Rosalie Ham is an Australian author most famous for her debut novel The Dressmaker, a black satire about love, payback, and 1950s haute couture, which was made into a major motion picture starring Kate Winslet, Judy Davis, Liam Hemsworth, and Hugo Weaving in 2015.
Recently I was fortunate enough to meet Rosalie at an event where she explained how the movie was made, her part in it, and the challenges of shifting a story from prose to film. Rosalie was so inspiring that, grabbing my courage in both hands and telling myself that being scared every now and then is good for me, I introduced myself and asked if she would consider appearing on the Last Word of the Week blog. And here she is!
Thank you for joining me today, Rosalie. Can you tell us something about yourself that you think anyone who reads your book/s really ought to know?
Rosalie: I tend towards the ironic, and so some readers don’t ‘get’ that sort of tone or my black humour, but I get that not every book is for every reader.
That’s a great way to think about it, very wise. What is your favourite scene from your own writing? Why?
I have favourite scenes in all four novels, so I’ll pick a couple. In The Dressmaker it’s at the end when Sergeant Farrat is sitting on top of The Hill. Everything around him is razed, the landscape burned flat to the ground, smouldering and smoking, cinders floating. The District Inspector of Police arrives and asks, ‘What happened?’
The sergeant replies, ‘There’s been a fire.’
At the beginning of Summer at Mount Hope Phoeba, Lilith and Maude are sitting on the narrow bench of the family sulky which is stranded in the middle of a roadside dam. The three 19thcentury ladies are wearing their Sunday best, sheltering from the sun under their vast, ostrich plumed hats. Their skirts are bunched on their laps exposing the lacy trim on their bloomers, their boots are up on the dash, slimy green water swirls just below their bottoms and the tail of the horse supposedly conveying them to Church floats before them. In the quiet of the country lane, they hear a carriage approach. It is the grand Britzka containing the wealthy neighbours from the vast property to the west. Maude speculates, ‘They may not notice us.’
Oooh, yes, these are perfect. From what I have read, I understand that your characters are not completely imaginary, but based on real people. Has anyone recognised themselves in your books?
I suspect most writers create characters using elements of real people. Because characters, basically, carry a theme, creating a plausible vehicle is my main focus. The added personality traits are instilled to make them more memorable and hopefully readers might then find empathy with a character and his or her purpose. Some readers out there might just recognise why a character says and does certain things.
No, I’m not a character in any of my books. Generally, in order to create an effective character for a particular role that character needs to do what you want them to do. Their intention is their narrative drive, if you like, so their intention has to be quite separate to what I might say and do. It’s essential to strive to present a balanced argument, so you need to think about alternate arguments and create characters to present them so they all need to be other than the writer’s personal point of view. The story becomes about the argument rather than how I feel about the point I’m prosecuting.
That makes sense. Take yourself back ten years – what would that Rosalie like to tell you?
Trust your ability. Believe in yourself more, go for it, your stories will reach further than you imagine.
Amazing, yes. What’s next for you in the world of writing?
More writing. I’ve got a few more events to attend this year to promote my last novel, The Year of the Farmer, then there’s a rough first draft of my fifth book that I’m dying to get stuck into. As I see it, there are at least two more novels I could write. And I have a dream that one day I’ll adapt one of my novels to a stage play. And I need to do all of this while teaching part time.
What’s the single most important quality in a writer, in your opinion?
Talent. Some books are written through sheer determination and they’re good. Readers will get much from them, but some writers are different, their stories boil straight from the heart, they burn and shimmer, they’re well-structured and moving, revelatory, unique, life-changing, and above all, memorable. That sort of writing can’t be taught, it comes from the way writers look at the world and convey it to others.
And finally:Who would you be if you were a fictional character – one of yours, or someone else’s?
I’d be Phoeba Crupp from my second novel, Summer at Mount Hope. I’d grow my own grapes and produce fine wine, raise beautiful sheep with superior wool, cultivate exceptional grain crops and work hard with nature. Because I value friendship above romance, I’d carry sad matters of the heart in my back pocket like a spare hanky. When my father betrays me, I’ll turn that to my advantage and make my life a testament to female strength and the fighting rural spirit.
She sounds divine. Great choice.
Thank you so much for sharing with me today, Rosalie. I was indeed a pleasure and an inspiration to meet you.
