthorn

https://www.instagram.com/isobelblackthorn/

Trevor Lince in Room 119…

Trev Lince, today’s guest on Last Word of the Week, originates from Marske-by-the-Sea on the North East coast of England, but now lives in Darlington with his wife, Claire. A keen golfer and frustrated Middlesbrough FC fan, Trev gets to as many matches as work and leisure time allow. He writes in what little spare time he has. Room 119 – The Whitby Trader was Trev’s first book but he may have a few more stories bursting to get out of his head…

LWOTW: So pleased to meet you, Trev. I won’t mention Middlesborough, or golf come to that 🙂

Thanks for talking with me about your writing. Can you tell us about when you first realised that you are a writer. I gather you started quite late?

Trev: I attained an ‘e’ in English and am borderline dyslexic and only read 11 books in my entire life before I had the crazy idea of writing Room 119.

So I guess I am not your stereotypical author. I had a dream, told a few people and after a year or so banging on about it my lovely wife said

‘Well why don’t you write it Trev, you never finish anything you start EVER.’

Next day was 2 Jan 2017, 4 months later I wrote The End.

Room 119 cover

Good for you! Nothing like a spousal challenge, eh? Do you rely more on dreams, imagination, and planning?

Room 119 and Funicular were both born from dreams, or at least the idea and out line was.

I generally sort of know what’s next as I type. I never really have moments looking for inspiration. I can write 5 or 6k words every sitting when I’m in the mood.

I have, on both books, had a couple of nights after a heavy writing session gone to bed and had 6 or 7 dreams the continue the plot.

It’s actually hard to explain as you’re not asleep but not quite awake and I have to get up for water every hour, frustrating and tiring when it happens, but I’m glad it does.

That’s wonderful. Such a creative process. What’s the highlight of your writing career so far?

Seeing Room 119 – The Whitby Trader arrive in paperback in a box from amazon. That might be eclipsed if it becomes a film!

Screenplay done and I’m in talks with a few directors.

Wow that’s impressive. Congratulations! What are you most looking forward to at the moment?

It’s all about the next book, which I have been neglecting due to a new job and working hard to get Funicular out as an audiobook. Now that’s done I’m back on it.

If you could say one thing to aspiring writers, what would it be?

Don’t listen to anyone who says you can’t do it, if I can, you can.

Also when you get a bad review (I’ve only had one so far) then take it with a pinch of salt.

Equally don’t go overboard with your good ones, you can’t please all of the people all of the time.

It is nice when you get a good one though!

And finally: Who would you be if you were a fictional character?

Of my characters I would probably like to be Benjie the clown because I love him, it’s funny how you can make someone up and then they end up so real in your head.

When people say they hate clowns in books I end up sticking up for him like an old friend.

If not mine, then I said earlier I’ve only read 11 well 15 now, probably DEATH in Terry Pratchett books, quite a cool bloke, he’s just got a dodgy job.

That’s wonderful. Thank you so much for speaking with me. Your writing process is very inspirational. More power to you!

 

You can find out more about Trev on

Goodreads

Amazon

On Twitter @Room119TFLince

Room 119: The Whitby Trader

Funicular: what is truth when the past is a lie?

Funicular is also on audible

 

LJ Evans’ Life as a Country Album

LJ Evans, my guest on today’s Last Word of the Week, is an award winning author who lives in the California Central Valley with her husband, daughter, and the three terrors called cats. She’s been writing compulsively since she was a little girl and will often pull the car over to write when a song lyric strikes her. While she currently spends her days teaching 1st grade in a local public school, she spends her free time reading and writing, as well as binge watching original shows like The Crown, Victoria, and Stranger Things. 

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If you ask her the one thing she won’t do, it’s pretty much anything that involves dirt—sports, gardening, or otherwise. But she loves to write about all of those things, and her first published heroine was pretty much involved with dirt on a daily basis. Which is exactly what LJ loves about fiction novels—the characters can be everything you’re not and still make their way into your heart.

LWOTW: Welcome, LJ, it’s such  pleasure to meet you! Can you tell us about when you first realised that you are a writer?

LJ Evans: This question always has me stalling out. I mean…I’ve written since I was a little girl. Stories by myself. Stories with my sister. Novels. Screenplays. I published my first book, MY LIFE AS A COUNTRY ALBUM, because my sister “made me.” It even won an award, and the first 3 books in the series were nominated for and won some awards, and yet I still didn’t feel like a “writer.” I didn’t feel like I deserved that “tag.” Then, I joined a group of other writers online in December who were talking about all the same things as me. Plot problems, inspiration problems, publishing dilemmas, and it finally clicked. I am a writer. I am an author. It doesn’t matter what happens with the books I write (even if no one reads them). I love to create worlds and characters and stories, and that’s all it takes to be a writer.

You are SO a writer! Do you rely more on dreams, imagination, and planning?

Imagination. I get a LOT of inspiration from music. I’ll be listening to a song and the lyrics and I’ll see a whole scene or a whole novel plot including the characters and sometimes even their names. Is that a little bit of dreams and imagination? I don’t know. I do know that I’m not a planner. I don’t plot out stories before I start, so sometimes that means I have to start over or do more rewrites, but for me, I have to just learn the characters and the story as a I go. I’ve also learned that this is okay. To not plan. There is no one way to write just like there is not just one book that fits everyone. Be you as you write, and that will shine through.

All my books have playlists…in fact, music is so entwined in my books that each chapter starts with a song title. My latest book has over 30 songs tied to it.

