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Posts tagged ‘imagination’

Last Word of the Week: Carmel Bendon

This week LWOTW interviews Carmel Bendon, whose debut novel Grasping at Water (great title!), will be released in the coming weeks.

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(Author photo by Uber Photography)

Grasping at Water combines “mystery, history and discovery” in a way that will make readers question how they look at life.

LWOTW: Hello, Carmel, lovely to meet you. Tell us, when did you write your first story?

Carmel: My father and step-grandfather were both great story-tellers and, from when I was very young, they always took time to read to me and tell me stories. And they encouraged me to tell my own stories, long before I could even write. So that joy in sharing stories was always there. The first story I actually remember writing was when I was about seven years old. It was titled “Charlie the Chimp” and it was about a very smart chimpanzee who built his own fabulous treehouse in which the central room was a library.

LWOTW: A library! Excellent idea. What do you think of dreams, imagination, and planning?

Dreams are a connection to the unconscious.

Imagination is the yearning of the spirit.

Planning is the harnessing of our brain power.

Those three together – dreams, imagination, planning – (and underpinned by love), are the essential foundations of a good life, and the necessary “ingredients” of all great stories, of all writing that truly communicates.

LWOTW:  What’s the highlight of your writing career so far?

For many years I was an academic and, in that capacity, wrote a number of chapters and articles in my field. One of my books (Mysticism and Space) was very well received (and reviewed) and that was a highlight as it represented the culmination of quite a few years of research and hard work. Since I’ve turned my attention to writing fiction, the acceptance of my novel Grasping at Water by publisher Odyssey Books was definitely a highlight. For me, now, the whole writing process is a highlight because I see it as such a privilege to be able to tap into my creative as well as my logical side every day at my desk.

LWOTW: That’s impressive! What are you most busy with at the moment?

As my novel Grasping at Water is due out in September, I am busy with the admin and promotion that goes with it.

LWOTW: Grasping at Water will be published later this year. Can you tell us a little more?

Here’s the description:

“What if everything I had believed all my life was revealed to be completely wrong?”

When a young, unidentified woman is pulled alive and well from Sydney Harbour in 2013, the connections to another woman – found in similar circumstances forty years earlier – present psychiatrist Kathryn Brookley with a terrible decision as the events of the present and past begin to mirror each other and the gap between truth and illusion shrinks. When the young woman goes further and declares that she has lived continuously since coming to ‘understanding’ in the 14th century, her vivid accounts of life, love, childbirth, and loss in the Middle Ages seem so authentic that they test Kathryn’s scientific objectivity to the limit. As Kathryn delves she discovers that she is not the only one whose habitual assumptions about life have been torn asunder by an apparent experience of the miraculous in connection with the mystery woman.

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LWOTW: That sounds very mysterious. If you could say one thing to aspiring writers, what would it be?

Read!

And the Last Word of The Week: What’s your favourite colour?

PURPLE.

 

Carmel’s Links

Website:       https://carmelbendon.com/

Twitter:        @CarmelBendon

Instagram:   @carmelbendon

Something to Say: Petra Kavile

Today I’m pleased to welcome playwright Petra Kavile to tell us about her play, Oil Babies, which is coming very soon to Northcote in Melbourne. OIL BABIES explores climate change and our continued “hope-investment” in procreation compared with our feelings of helplessness at the state of the planet – and our role in its demise. Babies – to have or not to have?

STS: Welcome, Petra. Can you tell us a bit more about your upcoming project?

My play Oil Babies is opening at the Northcote Town hall as part of Darebin Arts Speakeasy on August 9-18. It’s being produced by the wonderful guys at Lab Kelpie.

STS: That sounds great! Is there one aspect of Oil Babies that you relate to most – a favourite character, scene, effect? Can you tell us more about that?