If you’d like to book Rosalie to talk at your school, library or book club (or fundraiser, lunch, valedictory…) please get in touch with Booked Out Speakers, Melbourne on (03) 9824 0177. I can highly recommend her as a speaker!
Rosalie is represented by Jenny Darling and Associates (03) 9696 7750
But there’s always time to meet new authors and new fave books. I’m delighted to alert you to a fab share-fest from (my wonderful publisher) Odyssey Books. Throughout October, they’ll be featuring one author a day from their amazing list. I just love their ‘mission statement’: Odyssey Books : where books are an adventure.
Author Paula Boerlives in the Snowy Mountains of eastern Australia. Her lifelong love of horses began when she first rode a pony on a ranch in Canada, aged 7.
Paula’s writing career started at school where she wrote a story from the horse’s perspective for her final English exam. Combining her love of horses with her passion for travel, she has raced the native horses in Mongolia, climbed the heights of Colombia on horseback, and competed in Endurance rides around Australia. She claims the best way to experience a country is from the back of a horse.
Although not always on horseback, Paula has travelled in sixty countries on six continents. Her wonderful five-book Brumbies series was created from her experiences and love of our high country wild horses. The first Brumbies book became an Amazon ‘Best Seller’ in 2012. The final in the series, Brumbies in the Mountains, was published in January 2015. But there are exciting things coming! I’m pleased to interview Paula in this edition of Last Word of the Week.
LWOTW: Welcome, Paula. Can you tell us something about yourself that you think anyone who reads your book/s really ought to know?
Paula: I have been ‘horse mad’ since I was 9 years old and have ridden in many horse disciplines since then. My favourite has been endurance, as it has enabled me to see amazing places in Australia from horseback which I would never have experienced otherwise.
I also love dogs, and lesser liked creatures such as spiders and snakes.
I knew we had a lot in common. What is your favourite scene from your own writing? Why?
In the Brumbies series, my favourite scene is in book 5, Brumbies in the Mountains, where Ben rides his stallion up a mountain and sees an eagle flying high – below where he is riding. All the adventures in my stories are based on my own experiences and seeing an eagle flying below where I rode will always stick with me as a magical moment.
In my upcoming horse fantasy trilogy, The Equinora Chronicles, one of my favourite scenes (and there are many) is in the prologue, where the unicorn goddess creates tiny dragons from sea horses.
That sounds wonderful – I can’t wait. If I told one of your characters (you get to choose which one) that they were imaginary, how would they respond?
Shock! Of course they are real! To me anyway – they follow me around the house all day, chatting to me. When I finish writing a series, I experience grief at their loss, until I bond with the characters in my next work.
Of course they are, my humble apologies. Can you think of any books and/or writers who inspired you on your path to be an author? Can you tell us about that?
Easy! Elyne Mitchell’s Silver Brumby series. Not only did she inspire my writing, but I believe that subconsciously that is why I moved to Australia. As a 10 year old, I dreamed of being a flying vet in Australia (like the flying doctors but for animals). My family and friends told me that was unrealistic as no such thing was needed, but I had the wonderful pleasure of meeting the first female flying vet, Dr Jan Hills, when my husband and I looked after her Northern Territory property.
What a wonderful backstory! Now take yourself back ten years – what would you like to tell yourself?
Ten years ago I had just signed my first book contract (for The Okapi Promise, my debut novel which is based on my experiences in Africa where I spent five months travelling in an old Bedford truck). I would tell ‘that me’ to find a niche for my writing that spoke of who I was. I thought at the time it was travel to wilderness areas, but I now know that my brand is based on animals, predominantly horses.
Animals. I do so love them. What’s next for you in the world of writing?
The first of The Equinora Chronicles, The Bloodwolf War, will be launched at Conflux in Canberra, Australia, early October 2019. The other two books in the trilogy, which are written, will follow a year apart. Meanwhile, I am working on a sequel trilogy in the same world, with new and exciting characters such as a goat god and griffins.
So exciting! And finally: Who would you be if you were a fictional character – one of yours, or someone else’s?
Interesting question. I guess I AM whichever character whose point of view I am writing at the time. To pick someone else’s character, I’d love to be Nighteyes, the wolf in Robin Hobb’s Farseer trilogy.
Dear Nighteyes! Such a wise and resilient creature. He’s helped me through many a dark place.