Playlist: https://spoti.fi/2W5cesF

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That’s completely inspirational. I love it, thank you! What’s the highlight of your writing career so far?

Having my first book win the Independent Author Network’s Young Adult Book of the Year was pretty cool. Having no idea, but being nominated for an UTOPiCON Award was huge. But really, the true HIGHLIGHT of my career has been when people I don’t know reach out to me and tell me that my book impacted them in some way. I’ve had lots of parents of Type 1 diabetes children reach out to me, and it makes me realize that I’ve brought attention to a disease that is often overlooked because a lot of people don’t get that Type 1 is NOTHING like Type 2 diabetes. People don’t understand that Type 1 can kill you in a heart beat or slowly and painfully. I love that my story has reached a community of people and wound its way into their hearts. That for me, is the best gift that I can ever have been given back.

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That is wonderful. To touch other lives in such a positive way must be very rewarding. Congratulations! What are you most looking forward to at the moment?

Summer. With time to cuddle the cats, time to see my girlie who is on her own creative writing journey at college, and time to read and write.

Oh…did you mean writing? 😉I’m definitely looking forward to writing some spin offs to my last book with characters that people have been asking for. Mac Truck to the rescue!

Well, writing and life are intertwined, aren’t they! If you could say one thing to aspiring writers, what would it be?

Don’t get hung up on how others are telling you to write. Write your way. Write your thoughts. Let “you” shine through. But do it a lot. Practice a lot. Write a lot. That doesn’t mean it has to be every day or a certain word count. It’s okay to ebb and flow in the volume of your writing and what you write. Just do it with your own authenticity. Then… TAKE THE RISK to put it out in the world. It’ll be worth it. I promise.

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And finally:Who would you be if you were a fictional character?

I WANT to be Jenny Weasley. She was cool, quiet, and powerful. If I can’t be her, then I’ll be Veronica Mars. Do you have the Veronica Mars show in Australia? It has been “off” for several years, but has a new season coming out on Hulu in July! Veronica is played by Kristen Bell, and she’s like a modern-day sassy, bada$$ Nancy Drew. I’m not sure I’ve ever been that sassy, and I’d love to be.

Great choices there. And isn’t it wonderful how writing allows us to let out our sassiest selves?

Thank you so much for speaking with me today. A truly inspirational interview. Plus music! What could be better?

Find out more about LJ and her books at www.ljevansbooks.com

AUTHOR SOCIAL MEDIA SITES:

Bookbub https://www.bookbub.com/authors/lj-evans

Amazon https://amazon.com/LJ-Evans/e/B071R365YK/

Goodreads https://www.goodreads.com/author/show/16738629.L_J_Evans

Facebook https://www.facebook.com/ljevansbooks

Facebook Group https://www.facebook.com/groups/LJsMusicandStories/

Twitter https://www.twitter.com/ljevansbooks

Instagram https://www.instagram.com/ljevansbooks

Pinterest https://www.pinterest.com/ljevansbooks/

On my wish list: Writing Speculative Fiction

A book I covet has just been published.

Author Eugen Bacon is here to tell me all about it.

Welcome to Something to Say, Eugen! Can you tell me about your book, published this month by MacMillan?

Eugen: Writing Speculative Fiction: Creative and Critical Approaches is an accessible read about vibrant storytelling of speculative fiction that crosses genre.

It’s a cross-disciplinary book that scrutinises the characteristics of science fiction, fantasy and horror, and considers the potential of literary speculative fiction.

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Eugen Bacon Author

That sounds wonderful. As a genre-hopper myself, I’m fascinated by insights into all of these. Is there one aspect of this book that you relate to most?

I really love this book because it is a reader’s paradise. It has vignettes and excerpts and samplers from renowned artists and novice students. It has writing exercises at the end of each chapter. It offers provocative and useful insights on speculative fiction, moving—as one reviewer professed—‘between ideas and stories, between analysis and narrative’. It is a book that celebrates amazing authors like Ray Bradbury and Octavia Butler, and supreme theorists like Roland Barthes and Simone de Beauvoir in embracing the pleasure of the text, and writing about the ‘other’.

I’m sold! I want my copy asap (but you have to sign it for me). What do you think drives you to pursue your creativity?

Dominique Hecq, a wonderful friend and mentor (she was my doctorate supervisor), articulates it best. She says that she writes to answer incipient questions troubling her mind, or to relieve some form of anxiety where cause may not yet be symbolised. She states, ‘I write because I must do so, exhilarating, detestable or painful though this might be.’

Like Hecq, I write to… find.

Writing Speculative Fiction

You write with very fluid genre borders yourself, of course.

How do you do it? Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline.

What can you say about your process?

My approach to the compositional space is with excitement, with a sense of urgency, with a knowing that writing is an active speaking. Writing is a search, a journey, a coming through. Text shapes my silence. It shouts my chaos. I often start with a skeleton, a general idea, and then the writing shapes itself.

Finally, what five words would you use to describe yourself as a writer?

Experimental. Inventful. Bold. Otherness. Poetic.

Eugen, thank you so much for having Something to Say!

Here’s an invitation for us all! Put it in your diary.

Please join Eugen at her Melbourne Book Launch on 1 August at Readings in Hawthorn! Eugen will launch her new spec fiction, Claiming T-Mo (more about that soon) and also celebrate the release of Writing Speculative Fiction.

I will be there :-), having my copies signed. Can hardly wait.

Twitter: @EugenBacon