Oil Babies is about the environment and babies, both of which have played on my mind lots in the last few years. The environment and our impact on it is a constant concern of mine (as I’m sure it is for many people) – but the structures that support us to live the way we do haven’t really taken minimising our impact on the environment into account. So we constantly have to be on guard and vigilant in our attempts to minimise our carbon footprint. Add babies into the mix and you’ve got thousands more tons of CO2 pumped into the atmosphere. And yet, we can’t stop reproducing. I’m guilty of it too. So that’s what first spurred the urge to write Oil Babies, this growing conflict in myself and amongst my friends and family – of wanting to live as lightly as possible in a world set against us doing so while we contemplate reproducing.

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STS: What do you think drives you to pursue your creativity?

I’m passionate about new Australian stories. I think stories help us figure out who we are and what we want and why we behave the way we do. I think there are fundamental ways of being that cross history and culture – but I also strongly believe that stories of our time, place and culture are necessary too. I can’t stop helping facilitate stories for today, it’s like a compulsion.

STS: A compulsion, yes, many of the creative people I’ve spoken to feel that way, driven to pursue their art. Many describe their processes using analogies – like speak of stitching scenes together, following characters on a journey, immersing themselves in a storyline. What can you say about your process?

I’m a dramaturg – a bowerbird at heart. I steal little bits from everywhere and weave together something that resembles the mess / conflict between my head and heart. I write for short intense bursts. I set myself a task and hopefully magic happens and I lose myself in creative flow. Then, the fun part of weaving all those tasks together begins.

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STS: That bower bird is a beautiful image, thank you Petra! Finally, what five words would you use to describe yourself as a writer?

Concise. Weaver. Cut-it! Humorous. Flexible.

Lovely words to live by and to create by. Thank you so much for having Something to Say!

You can view of promo video of Oil Babies here: http://labkelpie.com/oil-babies/

Oil Babies plays at the Northcote Town Hall from 8-18 August 2018. To book, go to http://darebinarts.com.au/oilbabies

IMAGE CREDITS:

All Oil Babies images are of Petra Kalive by Sarah Walker
Rehearsal image of Fiona Macleod, Jodie Le Vesconte, Petra Kalive and Kali Hulme by Adam Fawcett

 

Last Word of the Week: Mat Larkin

This week LWOTW is very happy to welcome the intriguing Mat Larkin, author of the newly released middle grade novel The Orchard Underground. Mat has a very inventive imagination – as I know from working with him on a project in the past – so I’m expecting some unusual responses … Read on with caution and delight …

Last Word of the Week: Greetings, Mat! When did you write your first story?

Mat: When I was seven, I wrapped a small, brown, corduroy belt-loop in a note and left it on the kitchen counter. The note read: ‘Dear Mum, this piece fell off my pants. Can you fix it please? Love Mathew.’

That story was a lie. I cut it off with scissors. Don’t tell my mum.

The first honest fictions I wrote were little stories when I was around nine. They all had Doctor Who in them. I wrote them while wearing a duffel coat with a recorder in the pocket that I pretended was the sonic screwdriver.

I could tell you I got over that phase, but I now know someone who writes for Doctor Who and the envy is scalding.

LWOTW: What do you think of dreams, imagination, and planning?

Mat: A really good therapist once told me, ‘enjoy your dreams, survive your nightmares, wake up, walk away and leave them be. Your subconscious is out of your reach for a reason. Keep it that way.’

It’s profound, wise advice, and I absolutely never follow it. Dreams don’t make sense — that’s not what they’re for — but they’re so damn compelling, so tantalisingly just a fingertip beyond our reach that our big, twitchy, far-too-curious human brains don’t stand a chance to resist.

I still can’t make sense of them, though. Why would Daryl Somers even want me to have orang-utan arms for legs?

Imagination is play, and I lost the habit of play until my son was born. He taught me to write by asking me to get down on the floor and stare for hours at a spinning top, to clamber into a cardboard box with him, to draw wings on that box and fly in it with him to Neptune, to stare at Venus together until the actual real photons that bounced off another planet were lodged forever in our retinas. Space travellers we welcomed.