Thank you so much Paula for sharing with me today.
Michael Pryoris a Melbourne author who writes in many veins: from literary fiction to genre sci-fi to slapstick humour, depending on his mood, and very successfully too. Over fifty of Michael’s short stories have been published in Australia and overseas, and he has been shortlisted nine times for the Aurealis Award for Speculative Fiction. His short stories have twice been featured in Gardner Dozois’ ‘Highly Recommended’ lists in The Year’s Best Science Fiction and The Year’s Best Fantasy. Eight of his books have been awarded CBCA (Children’s Book Council of Australia) Notable Books status, and he’s been longlisted for a Golden Inky (YA book award) and shortlisted for the WAYRBA Award (Western Australia’s Young Readers Book Award).
He has also twice won the Best and Fairest Award at West Brunswick Amateur Football Club (Australian Rules), so I know he’s a fully rounded person!
Hi, Michael, great to talk with you. What project are you talking about today?
Oh, that’s so cool! Is there one aspect of The Graveyard Shift that you relate to most – a favourite character, scene, effect? Can you tell us more about that?
The book is set in Melbourne, my home town, and it’s a bit of a love song to a city I love. After years of writing stories set in imaginary locations, it was fun to write in a setting that I knew well. Instead of trying to work out how far it was from Imaginary Castle A to Imaginary Desert B, I could just use my local knowledge.
What do you think drives you to pursue your creativity?
I’m driven by the fact that anything else I could be doing would be a whole lot less fun and wouldn’t suit me nearly as well. Besides, I want to be part of the ranks of storytellers that stretch back to the dawn of language, because storyteller is such a human activity, part of who we are.
So true! Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline. What can you say about your process?
I liken it to using stepping stones to cross a swiftly flowing river. The stepping stones are well thought out ahead of time and are in place, nice and solid. Between, though, it’s fluid and changeable, able to take you anywhere.
That’s perfect. A plan with flexibility, I like that. Finally, what five words would you use to describe yourself as a writer?
Today I’m so pleased to introduce you to Chris McMaster, who has wonderful news for all of us speculative fiction folk: writers, readers, book lovers that we are.
Here is news of a brand spanking new publishing house, that is not only seeking submissions, but also looking for staff to be involved with a new and more equitable business model.
Now you just HAVE to read on, don’t you?
Welcome to my blog! What project are you talking about today, Chris?
I’m launching a new publishing company—and a new type of publishing.
Southern Skies Publications is a traditional small press indie publisher, established to bring Australian and New Zealand speculative fiction to print, and to work with other writers to bring their novels to life. I wanted to specialise in speculative fiction from down under: especially science fiction in all its many forms (Hard, Soft, Opera, Military, Dystopia, Apocalyptic, Alternate History, Time Travel), fantasy (Dark, Epic, Heroic, High, Low), and more.
I want Southern Skies to be able to help authors get their books to market. Self-publishing can be daunting. Traditional publishers can be closed doors. Southern Skies can offer the label, as well as the freedom to play a significant role in the production and marketing of the product.
We’re now team building, looking for folks who want to apply as well as develop their skills through participating in this exciting opportunity.
Can you tell us more about why you’ve started up?
I was excited to be offered a contract for my first novel, American Dreamer. It plays with time travel, alternate realities, interference by ‘gods’, and fighting back. I am still waiting, after one year, to be assigned an editor. In the meantime, I’ve written the third book in that series (now with beta readers), wrote a science fiction book (I’m almost done with first draft!) AND learned a lot about the publishing business.
I studied the model of my American publisher and saw where it could be improved. I think I’ve done that with Southern Skies, and am seriously contemplating asking to have that first contract torn up. I think we can do a better job.
Oh, that’s quite a story! Many writers have described their processes using analogies – the famous Hemingway one, for example, in which he says that writing is simply a matter of sitting in front of the typewriter and staring at a blank page until you start to sweat blood. Others speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline. What can you say about your process?
I love analogies, and have applied this one to Southern Skies: The whaling venture. It took me a very long time to finally read Moby Dick. I tried every few years, and eventually succeeded. As well as being a cracker of a yarn, it has an intriguing business model. Everybody on board a whaling ship has a percentage of profits. On those ships, it was whale oil. With a book, it is royalties.
Think back in time to when we didn’t know any better and whale oil was a valued and lucrative commodity. Ships were sent out to hunt whales, and it was only when they returned with the oil that any profit was turned. Somebody fronted the money for the ship (in most cases with Southern Skies that is me, but not always). They got a share of the profit. The captain of the ship got a share—our writers. And everybody who worked on the venture got a percentage. The harpooners, the deckhands, the first mate.
The marketeers are our harpooners, and they always get a fair share. Where writers also market, and develop their platform, their share increases. Editors are indispensable, and they get a fair percentage. Cover design is vital, which is why our graphic artist gets a percentage. Of course, all this is negotiable. We can be more flexible than a Nantucket whaler when it comes to individual arrangements.
I like the analogy of the ship, as each book will have its own crew, ensuring the success of that venture. I have heard the, “I’m way too busy for that!” reaction, but we’re only as busy as we choose to be. We’re in charge of that. You might want to play a part in one book, or two, or even three. You can be as busy as you want to be.
Oh, maybe another analogy: think microbrewery. There are the huge brands, that mostly taste the same. Try to talk to the folks there and see how far you get. Then there are local brews produced by people who care. You go to the counter and order your pint, and you talk to the brewmeister about it. You can meet the team. You could probably even join the team. The beer is special because of that, as well as the individual flavour it offers, and the pride the team put into their product.
Southern Skies is like that.
It’s great to hear how passionate you are about this venture, Chris. Where can we find out more?
Bone Lines, Stephanie Bretherton’s debut novel, considers what it is to be human by engaging us in the lives of two women, separated by millenia. Stephanie is a wonderful communicator who has a fascinating backstory of her own – Born in Hong Kong to a pair of Liverpudlians, she is now based in London, but manages her sanity by escaping to any kind of coast, particularly far west Cornwall.
LWOTW: Welcome, Stephanie, it’s lovely to meet you. Thanks for sharing this Q&A about writers and writing. Tell us about when you first realised that you are a writer.
Stephanie: Probably the first time I got an A for a school composition! Those kind of dopamine hits can become as addictive as sugar. Just as well, really, as I have struggled with ‘numbers’ all my life. Words, on the other hand, have been my friends. It’s amazing what you can do with them, from creating and escaping into your own imaginary worlds, to coming back out into the ‘real’ world and communicating ideas, forming friendships, entertaining people, making them feel good.
If I had lived in the times of the prehistoric character in my book, Bone Lines, I would have been a rubbish hunter but would probably have made myself useful as the storyteller of the tribe.
That’s a great thought. You are obviously good at imagining yourself into the texture of your stories. Do you rely more on dreams, imagination, and planning?
I use all three. A dream might inspire, or help solve a problem, but that’s more passive. Active imagination is the key driver. Planning tends to come retrospectively, if that makes sense. I reverse engineer the planning once I have a character, a world, a theme, an idea that has been allowed to run free and take its own shape.
I love that notion! Reverse engineering planning – brilliant strategy for the imaginative writer! What’s the highlight of your writing career so far?
I have always worked with words, communication or ‘storytelling’ in one form or another, and there have been quite a few thrills and spills along the way, from reading the weather report on Hong Kong television to building my successful ‘boutique’ communications agency. But creative writing fiction in particular has always been my first love and publishing a book was a lifelong goal. So undoubtedly bringing my debut novel Bone Lines out into the world last September, as exciting and terrifying as that journey has been, has to be the highpoint so far
I’m glad you mention the terror. It’s something writers don’t always expect, but it’s certainly there, hiding among the joys and delights. What are you most looking forward to at the moment?
Three weeks unbroken chill at my bolthole in Cornwall in the summer, to rest, write, walk and play. I am very blessed to have found a corner of the world that fills my soul. I’ve had a rather nomadic life since childhood (though I have always been drawn to a coast) and I while recent generations of my family are not from Cornwall (we are misplaced Scousers) and I’d never spent much time there before, I had the strangest sense of ‘coming home’ when I visited friends near Land’s End three years ago.
I had a small inheritance after my widowed mother had died, and I found a tiny place near the sea that weekend, put in an offer on the train back to London and knew it would gradually become ‘my soul’s landscape.’ I still have to spend a lot of time in London for work, but whenever I can get back to Cornwall, it’s just magic. The perfect place to write. (And I really need to crack on with book two.)