My son taught me to play, and to write.

Planning is creative. I plan a novel by playing with my characters, writing their backstories, wondering what’s around the corner of the last street of the world I just invented, writing all my plot points on system cards then shuffling them to look for better patterns.

I mean it’s also a load of financial, professional and record-keeping tediousness, but it’s easy to forget in all that to keep a creative element in the more mechanical parts of your creative practice.

LWOTW: System cards! Wow, I’m impressed. They obviously work well. What’s the highlight of your writing career so far?

Adults have been very nice about The Orchard Underground, and that’s very nice. But I’ve been visiting a lot of the middle-grade book clubs run by Melbourne bookshops, and there is no substitute, as a middle-grade writer, for sliding politely past the adults and talking to kids.

The kids I’ve met have been incredible. They’re engaged, thoughtful, creative, rowdy and very much full of their own ideas about my story and characters. It’s been exciting to hear girls tell me they love my female protagonists Attica Stone and Slotcar, but almost more exciting to hear boys tell me the same thing. Boys finding non-male heroes is a big deal for me.

So the highlight of my writing career so far is this drawing of Attica Stone, which was done on the spot for me at a book club. I can’t begin to describe what it’s like to see my character appear like magic on the notepad page of a ten year-old girl who loves her.

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LWOTW: That’s wonderful! (I love Attica too – apologies for being an adult. I’m sure my child-self would have adored her, but I had to make do with A Little Bush Maid, who could at least ride horses, muster cattle, and fight bushfires as well as cook…) What are you most busy with at the moment?

Here’s my list

  1. A prequel to The Orchard Underground, working title: The Chameleon Thief
  2. Visiting schools, book clubs and anyone else who’ll have me to meet kids, talk about stories and hear their sensational ideas about double-decker ladders and rocket trees
  3. Reminding people that The Orchard Underground exists, is a cracking read, has a sloth in it and is available in good bookshops everywhere at a very reasonable price
  4. Writing on mental health for SANE Australia, a fantastic organisation that supports people affected by complex mental illness.

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LWOTW: If you could say one thing to aspiring writers, what would it be?

Two years ago I was uncertain whether I could make this career work. I kept going. Don’t give up.

Ten years ago I wrote an entire novel that never got published, and thought that was pretty much it for me. It wasn’t. Don’t give up.

Even with a book on shelves I frequently have moments when I feel like I’m not as good as proper writers. I don’t listen. Don’t give up.

I got a contract for my first novel eleven years into my writing career, at age 42. It’s never too late. Don’t give up.

The first draft of The Orchard Underground was extremely ropey, and so is the first draft I’m working on now. Publishers expect this. It’s okay. Don’t give up.

I absolutely bloody love this job and never want to do anything else. Don’t give up.

Don’t. Give. Up.

LWOTW: Fabulous advice! And the Last Word of The Week: What’s your favourite colour?

I’m reading Terry Pratchett with my son at the moment, so: octarine.

LINKS
You can follow Mat at matlarkin.com

Mat tweets  @matchtrick

And you can read my review of Mat’s book The Orchard Underground on Goodreads.

Last Word of The Week: Vacen Taylor

In LWOTW, writers share their thoughts about the craft and business of writing, with tips for aspiring writers and inspiration for all booklovers.

Today I am pleased to introduce you to the imaginative, inspirational and thoughtful Vacen Taylor, author of the Starchild series.

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LWOTW: When did you write your first story?

Vacen: I imagine that would be in grade one but perhaps not my best work. My first published story was written in 2009. It was a sci-fi flash fiction story written for an American e-zine.

LWOTW: What do you think of dreams, imagination, and planning?