That sounds divine – but yes, we need Book Two. (I’ll put aside thoughts of Poldark for the moment…very distracting…) If you could say one thing to aspiring writers, what would it be?
If it’s what you want to do so badly that you are prepared to make sacrifices of your time, ego, cash flow, personal life, and sometimes what feels like your sanity, then just keep writing – whether you are ever published or not.
If you have something that has to be said, a story that has to told, a head full of characters demanding to written about, if you feel most ‘yourself’ (and at peace with yourself) when you are writing, then write, write, write. But there are no guarantees. Anything can happen and you can get lucky, but it’s a hard profession in which to make either headway or money. On the other hand it’s also a wonderful profession to be a part of. You can also self-publish – but do that as well as you can too. All readers deserve your best, most professional work.
Do the work, learn the craft, take advice from those whose track record speaks for itself. Work with a good editor. If you can, pick a genre. I haven’t really yet, so am no example, but it will help when it comes to selling to the industry and then marketing – and know that marketing is a huge part of being an author too, so start to learn those skills as well. Nothing will just come to you though. Take rejection on the chin. You are unique, but you are not ‘special’ (yet) – writing is graft, but worth every minute, at least it has been to me.
Wonderful advice, thank you! And finally: Who would you be if you were a fictional character?
Atticus Finch, and Scout. The father in The Road, and his kid. Cathy and Heathcliffe. Pip, Abel Magwitch, and Estella. Or Joe and Biddy. Luke, Han and Leia. And Chewie. My Dr Eloise and all her lost lovers, and John, the priest. My ‘Sarah’ and all her ‘children.’ Aren’t we all the characters we have ever loved, learned from, or imagined?
LWOTW: Indeed we are! Writers and readers are the most changeable, and perecptive, of humand. Thank you so much for speaking with me, Stephanie, it has been pure joy.
Rachel Sargeant is the author of Kindle Top Ten bestseller The Perfect Neighbours. She is a previous winner of Writing Magazine’s Crime Short Story competition and has been placed or shortlisted in various competitions, including the Bristol Short Story Prize. Her stories have appeared in My Weekly and the Accent Press Saucy Shorts series. Rachel grew up in Lincolnshire, spent several years living in Germany and now lives in Gloucestershire with her husband and children. It’s wonderful to have Rachel here on Last Word of the Week. Here she is!
Hello, everyone and a big thank you to Clare for hosting me here.
LWOTW: My pleasure! Lovely to meet you. Rachel, when did you write your first story?
I wrote my first short story about sixteen years ago and was overwhelmed when it won Writing Magazine’s Crime Short Story competition. This story has now become the basis for my latest novel The Good Teacher.
That’s completely awesome, congratulations! What about your writing process – what do you think of dreams, imagination, and planning?
Ideas for scenes sometimes come to me when I’m swimming, but I don’t very often dream about my writing. I suppose planning is the most important to me. I’ll come up with an idea and need to plot it out to build it into something worthwhile. Sadly, I don’t have boundless imagination so I have to work at it.
When you’re swimming? Interesting! What’s the highlight of your writing career so far?
The success of The Perfect Neighbours has been very special. I got a real buzz out of seeing it at WHSmith in Waterloo Station next to the Booker Prize winner. And it was lovely to get a bouquet of flowers from HarperCollins when it reached 100,000 sales. They are great to work with.
That’s fabulous, congratulations Rachel. What a winner. What are you most busy with at the moment?
I’m working on the fourth draft of a serial killer thriller that features a new character, a forty-three year old detective inspector called Steph. I’m also gearing up for the promotional tour of The Roommates, a psychological thriller set in a university freshers’ week which comes out later this year.
If you could say one thing to aspiring writers, what would it be?
Never give up. Despite beginner’s luck with my first story, it took me another fourteen years to improve my writing technique enough to attract an agent and a mainstream publisher. Just write, write and keep writing.
And the Last Word of The Week: What’s your favourite colour?
More about The Good Teacher by Rachel Sargeant
Even the good have to die.
A beloved teacher is murdered and left in a ditch beside a country lane. His wife is found beaten and gagged in their suburban home.
Even the best schools have secrets.
New detective Pippa Adams learns that the teacher ran a homework club for vulnerable pupils. But what did he really teach them?
Even the perfect family has something to hide.