In the stages of sleep, I love the fact that dreams are involuntary. Dreams today are still not entirely understood but they have been the subject for many writers, both scientific and academic. They have also been the stimulus for many famous stories. However, if I’m talking about hopes and dreams, having a yearning for something to manifest into reality, then I believe cherishing ambition from our imagination is vital for writers. But fantasising about the future won’t help us unless we work hard to fulfil those dreams. Of course, not all dreams come true, well, not always the way our visions might have created them in our imagination.

Speaking of imagination and forming new ideas, I believe it is the most creative resource we can own. Nothing is more powerful than our imagination. I can’t remember who said this but, if we can imagine it we can create it. True on most counts. And usually that requires a plan.

Ah, planning is a two-edged sword for me. Gardener or architect? I’m a gardener when it comes to a lot of my writing and not so much of an architect. So, I receive the seeds through my imagination. I plant them. I water them and watch them grow. The exception to that is screenwriting. I plan the script using a beat sheet. This works well for me when writing a feature film or short film script.

However, if I’m writing an essay for university then it is most definitely planned. Poetry and novels I allow to flow creatively.

LWOTW: What’s the highlight of your writing career so far?

I’ve had a few different highlights over my career so far. Signing my first publishing contract was a huge goal but the highlight of that came when I received my first box of books. #BoxOfBooksDay Yay!

Winning the 2016 Best Short Screenplay “Foiled” at The Good Dog International Film Festival was a highlight. Then receiving a commendation in the 2018 British International Film Festival was an amazing highlight.

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Another highlight was having my #8wordstory up on the GOA billboards around Brisbane and the Gold Coast.

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LWOTW: That’s a lot of great highlights already! What are you most busy with at the moment?

I balance my time between a few different forms of writing. Poetry. Novels. Screenwriting. Short stories. At the moment essay writing for a university is taking up a little more time than creative writing. However, I include my creative writing into my schedule each day.

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LWOTW: If you could say one thing to aspiring writers, what would it be?

The answer to this question keeps changing every time I’m asked it. And I’ll tell you the reason why.

A writer continues to grow and change psychologically, biologically, spiritually and socially throughout their life. Psychological change might include learning how to reflect on our personal experiences and successfully introducing change to our life. Of course, we don’t have control over biological change, but this change cannot be ignored because our body grows older. We are often challenged by that change. This change can affect how a writer might view his or her work, the subjects they write about and the way they write. Spiritual change is different for everyone. It happens to some early in their life and for others it comes as they mature or age. Over time our social and behavioural patterns change. Our culture and social norms might change, either involuntary or voluntary, but they do change.

So year by year my answer to this question changes because I’m changing.

The answer this year is…

  1. Don’t look sideways. By that I mean don’t compare your work to others.
  2. Write your way until you fall into your voice.
  3. Learn through experience. Nothing teaches you about life like experience.
  4. Become familiar with speaking about your work. This is often harder than you think.

 

And the Last Word of The Week: What’s your favourite colour?

PINK

 

You can follow Vacen on

Facebook: https://www.facebook.com/Vacen-Taylor-Author-233611656699562/

Instagram: https://www.instagram.com/vacentaylor/

Pinterest: https://www.pinterest.com.au/vacentaylor/

Twitter: https://twitter.com/VacenTaylor

Website: www.vacentaylor.com

To read more about the Starchild Series: www.starchildseries.com

 

 

Last Word of the Week: Laura E Goodin

And so it begins! The first instalment of the Last Word of the Week project is here.

In LWOTW, writers share their thoughts about the craft and business of writing, with tips for aspiring writers and inspiration for all booklovers.

Today I am thrilled to welcome the dynamic, witty, redoubtable Laura E Goodin as my inaugural interviewee.

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LWOTW: When did you write your first story?

Laura: I may have been…seven? It was about…my stuffed animals? Something like that.

LWOTW: What do you think of dreams, imagination, and planning?

That’s just about all I ever do think about: dreams, imagination, and planning. For me, the words are very nearly synonymous, and all three are as indispensible as breathing. My dreams and my imaginings are generally the first stages of planning for either my next real-life adventure or my next piece of writing. Or both.

LWOTW: What’s the highlight of your writing career so far?

While I’ve been lucky to have had lots of amazing writing adventures in a startlingly short time, from my first sale (a story accepted in Antipodean SF, although no money changed hands) to my first paid sale (a story in the Canterbury 2100 anthology from the Canberra Speculative Fiction Guild), from my six tempestuous weeks at Clarion South to entering the hall to receive my PhD in creative writing. But I think the highlight among many highlights has been the four-city launch tour I did when my first novel came out in 2016. Friends and family members from Melbourne, Canberra, Wollongong, and Sydney came to celebrate what they all knew was the dream of a lifetime for me, finally come true. I was particularly overwhelmed by the turnout in Wollongong: we’d recently moved away to Melbourne, and I’d sort of wondered if I might have gone out of sight and out of mind. But the room was PACKED with people I loved and missed, and their goodwill and pride filled my heart to bursting.

Goodin Wollongong launch Photo by Heather ONeill_larger

LWOTW: What are you most busy with at the moment?

I wish I could say it’s writing the next novel. But really, it’s keeping my editing business going and promoting my two existing novels. However, I’m taking steps to shift the balance back toward writing. I’ll never be less busy, but I’m getting to the point where, after a tough couple of years, I’ve got a bit of leeway to allocate my time in ways that favor the writing a little more. That said, I also maintain a complex program of extracurricular activities, some of which augment the editing business (I’m a professional fencing instructor and I teach writing whenever I get the chance) and some of which are necessary because they feed my soul a rich diet of magic and melodrama (that would be the bellringing), and some of which I do because I just plain like doing them (cooking and going to the gym would be examples).

LWOTW: If you could say one thing to aspiring writers, it would  be…?

I would sit them all down and I would stare at them until they began to shift uncomfortably. Then I would say in a hollow, sepulchral voice, “You will never be satisfied with what you write. You will always be convinced that everything you write is shit. You must write it anyway. You must. The shittiness is irrelevant.”

And the Last Word of The Week: What’s your favourite colour?

A rich, mossy, velvety green. The green of the soft, shaded carpet at the water’s edge. The green of contemplation and calm. The green I remember from the woods and mountains of my childhood.

LWOTW would like to thank Laura for her thoughtful answers, and also for being brave enough to go first! Love your work, Laura!

Links to Laura:

Laura’s web site: http://www.lauraegoodin.com

Laura blogs at: https://lauraegoodin.blogspot.com

You can find her on Facebook at: https://www.facebook.com/Laura.E.Goodin.Writer/

And Laura tweets @lauragoodin

Novels: Laura suggests that it’s best to search Amazon for After the Bloodwood Staff and Mud and Glass. Better yet, ask your local indie bookstore or library to get them in!

Image credit: The great photo of Laura signing her book was taken by Heather O’Neill.

 

On discovering that one is a writer…

Repost: An excellent read from Irish writer Evie Gaughan

I read somewhere that you don’t become a writer; you discover you are one, and I suppose that’s what happened to me. People always talk about their love of books as a child, but I also had a love of stories and storytelling. So much so, that I often made up my own and told […]

via My Writing Life — Evie Gaughan

Coming soon: the Last Word of the Week

Good news, readers and writers!

From the first Friday in July, we are starting a new project called the Last Word of the Week (LWOTW). Every Friday, a different writer will join me for a Q&A about the craft and business of writing.

I’m very much looking forward to getting started with all these clever, generous folk.

 

Image Credit: The Garden of Chenenceau, by Clare Rhoden

 

Writing exercise: back stories

Here’s an exercise that can help you get from an idea to a piece of flash fiction, from flash fiction to short story, and from a short story to a novel (or trilogy!).

I am often asked how I got from the short story “Man/Machine/Dog” to the novel The Pale, and this is one of my favourite techniques.