When Pippa scratches the surface of the school community, she meets families who’ve learned a shattering lesson. And finally uncovers the good teacher’s darkest secrets…
Julie Ryan writes Romance with a Twist. Her three Greek Island mysteries reveal the darker side of those seductive getaways, and her latest contemporary romance Finding Rose links back to Tudor days and also the time of my own special interest — the Great War. Enjoyable and enthralling are some of the words readers use to describe Julie’s novels. Finding Rose is very high on my TBR list. You can see all of Julie’s books on her website.
Welcome, Julie, it’s so nice to meet you. Tell us about when you first realised that you are a writer.
Julie: Good question! I remember reading somewhere that Stephen King said something along the lines of … ‘if you receive a cheque for your writing and it pays the electricity bill and doesn’t bounce then you can consider yourself a writer’. Funnily enough, because I self-published my first book, I didn’t think of myself as a writer even when it did well. After it came out in paperback and I could physically hold a copy of my book, it all became a bit more real. Now, with five books behind me I still have to remind myself sometimes that I am a writer!
Do you rely more on dreams, imagination, and planning?
I start with a very rough plot and a couple of characters but by the end the finished product usually bears little resemblance to the original idea. I admire people who can plot out their book in every chapter but it’s not how I work. I quite like the idea that my book evolves as I write and I really have no idea how it’s going to end.
They do tend to develop a life of their own, don’t they! What’s the highlight of your writing career so far?
There are a couple of key moments that will always stand out for me. The first one was holding the print copy of my first book in my hands and realising that it now existed in another realm not just in my imagination. The second highlight was winning the Tim Poole Cup in 2018 with a poem I wrote.
What are you most looking forward to at the moment?
I’m currently writing a script for our local amateur dramatic society. It’s a totally new departure for me and if they like it, I’m hoping it will be performed next year. That would be really awesome!
That’s very exciting! If you could say one thing to aspiring writers, what would it be?
Sometimes the idea of wanting to create perfection can put people off writing. I would say just write and worry about editing it later. After all, you can’t edit a blank page.
And finally: Julie, who would you be if you were a fictional character?
I think I am already turning into Shirley Valentine. I saw that film five times when it first came out, as well as seeing the stage play. Not only did it provide inspiration for my first novel but I love the message of finding yourself. She’s also a really funny character but for me, any excuse to spend time in Greece is welcome.
How fabulous! Thank you so much for spending time with me on last Word of the Week.
Writer, reader, paralegal, knitter, and dog lover! Kellie Butler, today’s guest on Last Word of the Week, is my kind of author. Kellie’s historical novels in her series, The Laurelhurst Chronicles, are perfectly imagined and constructed stories dealing with love, passion, crime, and murder. The Laurelhurst Chronicles are Anglo-American stories set in the 1940s.
LWOTW: Welcome, Kellie! Thanks for being here. Tell me, when did you write your first story?
Kellie: I started writing when I was in high school. I was in a creative writing club, and I wrote for my student newspaper.
Good for you – great way to start. What do you think of dreams, imagination, and planning?
Some of my dreams make excellent fodder for scenes or stories. If I can remember them the next day, I will jot them down. I’ve always had a vivid imagination since I was a child, so I guess it’s a good thing that I’ve been able to turn it into a career. Planning. Hmmm. Since I write a series, planning is crucial for it all to make sense and for me to keep my deadlines on track. I give myself small manageable goals along the way to not feel overwhelmed. A dream without planning and execution won’t happen.
Excellent points, thanks Kellie. So, what’s the highlight of your writing career so far?
Oh gosh. My first book received a five-star review from another historical novelist who I admire immensely. I was jumping up and down the day I received it. I also just had my first author chat and book signing this year.
Exciting times, then. Congratulations on the 5 stars, that is wonderful. What are you most busy with at the moment?
I’m writing the first draft for the third novel (working title The Broken Tree) in my Laurelhurst Chronicles series.
I hope we see it very soon. If you could say one thing to aspiring writers, what would it be?
Believe in yourself, and don’t be afraid to ask for help from other writers. This process is a learning curve, and we all must start somewhere.
That’s great advice, thanks Kellie. One of the best things about this Last Word blog is hearing from other authors about their tips and processes. Finally, what’s your favorite colour?
Robin egg blue. It reminds me of spring.
Thank you so much for having me. 😊
An absolute pleasure, Kellie! Thank you so much for sharing.