It also works to reduce writer’s block and start your imagination. All you need to start is one word. Give yourself a minimum 10 minutes to try this exercise, and let me know what you finished up with.

Step One:

Come up with a name. Just one name. [Betty or Blip or Foxy or Xianny, Miko or Tehuano or Dot. It doesn’t matter.] Write it down.

Step Two:

Give me FIVE adjectives to describe Blip. Just five, and as quick as you can. Don’t over work this part. [Blip is old, crabby, tired, inventive and smart.]

Step Three:

Answer these four questions:

  1. WHEN is Blip?
  2. WHERE is Blip?
  3. WHAT is Blip doing?
  4. WHY is Blip doing it?

[Blip lives in the twelfth century. She’s in a monastery. She’s trying to steal a scroll. She wants to learn to read.]

Step Four:

Who are Blip’s parents? Give me two more names. [Betty and Nomo.]

Step Five:

You have created a character and you know quite a lot about that character. Now write FIVE sentences to create a small story about your character.

Step Six:

Have a look at your five sentences. Now decide what, if anything, you as a writer can do with the results of your exercise.

For example, do your five sentences already form a piece of flash fiction? Do you want to write more about this character and her situation? Can you fill in more details about her parents, using the same technique? Can you create another character, using the same technique, and join their stories? Do you want to ditch the character, but work on the situation? Can you use what you’ve written as a back story to ground another idea?

Writing, for me, is a bit like creating an iceberg, that thing that you only see the top bit of. There’s a lot more backstory than ever appears in the final piece of work that is presented to the reader. Even if you never use the work you have done today, at least you have exercised your imagination and your writing skills. The best way to write more is to, um, write more!

Today’s great photo is by Ian Myles, from Flickr at
https://www.flickr.com/photos/imphotography/6953920766/

A Novel Kidnap

They have cut me off at the pass. They won’t leave me alone. They arrive at all hours and demand to speak to me. I feel that way too much of my life is currently in ransom to them.

And they’re not even flesh and blood!

Before you call the zombie apocalypse team or the ghostbusters, I will confess that these pesky creatures are of my own creation. When I started writing The Pale, I had no notion of how much attention these folk would claim.

My plans for February were: send Pale #2 (‘Broad Plain Darkening‘, or BPD to those in the know) to my wonderful beta readers, and give the manuscript a rest from me for a while (and vice versa). In the meantime, I aimed to spend time spruiking The Pale and attending to the thousand and plenty follow-ups. I also created quite a few questions for my beta readers to address before I embarked upon the next book in the series. I thought that their answers would help inform the action and the character development that I had loosely mapped out.

However, I planned without the consent of my characters themselves. They have insisted, and I have complied – Pale #3 has begun. Yes, it has a working title – but that’s way too embryonic for any other gaze at the minute.

Oh, and my jotted mapping of Pale #3? It may just go out the window. Character X really doesn’t want to do Z, even though it’s what I planned for him. He says he doesn’t want to head in that direction, and I have to listen to him.

Especially at 4 am.

Mapmaking, worldmaking

There are a number of fantasy mapmaking programs available free on the internet – who knew?

I’m especially fond of boing boing – where you can generate your own random fantasy world, and there are a number of others. Wonderful fun. I can (and did) spend hours exploring quite a few of them.

However, I need a map of a fantasy world which is not random, but which conforms to all the particulars I have created for it. I’m currently working on a hand-drawn draft, which is totally out of scale*, but is helping to put shape into the world of The Pale. I’ve based the coastline of the continent on various stretches of Tasmania and New Zealand, by tracing actual maps.

It’s huge fun and a big project. Once I get it into more reasonable form, I’m also going to make myself a city map for the Pale itself.

And yes, there are random fantasy city map generators out there, such as the excellent one by Geeknative.

*Just how far can a tribesman walk in one day across the hostile terrain of Broad Plain? That is the question – or one of them, at least!